Let's get this out of the way: I'm not a mom. I've never been pregnant. I've never given birth. So no, I don't have any firsthand stories. But I'm the youngest of four daughters - and I've heard plenty. And honestly, our mom ruined us. She loved being pregnant. She raved about her glowing skin, thick hair, and strong nails.
Situated above Ronan Day-Lewis, the writer/director of " Anemone" and son of Rebecca Miller and the film's star Daniel Day-Lewis, in his apartment is a painting of a luminescent creature you'll meet in the film during a particularly dreamy sequence. Day-Lewis, 27, is a painter himself, having shown work in New York, Los Angeles, Hong Kong, and beyond. He spoke to me over Zoom from his place in New York, where he just premiered " Anemone " at the New York Film Festival.
In his book The Narrative Brain: The Stories Our Neurons Tell, he points out that most of the Grimm brothers' fairy tales center on the vulnerability of their heroes. This vulnerability is often borne out of an earlier trauma-abandonment or orphanhood, for example-which leaves its character hypervigilant to danger and presumably with a certain level of cunning at recognizing and responding to that threat.
In Rise Above: Overcome a Victim Mindset, Empower Yourself, and Realize Your Full Potential (Penguin, 2025), psychologist Scott Barry Kaufman delivers a timely and incisive critique of what he calls "victim mindset culture"-the growing tendency for individuals to view themselves primarily through the lens of past hurts and limitations, rather than as active agents in their own growth and transformation.
The face of a Syrian refugee is the enigmatic key to this slow-burning drama-thriller, the fiction feature debut of French film-maker Jonathan Millet; it is hard, blank, withdrawn, yet showing us an inexpressible agony, a suppressed, unprocessed trauma, complicated by what is evidently a new strategic wariness. The refugee is Hamid (played by Adam Bessa), a former literature professor from Aleppo who is now in Strasbourg in France in 2016,
I was standing there, frozen in front of the shelves, phone in hand, scrolling through food lists that led to recipes that sucked me into the latest health trends. Ten minutes earlier, I'd come in for a bottle of almond milk. Now I was knee-deep in articles about the "five fruits to reverse aging" and a thread debating which pasture-raised vs organic eggs. My cart sat empty, my body stood still, but my thumb kept moving.
Western culture has taught us that suffering is a problem to be solved, discomfort a symptom to be medicated away, and trauma something to avoid at all costs. Yet, research by psychologists Richard Tedeschi and Lawrence Calhoun suggests we may have this entirely backwards. Their work on post-traumatic growth reveals that some of life's most profound transformations-positive changes in self-perception and relationships, greater self-awareness and confidence,
Have you ever gone completely quiet in the middle of an argument-your mind blank, your mouth frozen? Or felt so overwhelmed after a fight that you left-not just the room, but the relationship itself? I've been there. And for a long time, I didn't know why. I thought I was the problem, or maybe I was just cold. Unavailable. But I've come to understand something important:
Early trauma can have a multitude of detrimental effects and consequences-one of which is dysregulated arousal. Traumatic experiences can disrupt the normal functioning of the autonomic nervous system (ANS) and cause arousal extremes through overactivation of the sympathetic or parasympathetic nervous system (SNS and PNS, respectively). Indeed, individuals with trauma histories can experience hyperarousal (fight or flight mode; SNS activation) or hypoarousal (freeze or numbing; PNS activation) in response to perceived threats (Corrigan et al., 2011; Ogden et al., 2006).
In our current clinical landscape, "trauma" has become a ubiquitous term-both in the scientific literature and in popular discourse. The word is invoked in diagnostic manuals, self-help books, and even casual conversation. The dominant narrative around trauma today often privileges a view of trauma as a "thing"-a technical problem with distinct behavioral, neurobiological, or cognitive symptoms that exists apart from the lived experience of the person.
He said this to try and make me feel like schizophrenia is nothing that is really that different from what others experience, so I shouldn't feel weird, abnormal, or ashamed. I truly appreciate the intention behind what he is saying; however, it really has me thinking of this analogy, whether it has merit, and what the true differences are between a nightmare and a psychotic break.
Masked federal agents now routinely patrol the immigration court at 26 Federal Plaza, creating an atmosphere where immigrants fear not the hearings but their outcomes after dismissal.
Students have dropped out of summer and afterschool enrichment programs, opting to stay home in fear of U.S. Immigration and Customs Enforcement (ICE) agents detaining their family and friends.
Ismael, 13, and his brother Estebao, 10, recount their abduction by armed members of the ISIL affiliate in Mozambique, emphasizing the traumatic impact it had on them. They were seized from their village while playing, increasing concerns about the rise of child abductions in the Cabo Delgado region.
My sister, who I love, thinks she’s the only one who is right and gives unwarranted advice based on her current trends, which are increasingly concerning.
Anna Friel portrays Anna Mitchell, a mother dealing with profound trauma after her brother is released from prison and assaults her young son. The narrative explores her struggle with trust and the impact of this betrayal on her mental state.
Thematically, ‘The Narrow Road to the Deep North’ is about a group of Australian prisoners of war constructing the Burma railway in the mid-1940s, focusing on the lasting trauma of conflict and imprisonment.