"I center feminine figures and feminine energy and ideas. I wanted to really push the whole idea that this was a woman, so there's a collar and necklaces, and there's a light inside to indicate spirituality."
Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.
Chauvet developed 'Zapatos Rojos,' which takes the form of dozens or hundreds of pairs of red shoes publicly displayed in site-specific formations. Each pair of shoes connotes the absence of a femicide victim, or a disappeared woman or girl.
Playwright Mikki Gillette—described once as 'the Joan of Arc of the trans community in Portland theatre' by actor and critic Bobby Burmea—sets the work in the lead-up to and immediate aftermath of the 1966 Compton's Cafeteria Riot. We're dropped into the lives of four trans people practically begging the world to care about their pain, but with very different ways of approaching a brighter future.
We visited the Female Artists of the Mougins Museum, in Mougins, a small village on a hill near Cannes. Full of exclusively female artists from Berthe Morisot in the 19th century and Frida Kahlo in the early 20th to contemporary figures such as Tracey Emin it houses an incredible collection of often overlooked art and artists. We visited on a rainy October day and it was remarkably quiet and calm. I particularly enjoyed the abstract works well worth a trip up the hill.
Founded in 2014 as a tongue-in-cheek alternative to the esteemed Whitney Biennial, the Every Woman Biennial has evolved into an intergenerational showcase that mixes emerging talent with established feminist art stars while maintaining the scrappy, activist energy that inspired it in the first place.
bell hooks saved me. I say that in all sincerity. At a critical time in my life, when I was at my lowest point, it was bell hooks, through her books, who pulled me out of a hole of profound depression and set me on a path of self-renewal on which I have remained ever since. Newly divorced with two very young sons, I was determined to give a better fatherhood experience than the one I had.
Marsha eventually brought her salon to campus and founded the Comparative Literature Women's Caucus, an activist collective that established the first women's literature classes in Comparative Literature, conceived and taught by graduate student women. Caucus members helped produce the first major translation anthologies of women's world-wide poetry, encouraged women to write feminist dissertations on women authors, and researched discrimination against women in the department.
What began as a passion for collecting became a responsibility. She not only believes in the artistic genius of women, but she wants society in general to hold men and women artists in equal esteem-and to place the same monetary value on their work.
If you want to paint, put your clothes back on! That was how Carolee Schneemann summarised the critical response to her 1975 performance piece Interior Scroll, which she had performed nude standing on a gallery table. After making a series of life model poses, she removed a scroll from her vagina and began to read her manifesto. In doing so, Schneemann asked an important question: What does it mean for a female artist to be both the artist and the life model?
Alice shared their communiqué with me at San Francisco's Legion of Honor, where paintings by Morisot and her friend Edouard Manet are currently on display in Manet & Morisot (runs through March 1). As we entered the exhibit hall, Alice explained that Berthe Morisot's paintings are "currently half the focus of the exhibit here, and share the hall with 19th century painter Manet's canvases. The Brigade named after Morisot is a late 20th century creation affiliated with the Guerrilla Girls."
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
Born in South Korea in 1951, Cha and her family immigrated to the United States when she was 12. The family found their way to the Bay Area, where Cha became a standout student, eventually earning four separate degrees at UC Berkeley, working at the Berkeley Art Museum and becoming a fixture of the northern California avant-garde art scene throughout the 1970s.
