Meininger, who grew up in Germany but now lives in London, likes making things. So when he saw how much his young sons enjoyed the jungle gym and play forts at the local park, he made an indoor treehouse for them.
Taking pills or supplements daily is a fact of life for a growing number of people, yet the objects designed for that routine communicate apology. bovii was built to sit on a restaurant table without anyone feeling the need to explain it, a standard that immediately separates it from the category it nominally belongs to.
Perforated metal has long been valued for its strength, versatility, and clean visual appeal. Created by punching patterns of holes into metal sheets, it offers a practical balance between airflow, light control, and structural support. Across industries such as architecture, construction, mining, and interior design, perforated metal has become a go-to material for projects that require both function and style.
Photovoltaic (PV) solar energy represents a modular technology that can be manufactured in large-scale facilities, generating economies of scale, while also being adaptable to small-scale applications. From residential rooftop systems to large-scale power generation installations, photovoltaic solar energy has established itself as a cost-effective option for electricity production in many countries around the world.
In the nineteenth century, entire railway networks became obsolete almost overnight, not due to physical deterioration, but because of changes in the technical standards that supported them. The expansion of railroads across Europe and North America adopted different track gauges, and as a dominant standard gradually emerged, these infrastructures became incompatible with one another.
The art-chitecture system proposes a different framework, treating furniture as a structural and spatial language capable of interacting directly with architecture. In this system, chairs and lighting fixtures function as modular units that maintain their individual identities while contributing to larger configurations.
'Polypropylene fibres are stretched and aligned for extreme tensile strength, then woven and heat-fused into a single composite sheet. No glues, no resins, no weak points,' Mous explained. 'This self-reinforced structure lets the shell flex under pressure instead of cracking, dispersing impact energy and rebounding to shape. 'It stays tough across extreme temperatures, resisting brittleness in the cold and softening in the heat.'
Meet Wingcube, a box that transforms from a foldable tentwooden cabinet-like structure into a wing-looking mobile shelter. Combining the structure of a tent with the concept of a compact cabin, the project, which is till in development, focuses on being modular so users can transport it anywhere with their vehicles. It can be towed easily, and once it finds its spot, the structure extends outward like a fan, creating a raised mini cabin.
From the large industrial roofs and galleries of the 19th century to the contemporary atriums of museums and public buildings, glass has been a recurring material in shaping large and monumental interior spaces. More than a technological or engineering solution, these horizontal glazed planes introduce a distinct luminous quality: light that comes from above. Unlike lateral daylight entering through façades, zenithal light is more evenly distributed, reduces harsh shadows, and lends spaces a sense of continuity and openness that is difficult to achieve otherwise.
The site lies within the Petite Arche joint development zone, where design considerations include the town entrance, contextual integration, and alignment with natural elements. The building's form signals its position in an urbanized area and maintains visual dialogue with the surrounding landscape, including the protected Saint-Germain-En-Laye forest. A vegetated threshold along the northern edge reinforces landscape continuity, while the southern boundary engages with the urban character of the area.
Architecture Office founder Alexander Mackison and glass artist Juli Bolaños-Durman had something of a creative meet-cute. The two became acquainted while running a lecture series at Custom Lane, a collaborative center for designers and makers in Edinburgh, where they both have studios. They remained friendly, so Alexander eventually learned of Juli's plans to renovate an apartment nearby. "Just through casual conversations, I became integrated into the project," he remembers.
Drawing Architecture Studio presents The Clock House No.2 at the 7th Shenzhen Bay Public Art Season in Shenzhen, Guangdong Province, China, on view until April 19th, 2026. Commissioned for the public art program, the Beijing-based practice reinterprets the historical automaton clock as architecture, using low-cost industrial components to construct a structure that chimes and glows every fifteen minutes. Where the clocks once gifted to emperors represented technical virtuosity and expensive craftsmanship, this installation adopts a deliberately rough and economical construction.
The home isn't just where we live anymore. It's a mechanism for living longer. In this AD PRO LIVE report, we'll examine how residential design has become the next frontier to a healthier, longer life. Delve into the industry's expanding catalog of non-toxic materials, the architectural elements shaping conscientious builds, and the luxury amenities promoting physical and mental well-being in every room of the house.
Prism Shelter is a by Space10 Studio located at the foot of Changbai Mountain, conceived as an inhabitable optical installation within a winter landscape defined by snow, wind, and low temperatures. Positioned to frame views of the mountain massif, the structure provides a sheltered point from which visitors can pause and observe the surrounding terrain. The project combines the typology of a small with a calibrated visual device that alters the perception of the distant ridgelines.