Lauren Groff: If you want to write something that's going to affect people emotionally, you have to do it emotionally. Nick White: And it has to cost you more than the time you're spending writing. It pushes me to my emotional and intellectual capabilities. I feel like when something is working it is because all cylinders are firing, and I am working at the very bleeding edge of what I am capable of.
Tell me about what you had for dinner last night. There are different ways you could fill in the details of that story. You could give perceptual descriptions of how your food looked and tasted. Or you could focus more on conceptual experiences, such as what that food made you think and feel. In a new brain scan study, neuroscientists found that telling the same story different ways activates different memory mechanisms in the listener's brain, shaping how someone remembers what you told them.
Because they land in an inbox already flooded with hundreds of other requests and are immediately deleted. This is usually because they are written as announcements, not as compelling stories. They scream "look at us" instead of offering genuine value to the journalist and their readers. The brutal reality is that you only have seconds to prove you're different, and you can do that by being strategic.
I've bought and flipped through a couple of memoirs lately from popular recording artists. Tens of millions of people stream their music on Spotify every month. It's not surprising that traditional publishers would offer them book deals. What's surprising, at least to me, is how boring they are. One artist seemed to put little effort into the book; a ghostwriter did the heavy lifting. When the artist does interviews, he seems to be talking about nothing. The book feels the same way.
If you've ever worked in or around startups, you've definitely seen it: a small team, new funding, great enthusiasm, and a whiteboard full of objectives and key results (OKRs). Everything appears polished, strategic, and "grown-up." However, for early-stage products, the polish might be a trap. In the early, messy, uncertain stages of product development, narrative always outperforms strategy. A compelling story not only guides your team, but it also persuades investors, early adopters, and potential hires to believe in something that doesn't exist yet.
Final Fantasy Tactics: The Ivalice Chronicles is the strategy RPG I have been waiting for. I've been a Final Fantasy girlie ever since I discovered Final Fantasy VIII on my brother's PSX demo disk when I was a teenager. While I have loved, or found something to love, in every title since the original PlayStation era, this is my first time playing Tactics - a title widely considered among Final Fantasy diehards to be one of the franchise's best. With this new remaster, I now understand why.
The program prides itself in sharing personal stories and unique experiences of all types, with a goal of amplifying the voices of our community. It is crucial, now more than ever, to share your story. Local celebrities like Josh Kornbluth, Marga Gomez, Irma Herrera, Diane Barnes, and so many others got their start on Monday Night Marsh.
When product placement is used heavy-handedly in media, it can come across as disingenuous, and rightfully so. Nobody likes being advertised to while taking in a work of fiction, but art imitates life, and people buy stuff. More importantly, our cities, cupboards, and highway billboards all deliver one important message: brand recognition runs deep in our waking lives. We live in a consumer-driven landscape, so it's only natural that our media reflects this through product placement.
Jonathan Goldstein's narrative pod about regrets, mistakes and the pursuit of closure cancelled by Spotify in 2023 makes its return this week under the Pushkin banner, and it's been worth the wait. Heavyweight does up-close-and-personal like few other shows, and this first episode about a son's fears around his parents' cluttered house, and a plot to relocate their trinkets to a barn is both warm and spiked with melancholy. Hannah J Davies Widely available, episodes weekly from Thu
The Second Wednesday of every Month, The Setup presents"A Funny Thing Happened", a night of world class storytelling. You'll be joining bestselling authors, Emmy-Award winning writers, TED speakers, stars of The Moth Radio hour, Snap Judgment and accomplished comedic voices in an intimate setting right in the heart of San Francisco. "A Funny Thing Happened" Storytelling Night Every Second Wednesday | 8 pm The Beer Basement, 222 Hyde St,
The program prides itself in sharing personal stories and unique experiences of all types, with a goal of amplifying the voices of our community. It is crucial, now more than ever, to share your story. Local celebrities like Josh Kornbluth, Marga Gomez, Irma Herrera, Diane Barnes, and so many others got their start on Monday Night Marsh. Every Monday (unless it's a holiday), we feature 3 people who perform up to 20 minutes of their (work-in-progress) piece. Each group performs twice in a month. After each show, we do a Q&A with the audience and performers, which allows for the opportunity to give and receive any feedback. You can watch in person, or stream via zoom for free.
"It's never been about me," said Eggleton, adding that participating in the "Nevertheless: The Women Changing the World" documentary series on YouTube was her way of honoring her late mother, Geraldine, who inspired her to speak out and help others in her community.
Join us to enjoy an afternoon of art, reading, and storytelling in Black Gold: Stories Untold at Fort Point. From 1 to 5 pm: San Francisco Public Library Bookmobile Visit the SFPL Bookmobile, talk with passionate librarians, and pick up your library card just in time for back-to-school! Explore the wonderful curation of books selected by SFPL staff librarians, which illuminates the role that African American communities play in California's cultural, social, and political landscape.
The Lebanese-American designer, writer and advocate's entire oeuvre - from her research to her art - is rooted in the belief that everything is political. Having been displaced from Lebanon to Canada as a child, a survivor of war and a refugee, this is something she experienced first hand at a young age. An enormous truism whittled down to three words, 'Everything is Political'; at once a tagline - and the title of Semaan's digital and print publication ( EIP ).
Every industry has a story. But telling that story effectively is another story. This is especially true of niche industries, which typically cater to very specialized audiences. Growing that audience is a natural goal for every brand, but doing so while still maintaining that niche appeal can be a challenge. Fortunately, with a smarter approach to storytelling, niche brands can grow their following without losing the same brand identity that helped them appeal to their original audience.
With the unveiling of the enchanting Casina Cinquepozzi, a lovingly restored estate in Puglia, multi-hyphenate Thelma West added the role of hotelier to her activities as a jewelry designer and gemologist. Known for bold diamond creations worn by the likes of Rihanna, West has extended her vision into luxury hospitality. On Instagram, her world comes alive, blending jewelry design, gem-sourcing trips, and travel into one coherent narrative.
You've heard plenty of solutions for stress. From meditation and nature walks to cold therapy and yoga, the list is long. But a less well-known strategy can deliver some powerful results: storytelling. In fact, there is evidence that storytelling is good for your mental health and well-being for multiple reasons. Thinking about the best ways to reduce stress has become increasingly relevant. According to Gallup, 49% of Americans report they frequently experience stress.
I worked with primary school kids who were struggling with home and school life. One little boy, aged seven, had a tough exterior but would listen with rapture during story time.