#netflix

#netflix

Is that his character from Babylon? No, that guy's dead (sorry). Is it Bullet Train 2? No, that movie doesn't exist yet. Toward the end of the trailer, however, Pitt's character slams down an Academy Award and that's when it all hit: That's Cliff Booth, the character for which Pitt won his Best Supporting Oscar in Quentin Tarantino's Once Upon a Time ... in Hollywood. Booth is back, but this time he's on Netflix.

Davidson's debut episode, featuring Machine Gun Kelly, is assembled from the rough, requisite symbols of podcasting: host and guest sunk into plush, beat-up chairs vaguely facing each other, chatting and smoking cigarettes in a space that's presented as Davidson's garage, Benjamin Moore paint tubs doubling as an ashtray stand. Good pals, their conversation is loose and circuitous; their discussion drifts from adventures while getting high, stints in rehab, and - because this is the first episode - what a podcast even is.

" Unrecorded Night scripts are likely to be published by myself and my siblings as a way to offer what could not be realized, to those who would have loved it," Jennifer Lynch wrote. "Like many millions of people, we are great fans of our father's work, and wish to see it shared and celebrated in every good way. We know there is a wanting, and we feel the need to fulfill Dad's gifts as best as possible."

Adapted from Julia May Jonas' critically acclaimed debut novel, Vladimir follows an unnamed middle-aged woman (Weisz), a writer, professor, wife, and mother who feels increasingly dissatisfied with her own life. Her husband (Slattery), also a professor, has been accused of inappropriate relationships with former students and is under review. This didn't come as a shock to her, as they have an open marriage, but she dislikes the personal scrutiny it has brought.

Anyone booting up Netflix on an old PlayStation 3 today ran into a depressing warning. The steaming app, which has been around for about 15 years now, is shutting down next month. RIP. On February 3, a Reddit user posted a photo of a TV displaying the following message: Unfortunately, Netflix will no longer be available on this device after March 2, 2026. Visit Netflix.com/compatibledevices to see a list of supported devices. (R40)

Netflix has canceled The Vince Staples Show. reports that the comedy series saw a significant decline in viewership between its first season, which earned 4.6 million views in the span of four months, and its second, which drew 1.7 million views between its release in November 2025 and the end of the year. (Most streaming releases are disproportionately watched in the first 90 days.)

Ashes to ashes, dust to dust, pickup order to lack of renewal. Here we bid farewell to the canceled shows of 2026. Less than a month into the year (and last lunar year not even over) and shows are already starting to drop. This post will serve as living tribute to the TV we're going to miss in 2027. Don't cry because they're over, smile because hopefully there are some sort of residuals in place for the workers.

Since then, the company closed a global licensing deal with Sony Pictures and announced a proposed $83 billion acquisition of Warner Bros. Discovery, shifting to an all-cash structure after rejecting a rival Paramount bid. Those moves signal Netflix's commitment to content depth and scale, but they also raise questions about capital allocation and integration risk. The market wants to see that subscriber momentum justifies these investments.

The Rip is the Netflix thriller of the moment, and frankly, it's a very good one. It's a new R-rated affair with Ben Affleck and Matt Damon, in which the two Boston sons play corrupt Miami cops who wrestle over the seizure of $20 million in cartel money. It isn't a cinematic revolution by any stretch. But if you're mindlessly browsing Netflix and need something spicy to keep you from doomscrolling, The Rip is just what the doctor ordered.

But Joan Hickson's terrific run as Marple ended in 1992. As a lifelong admirer of Christie's works, it gives me no pleasure to report that the latest attempt to adapt the Queen of Crime's work is a dismal failure: There's no regard for Christie's prose, no idea who the series' audience is meant to be, and no goal except to further increase Netflix's intellectual property resources.

The video podcast will release episodes weekly, beginning January 30 at 12:01 a.m. PT. Each episode will feature a "candid, no-holds-barred" conversation between Davidson and a pal that takes place in his garage, per Netflix. "Netflix was the home of one of my first stand-up specials," Davidson said in a statement, "so it felt right to bring the podcast there, too. It's me and my friends talking about anything and everything. It's going to be a great time."

Netflix is continuing to double down on podcasts, with the streaming service's announcement that it has hired talent to host two original shows for its platform.

In 2000, Reed Hastings and Marc Randolph sat down across from John Antioco, then CEO of video rental giant Blockbuster, and pitched him on acquiring their still unprofitable DVD-by-mail startup, Netflix, which at the time had around 300,000 subscribers. But when they told him their price-$50 million and the chance to develop and run Blockbuster's online rental business-Antioco balked. It was a famously shortsighted business decision:

The world hasn't gotten any less dystopian, and so it makes sense that Netflix has greenlit Black Mirror for Season 8. No release date or episode count has been confirmed for the dark anthology series, which has been a Netflix staple since its third season, but creator Charlie Brooker says that "That chunk of my brain has already been activated and is whirring away."