"To treat air as a medium is to move past the binary of the envelope. The boundary between the interior and the world ceases to be a line of absolute separation and becomes, instead, a site of filtration and pressure."
"A different logic emerges when we consider the building as a porous participant in its territory, a structure that organizes space through the manipulation of invisible flows."
"The windcatchers operate through a more subtle negotiation between pressure, shadow, evaporation, and the thermal inertia of thick masonry, where cooling is produced through the slow modulation of environmental forces rather than the abrupt intervention of machinery."
Architecture has traditionally focused on solid materials, but a shift towards treating air as a medium reveals buildings as dynamic entities. This perspective emphasizes the importance of invisible flows, such as moisture and heat, in shaping architectural design. As climates change, the idea of airtight structures becomes less viable. Instead, buildings can be seen as porous participants that interact with their surroundings, exemplified by windcatchers in Yazd, which utilize environmental forces for cooling rather than relying solely on mechanical systems.
Read at ArchDaily
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