“I somehow internalised these big, structural problems and carried them around on my own, and that's not a way that I can recommend,” he said recently. “I started to feel that we didn't need any more people like me in the music industry, which was already very white and male. So I stepped back, and it took me maybe ten years to come around from that.”
It is also, crucially, a night built less on sequence than on accumulation. Musicians move through poems, poets move through sound, and the boundaries between forms begin to dissolve in real time.
Welcome, enlightened human, to ONeEARTH. You have arrived exactly when you were meant to. Not a moment early. Not a moment late. The path already set for you. horsegiirL is with you because gaia is with her. She has trotted on the path ahead of you and left the gate open.
WKRP in Cincinnati was a beloved sitcom that ran from 1978 to 1982 about the wacky DJs and staff of a top-40 rock 'n' roll station. It starred Richard Sanders, Tim Reid, Gordon Jump, Howard Hesseman, and Loni Anderson across its 90 episodes.
Rashad renders even the most harrowing scenes with levity and warmth. He recounts his traumas and triumphs in largely the same register-his scratchy sing-song flow that slides and swings over beats that draw as much from '90s neo-soul as they do from the annals of Southern rap.
"When I began this, I had no idea the 19th amendment represented seventy-two years of struggle," says Andrea Ramsey, composer of Suffrage Cantata.
Ashley MacIsaac is suing Google for $500,000 in general damages, $500,000 in aggravated damages, and $500,000 in punitive damages due to false claims made by an AI-generated summary.
Fenian, their new album, will get fans and foes talking about the music for once. From its cover art to its title, this is an album that is confrontational and controversial.
The opener "Man Overboard" quickly signals the shift. Its knotty, almost dizzying drum pattern and swelling walls of sound feel alien in this context, culminating in Mike Kinsella's blunt admission, "It's hopeless."
On her 18th studio album, In Time of Dragons, Amos draws on the long tradition of reptilian imagery to symbolize the elite, from ancient myth to David Icke's conspiracy theories. She casts Trump and his tech-feudalist allies as reptilian dragons, singing on '23 Peaks': 'I want to be, so this dragon/Half dragon, half woman thing/Take this burden from me.'
The contemporary music, thanks mostly to WindSync's commissions, arrangements and varied stage performance, lifted the show even further.
