The project reimagines the structure through circular thinking, ecological strategies, and new construction technologies, embracing reuse as a model for sustainable urban development.
An in-depth analysis of the social cost of carbon, conducted during the competition phase, led the project team to propose an entirely new construction while remaining within budget. The existing school building lacked the capacity for sustainable transformation; its demolition would free up land and allow for a reimagined urban future.
As housing affordability continues to challenge cities worldwide, recent initiatives highlight the growing intersection between policy reform and architectural response. In Spain, grassroots movements in Granada and Málaga have mobilized against tourism-driven speculation, calling for rent control, the expropriation of vacant properties, and stronger tenant protections as housing prices continue to rise.
The pavilion is recognized as the first building in Mexico constructed using cross-laminated timber (CLT). This system replaces conventional concrete and steel structures with mass timber, reducing the carbon footprint of the construction process. CLT panels are composed of layered wood elements arranged in alternating directions, creating structural stability while enabling prefabrication and efficient assembly.
Inside Climate Pledge Arena, a large-scale media installation titled Turn the Tide transforms two interior walls into an architectural interface combining environmental imagery, and . Designed by Digital Kitchen within the arena by , the installation spans nearly 400 feet across the building's east and west walls. The intervention is integrated into the spatial environment of the arena, which is recognized as the world's first net-zero carbon certified arena.
The design by 1Y Architects approaches this silence as material rather than absence. Instead of clearing the debris scattered across the site, the team gathered bricks, concrete fragments, and broken tiles from former factory buildings. These remnants form the structural fabric of the sound museum itself.
Rather than representing a simple return to the past, this renewed interest reflects a broader reconsideration of how architecture engages with materials, local resources, and environmental conditions.
The building is organized in a U-shaped configuration, allowing natural light and cross-ventilation while opening views toward the sea from each apartment. At the center of the complex, a landscaped internal plaza planted with native vegetation and bamboo functions as both a social and environmental core.
Photovoltaic (PV) solar energy represents a modular technology that can be manufactured in large-scale facilities, generating economies of scale, while also being adaptable to small-scale applications. From residential rooftop systems to large-scale power generation installations, photovoltaic solar energy has established itself as a cost-effective option for electricity production in many countries around the world.
Participants are challenged to design a modular, self-sufficient, and energy-efficient microhome with a maximum footprint of 25 m². Proposals should push the boundaries of innovation, functionality, and sustainability while addressing real-world challenges such as urban density, affordability, and environmental responsibility.
Lynov's project, a hybrid design inspired by Earthship principles and geodesic domes, is designed to be partially buried in soil, leveraging the earth's natural insulation to create a stable, energy-efficient environment. The ambitious plan includes multiple vaulted rooms, a greenhouse tunnel entrance and a dedicated sauna.
Part of the renowned Krishnendu Ayurveda Hospital, the ~21,000 sq. ft. Nirava Ayurveda Holistic Centre is envisioned as an oasis of healing, rooted in tradition and elevated through thoughtful innovation. Conceived as an immersive wellness retreat, the master plan unfolds in two distinct yet interconnected volumes: a villa block comprising twelve serene guest rooms and a gracefully curved spa block housing therapy suites.
The design by Studio Bark is composed of two near cubic volumes set apart and connected by a pitched-roof timber bridge. The architects orient each cube to frame distinct views, one facing east across open fields, the other turning southwest toward woodland. Between them, a double height link forms a quiet internal 'street' lined with bookshelves and rooflights.
The pool doesn't sit beside the house. It doesn't occupy the backyard. It runs straight through the middle of the living space, dark-tiled and creek-like, with stepping stones crossing it at the entry. This is the organizing principle of Holocene House: water as hallway, water as climate control, water as the thing everything else revolves around.
According to the UN, the "buildings and construction sector is by far the largest emitter of greenhouse gases." Sustainable architecture, in essence, tries to change that-and is more needed than ever. As climate change intensifies, it challenges architects and designers to consider the impact of their work in every step of the building process, from raw materials to site impact to future maintenance, decades down the line.
For many years, bamboo has been mostly known as the favourite food of giant pandas, but a group of engineers say it's time we took it seriously as a building material, too. This week the Institution of Structural Engineers called for architects to be bamboo-ready as they published a manual for designing permanent buildings made of the material, in an effort to encourage low-carbon construction and position bamboo as a proper alternative to steel and concrete.
A worker sweeps the track at the National Stadium during the 2008 Beijing Olympics, which was disrupted by heavy rain. Photograph: AFP/Getty Images The secret weapon is a network of capillary-like tubes that weave through the Bird's Nest's outer lattice, which are specifically designed to siphon away rainfall. The pipes channel rainwater into one of three underwater storage tanks, where it is filtered and prepared for recycling within the building.
Fast Company asked architects from some of the top firms working around the world what they thought about the look of architecture in 2026. Of course, a building designed in 2026 almost certainly will not be completed in 2026, and construction timelines are notoriously fluid.
Climbing an observation tower involves a lot of steel and concrete just to stand a few dozen meters higher and take in a view. The ritual is familiar, the ascent, the vertigo, the panorama, but the infrastructure demands are massive for what amounts to a few minutes of elevated looking. Michael Jantzen's Telepresence Observation Pavilion asks whether we always need to build big vertical structures to get that feeling, especially when most distant experiences already come through screens and networks.
Future Farm is a modular vertical farming system designed by Qing Duan for integration within urban architecture, proposing a model where buildings function as hydro-ecological systems. Rainwater is collected, filtered, and redistributed to support plant growth and domestic needs, establishing a closed-loop water cycle that combines sustainable agriculture with everyday city life. The project incorporates public greenhouse spaces, shared kitchens, rooftop farms, and educational zones to enable collective care, learning, and interaction with urban farming processes.
Raiffeisen Bank in Savosa has achieved the highest ecological and sustainability standards. It is the first SNBS Gold-certified administrative building in Ticino and has obtained Minergie P-Eco certification. This building is constructed from a reborn material: recycled concrete, recovered and transformed into a new building material. In it, what was once waste becomes a resource, what was once the past becomes the future.
Conceived as a significant new addition to one of Europe's leading sculpture parks and cultural destinations, the project is scheduled to open in 2031 and will house the art collection of Kistefos founder and collector Christen Sveaas through the Christen Sveaas Art Foundation. Following the announcement, Christ & Gantenbein will now work with Kistefos Museum to further develop the concept design toward realization.
The phenomenon known in biology as convergent evolution describes how distant species can develop similar structures when confronted with comparable challenges. Dolphins and ichthyosaurs, for example, are separated by millions of years of evolutionary history, yet both evolved nearly identical hydrodynamic bodies. Architecture has its own parallels: A-frame structures emerged independently in both the European Alps and Japan, even without direct cultural exchange, as spontaneous responses to snow, wind, and material scarcity.
