#grief

#grief

I remember telling my coworker I had to leave, recognizing that he instantly knew what I had learned; I remember seeing a sunset so beautiful that words don't do it justice, as if grandma was telling me, "I'm better now," on my way back to the hotel, where I'd spend hours crying, wishing I could see her one more time, wishing I could squeeze cancer like a rotting orange, ridding this earth of its putrid juices.

Tests were run and I was told it might be a clot. I recognized it as the kind that had killed a friend of mine just the year before. She was my age and also a mom of two. Healthy. Strong. I remember hearing she'd gone to the hospital and thinking, She's tough. I'll see her later this week. She was gone less than 24 hours later.

As the year draws to a close, photographs offer us a way to look back at the moments that defined the year. This collection brings together images made by NPR photojournalists working in communities across the country, photographers who are documenting moments both consequential and quietly human throughout the year. These images don't just cover the year's biggest headlines, though, they linger on scenes, sometimes not widely known, that stayed with the people behind the cameras.

As the first Christmas after my son William's death approached, I couldn't bear the thought of putting up a Christmas tree. I couldn't imagine displaying all the nutcrackers we had collected together. I couldn't walk into our usual family gathering pretending to be OK. I was petrified of being watched, being whispered about, and being pitied by the other guests. I knew their concern would come from a place of love, but I just didn't want anyone else to witness my holiday grief.

Above all else, grief is intensely personal. Where hope is a thing with feathers, a flying, beautiful feeling we all recognize, grief is its opposite: a universal emotion that's nonetheless mostly private and impossible to convey in its depths. Grief creates a gulf between you and other people. I find that ironic, given its universality. We'll all lose someone or something foundational, but that certainty doesn't make it any more legible. Though it does resonate; it does produce echoes in others.

I've always been fascinated by India. It's my mum's favourite country and the house we share is full of treasures from her travels there, from peacock fans and silk scarves, to jewellery boxes carved from mango wood. I grew up hearing spellbinding tales of painted elephants and mirrored palaces, and India soon occupied a special place in my imagination. Having got to 42 without making it to the promised land,

I've been dating a great guy, "Max," for about a year. Not too long after we met (we weren't dating then), we started talking about family, siblings, etc. I mentioned I'd had a sister who died at a young age in a car accident. He said he'd lost a brother, "John," the same way. It bonded us in a way, and it wasn't long after that talk that we began dating.

When Marjorie Prime premiered a decade ago, its technology felt abstract and futuristic. Today, it feels incremental. Artificial intelligence is no longer a novelty; it is fluent, responsive, and embedded in daily life. What once played as a cautionary what if now lands as a question of habit: not whether we would use such technology, but why we already do.

Sacks was referring to specific points in the past, which we may cite as examples of nostalgia. But his comment reveals something deeper, which applies to obsessiveness, broadly, and perfectionism, specifically. Both often entail a preoccupation with a lost past, but one that substantially differs from anything resembling reality. While nostalgia romanticizes the past, it, at least, captures some part of it. With perfectionism, the longing is often for the possibilities of one's past, rather than for the past itself.

Poetry is traditionally taught - at least it was taught to me - as a kind of thing you have to endure in English class; there's no sense of it applying to your life. But poetry, good poetry, is the stuff of life. Poetry asks us to slow down and to think about what we're reading, but also to experience it.

Grief doesn't follow a script. Whether you've lost someone suddenly or are navigating the slow unraveling that follows a major life change, it can be hard to find space for your emotions, let alone make sense of them. That's where journaling comes in. This commonly therapist-recommended tool has been shown to ease stress, clarify emotions, and support long-term healing. And, no, it doesn't have to be done daily to make a difference.

In 2023, I lost my soul dog, Chubbs. He had been with me for 14 years through every apartment, every move, and even a cross-country relocation from Texas to New York. When he passed, it felt like someone had pulled the anchor from my life. I didn't just lose my dog; I lost my sense of safety and the steady presence that had guided every chapter of my adult life. The grief felt overwhelming.

Seeing that V was struggling both physically - being sick - and emotionally - being so close to the anniversary of Bon's death - Sandy gives her a charter off and sends her to recuperate at a hotel, knowing that V would never ask for the time off herself. It's a kind gesture that is spurred, in part, by Nathan, who notices that V is not getting better and alerts the captain.

I do have tremendous amounts of peace and acceptance around what happened because of how we were able to make it for her. Winslet's eldest son, Joe, was then 13. For him as a child, seeing that love poured into this moment was huge. And then he discovered through conversations with friends that that's so rarely the case. Six years later, in 2023, Joe decided to turn the experience into a screenplay.

