Ai Weiwei's new installation, featuring military uniforms roll-painted white and inspired by da Vinci's Divina Proportione, critiques the chaos of militarism and conflict.
War is a near real-time, physical manifestation of the language of conflict. It delivers quotes from news coverage of wars around the world, stripping away context and narrative to present war as it is: familiar, messy, and contradicting.
My patchwork veils are wired tapestries of images and texture...I want it to feel complex but simple at the same time. I want the details and the objects to carry memory and trigger viewers into thinking about their associations with certain patterns and textures.
The installation We threw them down the rocks where they had thrown the sheep by Nathan Maynard juxtaposes the serene yet uncanny expressions of embalmed sheep heads with a visceral commentary on violence.
I love it, because now that we have the lights, we can have functions in the evening [...] I always come to the farmers' market. I get my zucchini, I'm looking for some honey, so I can make my little fruit bars.
"I wanted the discs to work with the land's own intricacies, amplifying and negotiating with the space they inhabit, rather than asserting their presence over it."
Ralph Ziman's vibrant MiG-21 fighter jet, covered in millions of glass beads, transforms weaponry into art and recontextualizes Cold War imagery, debuting in Seattle.
Luton-born artist RIP Germain laments that a generation of UK drill artists has been wiped out, confined within the prison system, leaving the scene dormant.
