CUBES is a long-term photographic series, developed between 2018 and 2025 by Seb Agnew, composed of 27 hand-built miniature architectural environments. Structured across three interconnected chapters: CUBES I, CUBES II, and CUBES III, the project examines how spatial design reflects human presence, historical continuity, and technological systems. Each image originates from a physically constructed model room built from scratch. Traditional model-making methods are combined with contemporary fabrication tools, including laser cutting and 3D printing.
Films seen long ago but unavailable for rewatching often loom large, like myths shadowed by fear: Will a second viewing confirm or dispel the initial impression? I first saw "Caught in the Acts" ("Délits flagrants"), a documentary by the French director Raymond Depardon, in Paris, a few months after it opened there, in 1994, and it struck me as one of the greatest documentaries I'd ever seen.
Fundamental to her work is an exploration, as a queer woman and as a documentarian photographer, of the nuanced, multifarious nature of identity, most prominently in LGBTQ+ communities, but also far beyond them. She has committed from her earliest mature images to the idea that, as she has phrased it, "Without representation, there is no visibility"-a belief that remains more vital than ever in the US and across the world in the 2020s.
Dörte Eißfeldt's photography is grounded in the experience of seeing: a relational seeing that holds in view not only the self and the world, but also the photographic object itself, which can act as a vital intermediary between the two. Making us encounter gentler close-ups of a neck pressed into sheets of silver, nebulated, spectral hands and snowballs that seem to glow far beyond the print's surface, her largely self-taught photographic practice probes phenomenological questions of appearance, perception and form.
The light fades earlier, city lights turn on before the afternoon is over, and the wind bites the skin. During Scandinavian autumn and winter, people dress more warmly, and time slows down. I carry the memories and connections from summer longer than I should, still feeling them in my body. The longing for closeness and warmth is there, but it does not come easily. As everything around me changes, I do too.
For my husband's 69th birthday, I asked his older sister to drive me to the neighborhoods where they grew up. I photographed the grocery store, his schools, the churches he attended, the vacant lot where his childhood home once stood. I printed the photos and placed them in an album. My husband, a verbose storyteller, especially about his life growing up as one of nine siblings, was very surprised. Nola Nolen 74, Harmony, Pa.
In Italy, McDonald's Has Unveiled A Nutella Burger Disturbing Dreams: The Superb Bizarre Art by Miles Johnston "Dinotopia": The Fantastical Art Of James Gurney Spectacular Black And White-Winning Photos From The 35 Photography Awards Meet Kazm Gurbuz, A 95-Year-Old Yoga Guru From Turkey Stunning 360 Portraits by Gianluca Traina Portrait of Steve Jobs Made With Apples Tiny Superheroes in Superb Comic Art by Dan Hipp
These Breathtaking Photos Of Outer Space Are Probably The Best Photos Captured From The ISS The Story Behind the Photographs of Stevie Nicks With Veils on the Roof of Her House in Venice Beach, 1981 Brilliant, Energetic and Skillfully Shot Images of Headbangers Mid-Bang Stunning Black And White Photos Of The Skateboarding In The 1960s 10 Top And Beautiful Photos Of ViewSonic ColorPro Awards Mugshots of hild riminals of Edwardian Britain, 1900-1910
Cotillion dances have European origins, but in the poem, Black New Yorkers perform classic dances such as waltzes and quadrilles and are dressed in fine outfits. These Black debutante balls go back a long way, and are one example of African Americans trying to create a better life. Today, they continue to introduce young women into society and retain a strong emphasis on the participants' education.
Bob Krasner has spent years training his eye to resist the obvious. While the city screams for attention, his photography work insists on quiet. The result is a photographic practice rooted in restraint, patience, and a near-radical commitment to looking slowly. His latest body of work, unveiled last week and now on view through Feb. 22 at Ki Smith Gallery on the Lower East Side, feels like a controlled exhale inside one of the most visually aggressive environments on earth.
