Sophie Koko Gate's short film Hotel Kalura explores the malleability of desire
Briefly

Sophie Koko Gate's short film Hotel Kalura explores the malleability of desire
"Everything in the film is knocked slightly off-kilter - with everyday things being ever so slightly amended to be something slightly unsettling, from fat cigarettes and slow reactions to buttons that press too deeply."
"Crab Man was inspired by a chess master I was dating at the time, who tried to show me the moon through a giant telescope one night, but wouldn’t let me have a proper look."
The film 'Hotel Kalura' weaves a tapestry of curiosity and unease, exploring the lives of intriguing characters within an unsettling yet familiar world. At its core, Sophie reflects on an encounter in Sicily, where she projects a narrative onto an older woman she observes. The film favors question-driven storytelling, drawing comparisons to Werner Herzog's style. Characters like Crab Man add a Lynchian touch, emphasizing their oddity through real-life inspirations, while Sophie acknowledges this project as the conclusion of her journey in 2D filmmaking, marking a significant transition in her artistic career.
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