#aline-pereira

#aline-pereira

'Give them a smile, you know, something that can also be a deeper level of understanding,' Sara Ricciardi tells designboom, framing the installation as an immediate emotional trigger before it unfolds into something more layered.

The building, with its discreet facade and lack of expressive gestures, explicitly conveys the intention of creating an austere, silent, contemplative space; with the minimum necessary elements.

The Biomedical Sciences Research Center of the Ribeirão Preto Medical School arises from the revision of an existing preliminary project that did not meet the demands of scientific research.

Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.

"I love the range in this booth, from large-scale ceramic totems to more intimate neon paintings. I'm always impressed by the artists Freeburg represents and the clarity of her program's mission."

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

Cezar Berje's visual approach is a mix of chaos-vibrant colours, symbols, and new age psychedelia. His illustrations often suggest universes within universes, with each part of the image telling its own story through symbols and references.

Upon entry, Kent's "IF" (1965) lures the eye upward. The serigraph-a silkscreen print in fine art parlance-hangs high on the wall with a subtle vulnerability. Two orange letters hover toward the composition's top edge, as if pushing to transcend the picture plane. A feeling of possibility emerges through the conjunction and its visual form.

Her practice uses clay to bring people together with the "therapeutic aspects of tactile making". She first came to ceramics during university, where access to the department allowed her to fall in love with the practice. And so, Ciara is deeply cognisant of the importance of supporting those who struggle to access a ceramics studio due to various social factors.

Poetry and artificial intelligence can appear as oppositesone deeply human; the other cold and mechanical. Sasha Stiles sees them as expressions of the same impulse. Poetry, the Kalmyk- American poet argues, is one of our most ancient and enduring technologies, a system of meter and rhyme invented to store vital information. She views AI as its natural heir. Stiles's path to AI began with literature, not code.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Nuno Almendra + 43 Project Team: Filipe Rodrigues, Ines Vicente, Marta Frazao, Antonio Pedro Faria, Filipa Neiva, Joana Matos, Rafael Gomes Engineering: Eng. Augusto Candeias Construction: Alexandre Salgado More SpecsLess Specs Nuno Almendra Text description provided by the architects. Located in Vilamoura, Algarve, the plot benefits from geographical advantages: total sun exposure, proximity to the sea, and views over a scenic golf course.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

For ABERTO5, the itinerant exhibition series is set to open next month at Casa Bola, Eduardo Longo's spherical residence in São Paulo, opening the architect's private home to the public as the setting for its fifth edition. From March 7th to May 31st, 2026, ABERTO returns to Brazil after its Paris chapter at Le Corbusier's Maison La Roche (read more here) and shifts its attention to one of the city's most unique dwellings.

One of the great things about making art is discovering something that sprang from seemingly nowhere. In retrospect it looks logical but in the moment it's an epiphany and suddenly it's exciting to explore it. My studio is across the street from Creative Woodworking and they have a box where they put scrap wood for anyone who wants it and it's irresistible to me.