In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.
The two-building complex aims to spotlight the many ways global artists, designers, and makers use creativity to shape the world, dedicated to creative opportunity and its power to bring change.
"I think Phnom Penh has become far more confident in its own voice. A few years ago, much of the retail and lifestyle scene felt either NGO-adjacent or heavily expat-driven. Now there's a noticeable shift toward Cambodian-led creative businesses that are designing for a more discerning local audience."
Seongsu-dong is Seoul's creative hub, where old warehouses and factories have been transformed into design studios, cafés, and showrooms. Often referred to as 'the Brooklyn of Seoul,' the industrial infrastructure, pop-up scene, and design-led façades make it a photo-friendly destination favored by many design-loving visitors.
Each Philippe Starck-designed villa begins with a grounded base formed in stone to give weight to the lower levels and establish a tactile connection to the earth. Above, the architect designs lighter structures, where glass and slender framing open the interiors toward the horizon.
A sprawling tale of two Singapores, the short documentary Sandcastles draws connections between Singapore, Michigan - a 19th-century ghost town swallowed by sand following widespread deforestation - and the island country of Singapore, where rapid development and land reclamation has, for decades, been enabled by the importation of sand. More poetic exploration than call to action, the work surveys waterways, cycles of development and the transient nature of sand - deceptively sturdy over short timescales but, over decades, quite volatile.
The announcement of a "Comprehensive Strategic Partnership" between Brussels and Hanoi last week places the EU side by side with China, the United States, and Russia as one of Vietnam's top-tier diplomatic relationships. Vietnamese President Luong Cuong described it as a "historical milestone underlining the great achievements that the two sides have made," during a meeting with the head of the European Council, Antonio Costa, in Hanoi.
For many years, bamboo has been mostly known as the favourite food of giant pandas, but a group of engineers say it's time we took it seriously as a building material, too. This week the Institution of Structural Engineers called for architects to be bamboo-ready as they published a manual for designing permanent buildings made of the material, in an effort to encourage low-carbon construction and position bamboo as a proper alternative to steel and concrete.
Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.
Hiroyuki Oki + 13 Principal Architect: Vo Trong Nghia, Nguyen Tat Dat Design Team: Nguyen Van Tung, Tran Thi Khanh Anh More SpecsLess Specs Hiroyuki Oki Text description provided by the architects. This project is located in Ben Tre, Vietnam, and was completed in 2021. With a total area of 430m2, the project includes 3 bedrooms and one living room, each with a view of the nearby river.
Sadec Garden is a small-scale accommodation project newly designed and located in the flower village of Sa ec, ong Thap, Vietnam. The project is approached as a quiet place of temporary stay, where architecture does not seek visual prominence but operates as a background for landscape, light, and local daily life. Rather than pursuing expressive forms, the design adopts an attitude of restraint, focusing on spatial organization, experiential sequence, and a soft relationship between architecture and the riverine context of Sa ec.
ODDO architects shape the public art pavilion T10A in Hanoi, Vietnam using over 40,000 recycled plastic bags as well as handmade paper. Developed as a temporary exhibition space for Vietnamese architecture projects, the design team draws inspiration from Hanoi's craft heritage. The structure includes traditional handmade paper, known locally as Giấy Dó alongside the recycled plastic. Alongside the public art pavilions, there are paper domes within which visitors can explore the architectural drawings and information of the exhibitions from inside.
Emerging in large numbers during Vietnam's construction boom of the 1990s, tube houses are defined by their narrow plots and deep plans, often resulting in dim and stuffy interiors. Exutoire reorganizes the core of the building and relocates the staircase, previously positioned at the center and acting as a spatial barrier, to the back of the plot and removes transverse partitions to open up each level, allowing light and air to travel freely through the depth of the house.
A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.