fromThe New Yorker
2 days agoLetters from Our Readers
Gopnik's piece sent me back to John Ruskin, whom he cites as "the greatest of architectural critics." In "The Stones of Venice," Ruskin insists that buildings record not just the ideals of those who commissioned them but also the conditions of those who built them. The East Wing was grafted onto an original structure that was built in part by enslaved people. Its neoclassical form proclaimed republican ideals; its production betrayed them.
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