"This sculpture creates a friction with the surroundings here in New York. It's not sleek like everything else you can see here. It offers a hint to the public that temporality is not necessarily a straight line, that things can come back almost like in a wheel."
"I center feminine figures and feminine energy and ideas. I wanted to really push the whole idea that this was a woman, so there's a collar and necklaces, and there's a light inside to indicate spirituality."
Inframundo invites visitors to look inward and become a rock, drawing on the landscape shaped by cenotes, which are thought to be portals to the Maya underworld.
The dream is the confusion machine I didn't have to build, a space where perception slips beyond authorship. Within Communal Dreams, influence operates as a subtle signal rather than a directive force.
The artwork, called We Move Through Scales of Blue, will comprise four photographic pieces installed alongside the escalators at both stations. As people go up and down, the images appear to shift and change.
The robot repeatedly inscribes text and images onto the glass surface using a marker, then removes them with a sponge. This cyclical action renders visible the process through which present events transition into recorded history, emphasizing the instability and revisability of historical narratives.
I'm a newly minted RISOTTO fan, completely charmed by their paper goods - like their adorable Risograph calendar and their delightfully graphic prints. Their subscription, Riso Club, has been going strong since 2017, sending monthly artist-collab postcards to members. Now they're celebrating a huge milestone: the 100th issue! To mark the moment, they're publishing RISOTTOPIA, featuring work from Nathalie Du Pasquier, Peter Shire, and Barbara Stauffacher Solomon. A very fun celebration for a very joyful print community.
"Ancestral Home," a quilted work by mother-son duo Mik and May Gaspay, is on display at the Redwood City Art Kiosk, 2208 Broadway St., through Jan. 4, 2026. The installation centers on their family's home in Enrile, The Philippines, which was destroyed by a typhoon. Through cutting, stitching and layering, the Gaspays reconstruct the house as both a personal and collective monument that honors family histories while reflecting on broader experiences of home and displacement.
"I'm hoping that Calder Gardens will really actually be a place for introspection," said Sandy Rower, president of the Calder Foundation (and grandson of the sculptor). Beneath the garden, 31 Calder works fill an indoor/outdoor sanctuary. The space is meant for reflection and contemplation. "We really want you to be able to have an unmitigated experience. We want nobody between you and the art," Rower said.
At the heart of Burning Man 2025, a striking new installation is redefining what's possible in art, technology, and immersive environments. "The Point of Unity," created by Ukrainian light designer and artist Mykola Kabluka, has quickly become one of the most talked-about highlights of the festival. This innovative work is not just a visual marvel; it is a multisensory experience that invites visitors to contemplate their place in the universe.
The BUTCHERED installation on Shell's gas platform visualizes climate damage from fossil fuel extraction, using a blood-like liquid to symbolize environmental impact.
Bourdon Street Chippy replicates a traditional British fish and chips shop, yet everything is crafted from felt, including the food and decor, creating a unique visual experience.
Cj Hendry's Flower Market is returning to New York City this September 19-21 at Rockefeller Center, following a successful installation on Roosevelt Island last fall.
The apparatus uses optical principles combined with reverse engineering algorithms to disrupt the scanner's perception, intertwining tangible events, recorded fictions, and imagined scenes to blur the line between authenticity and artifice.
War is a near real-time, physical manifestation of the language of conflict. It delivers quotes from news coverage of wars around the world, stripping away context and narrative to present war as it is: familiar, messy, and contradicting.
My patchwork veils are wired tapestries of images and texture...I want it to feel complex but simple at the same time. I want the details and the objects to carry memory and trigger viewers into thinking about their associations with certain patterns and textures.
Fragapane transforms cold data into engaging, emotional forms, using beauty to connect viewers with living narratives behind stark statistics.
