#art-installation

#art-installation

At the heart of Burning Man 2025, a striking new installation is redefining what's possible in art, technology, and immersive environments. "The Point of Unity," created by Ukrainian light designer and artist Mykola Kabluka, has quickly become one of the most talked-about highlights of the festival. This innovative work is not just a visual marvel; it is a multisensory experience that invites visitors to contemplate their place in the universe.

The BUTCHERED installation on Shell's gas platform visualizes climate damage from fossil fuel extraction, using a blood-like liquid to symbolize environmental impact.

Bourdon Street Chippy replicates a traditional British fish and chips shop, yet everything is crafted from felt, including the food and decor, creating a unique visual experience.

Cj Hendry's Flower Market is returning to New York City this September 19-21 at Rockefeller Center, following a successful installation on Roosevelt Island last fall.

The apparatus uses optical principles combined with reverse engineering algorithms to disrupt the scanner's perception, intertwining tangible events, recorded fictions, and imagined scenes to blur the line between authenticity and artifice.

Join us as we celebrate five extraordinary years of bringing Castro Valley together. What started as a transformative vision continues to become the heart of our community.

The Voyeur Of Utter Destruction (As Beauty) is an interactive video-game installation allowing participants to purchase explosions, with pricing dictating the magnitude of the blast.

In the United States of America you have the freedom to display your so-called 'art', no matter how ugly it is. - The Trump White House, June 2025.

War is a near real-time, physical manifestation of the language of conflict. It delivers quotes from news coverage of wars around the world, stripping away context and narrative to present war as it is: familiar, messy, and contradicting.

My patchwork veils are wired tapestries of images and texture...I want it to feel complex but simple at the same time. I want the details and the objects to carry memory and trigger viewers into thinking about their associations with certain patterns and textures.

When you see yourself, you're wearing your partner. I guess the work starts there: what it feels like to embody another person, which is quite strange.

Born Wet's sculptures blend the elegance of Carrara marble with aquatic design, treating aquariums as art installations rather than mere pet enclosures.

Rex's Dino Store is a 7-foot tall, papier-mâché T-Rex art installation at Grand Army Plaza, aiming to add whimsy to NYC subway riders' commutes.

Fragapane transforms cold data into engaging, emotional forms, using beauty to connect viewers with living narratives behind stark statistics.

Neto's installation at the Grand Palais captures a woven architecture that intertwines with its environment, merging artistic expression with sensory experiences to engage visitors.

From a distance, the structure appears as a luminous field, with density and porosity fluctuating depending on angle and light. The closer you look, the more it plays with your perception.

The artwork presents a thoughtful exploration of comfort, vulnerability, and the ephemeral nature of reassurance, allowing visitors to play and interact with the installation.

Feel the Sound is an invitation to explore the expanded world of sound, how we feel it, see it and the possibilities it provides for us to understand ourselves and the world differently.

Crafted from an intricate mosaic of plastic collected from Hawaiian beaches, the giant blue whale emphasizes the alarming presence of 150 million tonnes of plastic in oceans.

The KAWS:HOLIDAY installation in Bangkok features a massive version of COMPANION seated on Earth, evoking themes of connection and contemplation.

"I wanted the discs to work with the land's own intricacies, amplifying and negotiating with the space they inhabit, rather than asserting their presence over it."

The installation echoes a historic moment—Christo and Jeanne-Claude's 1968 wrap—marking the Kunsthalle Bern's transition towards a renewed institutional vision.