#historic-villa

#historic-villa

In 2025 alone, archaeologists there unearthed unusual creamware, and evidence that Monticello had prototypical bathrooms. Now, experts have uncovered yet another striking find-a 250-year-old kiln where enslaved people and indentured laborers fired the bricks used to build Monticello.

"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."

The acquisition of Villa Mussolini through an auction was an act of love and vision, bringing it back into public hands as a victory for the entire town.

On November 10, 1943, the city of Recco was destroyed forever. Twenty-two bombers of the British Royal Air Force dropped 33 tons of explosives, attempting to demolish the railway bridge, an iconic element of the town and a crucial point for the supply of Nazi-fascist troops.

"We are thrilled to bring this immersive experience to New Jersey. Whether you're an art-lover, history enthusiast, or someone encountering this masterpiece for the first time, this exhibition allows you to experience Michelangelo's genius in an intimate and unforgettable way."

The intervention 'restored the perception of the monument's original scale and pavement level,' while enabling visitors to approach the structure more directly and understand the sequence of the ambulatory and its arches. This recalibration of levels, based on archaeological findings and geometric studies, also enabled the reorganization of the stormwater drainage system, integrating surface slopes and transitions into the paving design while maintaining coherence with the monument's historical configuration.

What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

Villa Lava is a private residence located in Santa Tecla, in the province of Acireale, on the eastern coast of Sicily. The project is a unique architectural blend of two houses in one single villa. On one side stands an old fisherman's house dating from around 1900, completely restored by Nábito Architects, maintaining its essential character and carefully uncovering and preserving the original lava stone vaults.

The veil covering Christ is extraordinary. It's impossible to understand how Sanmartino managed to create it. The veil defies explanation—for those who can see and for those who cannot. When you touch it, you can feel the veins pulsing beneath.

Last summer, I found myself in Venice during peak tourist season. The crowds were suffocating. Every piazza felt like a theme park, every restaurant seemed designed for Instagram rather than actual dining. Standing on the Rialto Bridge, packed shoulder to shoulder with thousands of other visitors, I couldn't help but wonder: is this really Italy? That question stayed with me long after I returned to London.

The remains of a monumental hall belonging to a 4th-century episcopal palace have been discovered at Ostia Antica, Rome's ancient port town. The base of the structure is eight by 20 meters (ca. 26 by 65 feet) and the walls were an estimated eight meters high. This is an extraordinarily large space, and it was richly decorated with mosaic floors and marble panels.

If you follow the advice of Caterina Sforza, 'you will see that thing become so narrow that you yourself will be in admiration.' That striking promise appears in the Experimenta, a collection of recipes attributed to the Renaissance noblewoman Caterina Sforza. Best known as the formidable ruler of Imola and Forli and a fierce opponent of the Borgia family, Sforza also cultivated a keen interest in medicine, alchemy, and cosmetics.

Ba-rro: "Our starting point is always the context and what already exists." We are interested in recognizing the value of things simply because they are there, without assuming that everything must be preserved as a matter of principle. The question isn't what can be kept, but what deserves to be kept in each specific project. The decision to preserve, reveal, or remove doesn't stem from universal values or a nostalgic impulse, but from a situated interpretation: