#theater

#theater

At the beginning of the walking tour, strict rules are set: No sinning, no laughing, no touching, but the monsters have the freedom to touch you.

Jonathan Bailey's journey in acting progressed from his early debut in A Christmas Carol at age seven to achieving fame as Anthony Bridgerton in Bridgerton, a project that transformed his career.

In Punchline, Tom Hanks chokes up telling a club audience that he disappointed his father, failing out of medical school: this moment highlights personal vulnerability in comedy.

Susan Sarandon, celebrated for her lengthy screen career, is set to make her long-awaited London stage debut in 'Mary Page Marlowe' at the Old Vic.

As political pressures rise, theater institutions may face scrutiny over LGBTQ-themed programming, risking federal grants and tax-exempt status if accused of DEI-driven artistic decisions.

The play's title operates as a useful sorting device, sifting for audiences who are familiar with the way that the slur has been reclaimed or who are happy to bask in full-frontal sexual tableaux.

Mattana's character, Owen, a particularly slick operator, immediately suggests a cleverly bloodless semantic argument about the definition of feminism—frame it as white and middle-class..."We believe feminism has failed women from the perspective that we are actually more feminist than the feminists,' he announces with self-satisfaction.

Join us every Monday at 7:30pm for our new virtual format featuring live performances and audience participation.

They put this tennis court in the back; it's just awful," said Cole Escola, channeling Edith Bouvier Beale. Escola was taking a break from their Tony Award-winning performance as an over-the-top Mary Todd Lincoln in their hit play, to visit Grey Gardens, no longer the crumbling estate of Beale's day thanks to its new owner, the designer Liz Lange.

Theater is always a contract between audience and performer, but years attending big Broadway shows have inured me to its fragility.

Harrison David Rivers reflects that his play, This Bitter Earth, contrasts the different perspectives of political engagement and personal survival within Black identities.

In Evgeny Shvarts' adaptation of Hans Christian Andersen's The Shadow, silhouettes morph into independent entities, reflecting individuals' inner darkness and the struggle for self-acceptance.

Oberman, best known for her role in EastEnders, has been awarded an MBE for her commitment to Holocaust education and combatting antisemitism.

We have a counterfeit democracy, where big money pulls the strings," the chorus shouts in the production's overheated conclusion. "Billionaires will soon be trillionaires, while blaming the poor for all the things.

Lester's character embodies a passionate yearning for the theater, but his actions raise questions about realism and the personal consequences of pursuing dreams through disruptive behavior.