What the show captures so well is the price we're willing to pay to stay comfortable, especially inside relationships that feel like oxygen. The college campus, where most of the show's drama plays out, is a particular kind of pressure cooker. In a certain small world, with certain people, during a certain window of time, the need to make things work can override almost everything else.
Long-circling scrutiny of the show's tasteless extremes, frequent body-shaming and blatant failures of duty of care have come to rest on Banks herself, with viewers, Top Model contestants and even her former friends all expressing outrage at her apparent lack of repentance.
FAST channels have immense appeal. Not only are they free for viewers, but they have huge libraries for everything from "Judge Judy" and "Westworld" to "Portlandia" and "Peppa Pig" powering ad-supported channels that simply run all day long. Many streaming services and TV manufacturers are happy to carry these channels and share in the ad revenue.
We don't need proof, says one short-seller out for the kill, because we finally have a good story to tell. Cooked books can be explained as simply a misalignment between the velocity of my vision and the velocity of regulation, according to the slippery fintech entrepreneur Whitney Halberstram. The gap in between is where smart people have always made money.
Valerie's thirst for fame & acclaim hasn't changed, even if the fickle entertainment industry keeps on shifting right under her feet. Still riding high off her Emmy win for the meta dramedy Seeing Red and emboldened by the recent resurgence of the sitcom format, she lands a gig leading-and executive producing-the new multi-cam sitcom How's That?!.
To be perfectly honest, after we finished season three, Zach and I just both had the same feeling where we felt pretty burnt out after putting years and years into this but also pretty accomplished. We just came to this feeling where we're like, 'I think that could just be it after season three.' We both felt like it was right.
We're literally representing every single aspect of UK life. Unlike other series that focused on wealth and power with tantalizing sets to match—Succession, most recently—there's usually a darker, colder sheen to the environs of Industry. Each character is depicted in their own environments more often than previous seasons, just as the scripts reveal deeper and more intimate layers of the characters. The spaces on screen align with their interiority and they're less gleaming penthouse than tarnished mansion.
DTF St. Louis is a droll dramedy where middle-aged malaise ends up in a very dark place: someone's murder. Created by Steven Conrad (director of The Pursuit of Happyness) and originally based on a 2017 true crime article published by The New Yorker, the show stars Jason Bateman and David Harbour as coworkers frustrated by their unfulfilling sex lives in the Missouri suburbs.
Each series explores technology that feels just one step ahead of reality. In the era of AI, it feels more and more timely. Ben does a lot of research and we have advisers who inform us about the latest developments. Not just from the Met and counter-terror but military consultants as well. They're banks of information and a lot more open than you'd expect because it's all off the record.
Their first order of business is arguing whether Rob turning on Lisa and Candiace was him hopping off a sinking ship, or if he was the one who sunk it. The Housewives maintain that they had zero intention of ever turning on Rob, but he's convinced that it was never an "if" but a "when."
It is frustrating to constantly be reduced to my sexuality, because there's so much more to me than my sexuality. In fact, me being bisexual is probably the most boring thing about me. It is completely my entire storyline and so many assumptions have been made in my portrayal.
He's been blissfully unaware, but now he has to reckon with the consequences. It's been fun to suddenly place his character right in the middle of the mystery and squarely under investigation. That escalation culminates in one of the season's most surreal moments, when I walked onto set to find Julian literally mapped out on a conspiracy board.
Apple and Netflix have entered into a rather surprising partnership. The dynamic streaming duo will share Formula 1 programming, according to The Hollywood Reporter. The deal allows Netflix to stream the F1 Canadian Grand Prix in May, along with Apple TV. On the flipside, Apple TV and Netflix will both air season eight of the docuseries Drive to Survive.
Apple TV and Netflix will both stream the eighth season of F1: Drive to Survive. The hit F1 documentary series that has so far been exclusive to Netflix, but the new season will debut on both streaming services on Friday. What Netflix gets is a live sporting event that doesn't include Jake Paul or two geriatric boxers, as it will get to livestream the 2026 Canadian Grand Prix weekend from May 22nd to 24th to its US subscribers.
The second season of is finally here, and it is leaving the courtroom behind. The trailer for season two dropped today, teasing a corporate-themed version. This one follows a worker named Anthony Norman, who is hired to help with a company's retreat, not realizing he is on a TV show.
Based on the first trailer for the season, which Prime Video shared this morning, the answers appear to be "yes" and "effortlessly." The series is out of the courtroom and into a corporate retreat, with all the corporate intrigue and wacky hijinks that might come with such a premise.
There was so much to do, and it really pushed the team right to the very limits. The new backlot at Shepperton had to be intricately designed and constructed to transport actors back in time to Georgian-era England with horse-drawn carriages trotting down worn cobblestone roads. Then we also had to design the Queen's World set of rooms, which was an absolutely enormous undertaking.
A washed-up reality star and her live-in entourage of misfits scramble to rehab her image and reboot her career. When her estranged daughter unexpectedly moves into their crumbling Manhattan townhouse, the TV has-been is confronted with the one role she's spent her entire life avoiding: motherhood.
