#adaptive-reuse

#adaptive-reuse

This is monumental for the city.

Text description provided by the architects. The expansion project of CPP College arises from the need to adapt the school space to new usage demands, respecting the identity of the original architectural ensemble, which was also designed by our office. The main question was to understand how to intervene in an already established architecture, adding value without compromising the existing language and harmony.

Luca Bosco + 34 Category: Houses, Renovation Design Team: Sarah Becchio, Paolo Borghino Collaborators: Andrea Loi, Francesco Sordo, Ilaria Boggiatto, Emma Colella, Margherita Randazzo Site Construction Supervision: Paolo Borghino Structural Design And Construction Site Safety: Fabio Borello Window/Door Frames: BrunettoLegno Timber Construction: Clen Legnami More SpecsLess Specs Luca Bosco Text description provided by the architects. At the entrance to the Po Valley, in the province of Cuneo,

Sometimes the best architecture happens when designers refuse to accept what's been left behind. The Hangzhou Empathy Museum, completed in 2025 by TAOA, is one of those rare projects that transforms architectural leftovers into something genuinely captivating. What started as an abandoned community project in Hangzhou's Xiaoshan District has become a striking contemporary art space that seems to hover above the ground.

A new chapter unfolds for the arts in San Jose as Starting Arts prepares to relocate to two vacant buildings in the North San Pedro District this May. The nonprofit, dedicated to student arts programs, will transform a former courthouse and MMA gym into a vibrant hub called The Shared Arts Center of San Jose. Spanning 25,000 square feet at 99 Notre Dame Avenue and 92 Sharks Way, this space addresses the long-standing need for affordable venues where creative groups can thrive together.

Text description provided by the architects. On the banks of the river in Sainte-Anne-de-Bellevue, Montreal, Mise à Jour Studio undertook thecomprehensive transformation of a heritage home. Formerly divided between a residence and a medical office occupying nearly half of the ground floor, the intervention opens up the spaces and enhances visual connections to the river, while bringing new light into the heart of the house.

Rather than replacing this structure, the project sought to preserve its spatial clarity while updating it for contemporary use as a combined residence and guesthouse. Rising construction costs further reinforced the decision to work carefully with the existing building. The design is based on the idea of 'enclosure' as a recurring condition across different scales: the valley that surrounds Hakone, the forest enclosing the site,

Peacock Ha'il is a project by Movs Studio located in Ha'il, Saudi Arabia, within an evolving urban context shaped by new construction and prominent geological formations. The site originally consisted of an unfinished structure positioned directly beside a tall formation, which became a defining condition for the project and a central design constraint. Rather than treating the rock as a backdrop or decorative feature, the design integrates it into the architectural logic of the café.

The project transforms a 19th-century farmhouse typical of the region, which brings together dwelling and agricultural functions beneath a single roof. Deprived of its farming use and located outside the building zone, this exceptionally large volume has become difficult to maintain given the limited habitable floor area permitted. In this context, the client's mixed housing/permaculture program represents a rare opportunity for a coherent requalification of the whole.

According to the jury chaired by Smiljan Radić, the finalist projects are exemplary contributions to the future of European architecture, demonstrating how the discipline can respond simultaneously to specific local conditions and broader social, cultural, and environmental challenges. The selected works range from interventions in former industrial sites, small villages, and peripheral urban areas to carefully calibrated projects within larger cities.

McDonald's locations in the United States tend to be pretty staid and uniform in design, but head abroad and things start to change. While there are a few American McDonald's that don't feature the traditional golden arches aesthetic, in historic international cities, you'll frequently find the burger chain housed in beautiful old stone and masonry buildings - with only a small McDonald's sign offering any hint of what's inside.

White villas step down the hills above Marbella, all glass balustrades and flat roofs, watching the Mediterranean below. The view is usually the star while the houses blur together, polite boxes that stay out of the way. PERLA flips that script slightly, treating the house itself as a single breaking wave pulled out of the water and pinned to the slope, a sculptural gesture that refuses to stay neutral or disappear into the hillside.

Text description provided by the architects. At 29 rue Nollet in Paris (17th arrondissement), for the Régie Immobilière de la Ville de Paris (RIVP), the client, the architectural firm NZI Architectes (Sandra de Giorgio, Gianluca Gaudenzi) completed in December 2025 the conversion of an obsolete car park into a social housing residence comprising 83 units. Gross floor area: 2,450.1 sq m.

