"The installation echoes a historic momentâChristo and Jeanne-Claude's 1968 wrapâmarking the Kunsthalle Bern's transition towards a renewed institutional vision."
"A rough presence is introduced to the Kunsthalle's facade, embedding conversations on colonial legacies, labor flows, and social responsibilities within the art space."
Ibrahim Mahama's jute sack installation at Kunsthalle Bern signifies the gallery's reopening and institutional reinvention, resonating with Christo and Jeanne-Claude's 1968 wrap. The art transforms the building's exterior into a textured facade, reflecting on colonial histories and economic exchanges. This moment coincides with the Kunsthalle's year-long 'fermentation' process under director iLiana Fokianaki, focusing on redefining its mission towards inclusivity and ecological responsibility. The installation will remain until June 1st, as the Kunsthalle prepares for a program featuring renowned artists, emphasizing its commitment to social conversations and artistic engagement.
Read at designboom | architecture & design magazine
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