The National Portrait Gallery is Jared Soares's favorite museum. It's just a few Metro stops away from the photographer's home in Northeast DC, and he says he's visited dozens of times to admire the works from his favorite artists. But Soares's next visit will be different. The second floor of the gallery now features Soares's award-winning photograph, Misidentified by Artificial Intelligence: Alonzo and Carronne (2023).
Death Anxiety Comics Inspired By Our Fears "Sunkissed": Beautiful Feminine Illustrations by Emilija Savic Artist Creates Honest Illustrations About Relationships And Everyday Life Artist Yana Tarakanova Creates Superb Explicit and Bizarre Comics About The Society The Dark, Incredibly F*cked Up Comics Of Joan Cornella Chris Keegan by Cosmic Creatures 6 Feet Covers: Duo Artists Re-Designed Iconic Album Covers To Promote Social Distancing Artist Spent Three Years Painting Her Readings Mom Prepares Healthy Meals As Cartoon Characters For Her Son How To Teach Yoga Like Slav: Top 10 Drunk Yoga Positions
Styling by Axelle using fashion by Nazarene Amictus, Victoria Amerson Design GmbH, Mossi, and Vintage pieces. The assistant stylist is Evan. The series explores the idea of haste and unintentional disorder in Paris, the moment when you rush downstairs, almost forgetting your trousers, because every minute counts. This sense of urgency, this I don't have time, becomes an aesthetic language. In Paris, style isn't calculated, and yet, nothing is ever left to chance.
"Me and my girlfriend went on color hunting in Berlin this weekend," user Erikas Mališauskas shared on X. "We picked two random colors and had to make a 3×3 photo grid featuring that color. I got yellow, she got blue, here's the result." Commenters rallied together in agreement, saying how good of an idea this is.
Photographer Henri Cartier-Bresson (19082004) travelled all over the world and extensively throughout Europe. After producing numerous series of photographs for magazines in Germany, Spain, Italy, Greece, Switzerland and France, Cartier-Bresson wanted to bring them together in a book and in 1955, he published Les Europeens (The Europeans). This book of photographs aims to show what makes each of the peoples of this geographical area unique while highlighting their similarities. This exhibition brings together some of the most important photographs from the book.
"As a model in this industry for over 14 years, testing has been, and will forever be a huge component of a model's career. "Yet the frustration has always been the same with it. This is why I have created the Testing Network. In my 14 years, I have found that when a shoot is curated with a full team of creatives, these shoots are some of the most inspiring, influential and fulfilling experiences I've had of my career. But those tests are a rarity, and they shouldn't have to be."
Melbourne-based photographer and artist Kayla creates images that live between beauty and absurdity, confidence and uncertainty. In her work, the pretty becomes peculiar and the awkward quietly alluring, as she transforms fragments of her personal history into something playful, expressive, and reconciling. Identity, expression, and fashion merge in unexpected ways, guided by both her technical precision and conceptual vision. In Waiting Room, models are caught mid-leap, off-guard, or suspended between poses, moments that feel accidental but somehow composed.
At next month's event, you can expect talks from Liang-Jung Chen, a London-based artist interested in material culture as they work across several mediums. After going viral with their UK indefinite leave to remain project, which was a thrilling piece of screen-recorded performance art within Microsoft Excel, Liang-Jung will be joining the stage to elaborate on how that project came about whilst introducing their versatile practice.
A new exhibition at the New York Historical museum looks at the immigrant experience in New York City through a range of revealing and diverse viewpoints, with more than 100 photographs and objects showing how the city has been shaped by people from across the globe.
With over two decades dedicated to ballet and contemporary dance, Marcelo translates a sharp awareness of space, body, and energy into a visual language that prioritises presence over posing. His work is a deep exploration of the transition of masculinity, a journey he has lived from the 1990s to the present day. By dissolving the traditional boundaries between toughness and elegance, Marcelo's lens creates a dialogue where opposites are no longer divided, but united.