Mom worked for almost two decades after her divorce, but could not financially make up for the years she spent as a housewife. The low-paying jobs she had while married - cleaner, waitress, and such - counteracted her higher income as an administrative assistant. She ended up grossing $575.00 a month from social security, despite the fact that she could have drawn against my father's social security allotment for more than double that amount.

Landman, at its best, is an occupational hazard drama about one of the most dangerous industries in America. We might pal around with an oil company's president all day by following the life of Tommy Norris (Billy Bob Thornton), but Landman's most engaging stories cover what happens when you run a business that reports zero days without an accident every single day. It's not just reenacting drilling explosions and gas leaksit's exploring the grief that comes with losing your loved ones on the job.

When the Norris family meets up with T.L. before the funeral, we get a glimpse of the charmer he once was. Or maybe that's just the power of Sam Elliott, whose palpable charisma rubs off on his screen partners. He's full of praise for Angela, Ainsley, and especially Ariana, with whom he forms a quick kinship based on a shared history of loss.

After the day of meetings, dinner, socializing, and after-dinner drinks, I found myself in the hotel room. On the surface, the day had been a nice departure from the stress of the prior weeks. But it was quiet, I was alone, exhausted, and felt numb. I stepped into the shower and, without warning, the floodgates of emotion burst forth, and I cried harder than I had cried in the weeks and months prior.

Birthdays are usually depicted as happy celebrations with loved ones gathered, a cake, gifts, laughter, and, if it's a child's birthday, games and balloons. Even when resources are low, as they are for many people these days, something-no matter how minimal-is often done. If you look on social media, you see all the photos of these eventsl, with everyone smiling and close.

It started young for me. I didn't really have anyone to talk with. My father was a sulky, silent brute and I couldn't risk getting yelled at or hit by speaking up. My mother preferred not to hear about turmoil and always told me to think happy thoughts, even as my older sister urged me to image the worst so that whatever did happen to me wouldn't be as bad as I imagined.

Can you believe it took this show seven whole episodes to finally dabble in necrophilia? As we saw last week, Dina Standish's husband, Doug, has died, and rather than calling the morgue and making arrangements, she simply gets ready for bed and goes to sleep next to the body. What could initially be seen as a relatable, albeit extreme, bit of procrastinating is soon revealed to be a reluctance to part with the body that lasts for days on end.

Blue baby, of the first generationwhose hole in the heart could be closed in an operating theatrewhere the show must and did go on, you thought yourself lucky as a sicklychild, who got to spend whole days reading long books in bed.An early obsession with Louis Seize and the costume drama of Versaillesmade you the director you were, blocking actors in your head.Or so we believed; you told good stories.

I've been getting close to a man for the past year and a half, and the other day we had a big blow-up. I didn't like the lax way that he was responding to me, and I wrote him a note saying as much. He got angry and accused me of speaking to him like he was my child. When I attempted to address the issue at hand namely, his unresponsiveness he got madder.

Since my wife died, I've reconnected with my sexuality. I've realised that my fantasies are actually available to me, not just something I live out through porn. And when I met Sophie, I discovered there's been a sexual revolution going on and I'd been missing out. In the early days, Sophie would wake me up in the middle of the night to have sex and we'd whisper fantasies to each other.

Over 600 pages this memoir of sorts ranges from her childhood growing up in the Canadian backwoods to her grief at the death of her partner of 48 years, the writer Graeme Gibson, in 2019, with many friendships, the occasional spat and more than 50 books (including Cat's Eye, Alias Grace and the Booker prizewinning The Blind Assassin and The Testaments) in between.

You shouldn't have to convince your husband to follow through on your dream vacation. He should have consulted you before inviting your son and telling him he will be included in everything. You wrote that you scrimped and saved for years to afford this vacation. How does he intend to pay for all those extra expenses for a third person?

There's always something of a melancholy tinge to Thanksgiving, an unspoken, primal awareness not only that this is one final bacchanal before the privations of winter set in, but that gratitude can't really exist without the experience of grief. The things and the people we feel most thankful for are too often the ones that are no longer with us. Perhaps that helps explain why several new films this Thanksgiving season center on loss and how to move on from it.

I am an only child. My father was killed in a car accident when I was 14 and my mother was 47. We were really tightly bonded after that. She worked at a university and was an artist: she painted and carved birds. She was a wonderful person, who lit up a room and was someone everyone wanted to be around. She was very giving. Later in life, she developed dementia. I left my teaching position to stay home and look after her.