Text description provided by the architects. The Bretislav Kafka Library in Cerveny Kostelec transforms a historic former inn into a bright, flexible, and welcoming public library. The design works with the building's original architecture, combining tailored interiors, playful furniture, and a distinctive color palette to create a space that is both functional and inviting.

Bringing such a culturally and historically significant building back into public use has been a huge privilege for everyone involved. This restoration has taken years of considered collaboration and care, guided by a shared commitment to do justice to the Town Hall's heritage while giving it a new lease of life and protecting it for future generations to enjoy.

The collection comprises , , and sculptural elements developed through repetition, modularity, and consistency. By working with standardized components, the project examines how structural logic can inform form, allowing typically concealed systems to become spatial and perceptible. Designed by Claudio Larcher and Sofia D'Andrea, the collection is based on metal drywall guides, technical profiles usually embedded within partition walls and left unseen. These industrial elements are extracted from their conventional context and reconfigured into objects with a linear and uniform architectural language.

The architects build directly from the industrial identity of the site. The project is structured around the reuse of shipping containers as a systemic decision. Containers become part of a broader architectural logic that treats sustainability as a holistic framework. Energy self-sufficiency, spatial efficiency, and material reuse operate together, with the building conceived as a balance between solid volumes and deliberate voids.

Studio Rossettini revitalizes House LB into a contemporary single-family residence with playful spaces that puts functionality and quality of life at its center. The from the early 1960s in Padua, reimagines the existing structure through its renovation, freeing up the perimeter walls and creating a fluid sequence of spaces that flow between the kitchen, dining room, and living room, with furnishings integrated into architectural niches.

Kulhads, also known as terracotta mud cups, once defined the everyday ritual of tea at railway stations across India. Used briefly and discarded soon after, they accumulated along tracks and coastlines, leaving a quiet record of consumption. For this pavilion, more than 18,000 of these cups were gathered from local communities in Dharavi and reused as a building material with structural purpose.

Danish architecture studio Henning Larsen has been selected to redesign and expand Glyvra School in the Faroe Islands, proposing a landscape-driven educational campus that responds directly to the region's topography and climate. Conceived as a "learning village," the project rethinks the role of the school in a small coastal community, positioning architecture and outdoor space as integral parts of everyday learning.

Younghusband is a cherished example of turn-of-the -century Victorian industrial architecture, employing vast redbrick structures, original ghost signage, and a distinctive saw-tooth roof.

The dream project for me isn't a skyline object or spectacle, it's a long-life system -a project whose structure is reused, materials are upgraded and recycled rather than replaced, and performance improves over time. Where sustainable strategies aren't hidden in basements, or rooftops, but become part of the architectural experience. A dream project would be an urban district reimagined, edited with a scalpel (rather than a sledgehammer) with its declining building stock given a new life through subtle upgrades, modest interventions, and attention to craft and building performance.

Tucked down a cobblestoned, tree-lined alley in the 11th arrondissement, just steps from the Place de la Nation, a Paris loft has been given a new life. The space, a former artist's studio turned residence, opens directly onto the street and is crowned by a transom window that floods the interior with natural light. Interior designer Caroline Pusset, who founded Studio Rœus with her sister, points to the soaring proportions as a starting point for the redesign.

Planned as an adaptive reuse of an industrial harbor structure, the project positions a former port building as a civic cultural facility woven into the maritime edge of the city. The proposal, with its dramatically curving rooftop, treats the existing fabric as a spatial and infrastructural resource, retaining its massing and presence while introducing architectural elements that enable public access and contemporary cultural use.

The potential of existing buildings to shape cities and communities in flux through reuse and adaptation is the key focus of HouseEurope! and their activism: addressing the pressing challenge across much of Europe, where it is often easier, cheaper, and faster to demolish buildings than to renovate.

Amid the tides of time, architecture bears witness to change, taking on new roles within the same site. Situated within an elementary school campus, the project occupies a rare, well-preserved early 20th-century residential buildingoriginally constructed during the Japanese colonial periodnow embedded within a contemporary educational environment. Once a humble dwelling, the space now serves as a rush-weaving classroom. Rather than restoring a relic, the design opens a dialogue between history and daily life, creating a third space between memory and use.

Even before the client decided to compete in the public sale of a military domain, he involved architect Maarten Dekoninck in his plans. He gave a positive recommendation and later transformed the brutalist building, characterized by concrete and steel windows, into a residential house with an office function.