Ibrahim Mahama's jute sack installation at Kunsthalle Bern signifies the gallery's reopening and institutional reinvention, resonating with Christo and Jeanne-Claude's 1968 wrap. The art transforms the building's exterior into a textured facade, reflecting on colonial histories and economic exchanges. This moment coincides with the Kunsthalle's year-long 'fermentation' process under director iLiana Fokianaki, focusing on redefining its mission towards inclusivity and ecological responsibility. The installation will remain until June 1st, as the Kunsthalle prepares for a program featuring renowned artists, emphasizing its commitment to social conversations and artistic engagement.
The installation echoes a historic momentâChristo and Jeanne-Claude's 1968 wrapâmarking the Kunsthalle Bern's transition towards a renewed institutional vision.
A rough presence is introduced to the Kunsthalle's facade, embedding conversations on colonial legacies, labor flows, and social responsibilities within the art space.
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