Chinese Propaganda Posters From The Cultural Revolution Ages, 1960s-1970s Artist Makes These Really Useful Work Meeting Achievement Badges - Try To Collect Them All Ethereal Cut Paper Illustrations of Women In Water By Sonia Alins "Explore The Lost Land": The Superb Digital Concept Artworks By Bastien Grivet Darth Vader and the Underworld: Kevin Cassidy's Brutal and Infernal Demons Artist Friend Spent Over 500 Hours On These Paintings Capturing The Suffering
Brecht Vandenbroucke is a Belgian illustrator, painter, comic author, and filmmaker born in 1986 in Veurne, who studied illustration at Sint-Lukas University College of Art and Design in Brussels and now lives in Antwerp, where his satirical works critique modern society through vibrant, pop culture-infused visuals. His style blends surrealism, Disney-inspired whimsy, and influences from artists like Mark Beyer, ATAK, Charlotte Solomon, and Glen Baxter, resulting in dense compositions filled with long-limbed creatures, logos, and chaotic scenes that mix humor with underlying darkness.
Under skies heavy with storm-gray clouds, the architectural ruins in Lee Madgwick's paintings seem to exist somewhere between reality and imagination. His works are not just landscapes but psychological portraits-of solitude, fragility, and the strange poetry found in decay. With a style that merges surrealism and realism in equal measure, Madgwick transforms the familiar English countryside into a dreamlike world that's quietly charged with tension.
Zhiyong Jing is a painter living and working in Beijing, China, well known for his surreal dreamlike artworks that explore themes of hope, isolation, and absurdity. He earned a BFA in oil painting from the Tianjin Academy of Fine Arts in 2005 and credits his education with shaping his signature style, which combines childlike simplicity with adult complexity and wit. Jing's paintings often feature cinematic scenes filled with haunting figures, ghost-like shapes, and paradoxical imagery, drawing heavily from personal dreams, memories, and emotional experiences.
Murni or I Gusti Ayu Kadek Murniasih, to go by her full name was a Balinese artist who shrugged off all the norms and expectations that life chucked at her and instead made art with total abandon. By the time she died aged 39 in 2006, taken by ovarian cancer, she'd left behind a body of ultra-simple, mega-bold, hyper-colourful painting that functions as a testament to a life lived honestly, independently and very, very hornily.
It's hard to imagine today when we're constantly barraged with algorithm-selected content in the palm of our hands, but until the 1960s, the concept of turning on the TV and seeing images of Count Dracula one second and then the Vietnam War the next moment was incomprehensible. For the first time, people were seeing images of political assassinations, the oppression of protests and the carnage of war in their living rooms.
A selection of work from artist Yeon Yeoin's latest solo exhibition with DIA contemporary. Born and based in Seoul, Yeon majored in Psychology and Creative Visual Arts at Sogang University. Her work is an exploration of emotion through surreal imagery. Using a wide range of techniques, from pen and ink to digital painting, Yeon creates a unique world inspired by her personal experiences and filled with original characters that reflect difficult-to-define emotional states.
Sara Toby Moore's "The Mechanix," a self-described "science fiction-magical realism-human cartoon" show, takes place on "a normal day at a seaside amusement pier." The show includes interdimensional travel, anthropomorphic animals, the nature of free will, and an extended riff on "The Wizard of OZ." Through it all, one would be forgiven for occasionally asking what one thing has to do with the other. It's a question that never gets answered.
The show features painting, sculpture, photography, film and assemblage, tracing how artists working in cities like Los Angeles, Chicago, Houston and New York grappled with identity, sexuality, race and power in ways often overlooked in canonical art histories. Though the women's liberation movement didn't enter wider public consciousness until the early 1970s, Sixties Surreal showcases how women artists were creating an early feminist aesthetic and imagining new fields of possibility for themselves and their work.
Have you ever seen the onearmed man running a bye to the keeper while 20,000 people leap and writhe and hold their heads and the one-armed man shouts in agony? This scene captures the surreal essence of a cricket match, where intense emotion exists even amidst a seemingly uneventful game.
Minami Kobayashi's figurative oil paintings and sculptures intertwine elements of intimacy and mystery, showcasing ordinary subjects with a surreal twist. Her work evokes a sense of the uncanny, engaging viewers with familiar yet disorienting imagery.
PAGER transforms a mundane 1990s office environment into an unnerving psychological horror experience, requiring players to navigate bizarre instructions from their pager to ascend the corporate ladder.
Suzanne Cesaire co-founded a journal called Tropiques and published influential essays on politics, literature, and art, inspired by her encounter with surrealist Andre Breton.
What Arshile Gorky and the other great immigrant observers of America had in common is that each pursued a passion in the modern sense, making art against the grain of commerce, while each underwent a passion in the mythical Greek sense-had some moment of struggle or pain that resolved in art, and, often, in the closest thing artists get to immortality: a place in the collective memory.
