Arco is a headphone stand designed to feel like a finished object, whether or not there is a pair of headphones resting on it. Carved from a single block of wood or stone, it has a smooth arc that gives the headband a gentle resting point and a solid base that reads more like a small piece of furniture than an accessory. When empty, it still looks complete, adding subtle presence to a shelf or desk.
Most storage furniture sits where you put it, fixed shelves and cabinets that do their job but rarely respond to how space changes during a day. Trolleys help with mobility, but they often feel generic, more utility than character. Harbor 051 is a storage trolley that borrows its logic from a place built entirely around movement and stacking, Busan Port, where containers shift and cranes swing in a constant choreography.
There's something about the ubiquity of a dumpling - made with love in many cultures, working to package a number of traditional fillings within its folds, starch and sustenance conspiring to form the building blocks of food culture. MOMOS by José A. Gandía-Blasco for GAN translates the warmth and comfort found in dumplings to dimensional textile furnishings, adorning an array of pieces including a pillow, pouf, and rug.
A lightweight, 3D printed and textile roof protects the Tombs of Postumio and Tres Puertas at the Archaeological Complex of Carmona in Seville, rethinking how contemporary architecture can engage with heritage conservation. The project by Juan Carlos GĂłmez de CĂłzar and Manuel Ordóñez MartĂn introduces a single canopy that covers both Roman tombs while operating as an environmental machine designed to stabilize their long-term preservation.
Well known for its unique texture and unpredictable nature, this Texas-born and Toronto-based illustrator somehow gets a leash on it, creating semi-airbrushed, dreamy and playful scenes between eccentric characters and luminous colours. Dense with subjects and textures, Rylee's compositions explode with action and motion - like in The Cartoon Saloon, anthropomorphic animal cowboys drink, play cards and draw their pistols in a beautiful gradient that captures a moment where the dusty saloon is lit up by the firing of a revolver.
Perched on a secluded mountainside in Bahía Ballena, Costa Rica, Ojo de Nila is a private residence by Studio Saxe, led by Benjamin Saxe, that explores what it means to live fully outdoors in a tropical climate. Designed for a Swiss couple seeking a deeper relationship with their surroundings, the 300-square-meter home opens toward the Pacific Ocean, relying on natural ventilation.
Inverted House by TIMM Architecture is a single-family located in Okrokana, a hillside district of Tbilisi, . The project responds to the fence-dominated suburban fabric characteristic of the area, where narrow streets, compact plots, and tall perimeter walls limit visual connection, daylight access, and spatial continuity. Rather than positioning the house behind a boundary wall, the design integrates enclosure into the architecture itself, using the building as a continuous perimeter that defines and protects the site.
We examine the online debate ignited by Pantone's Colour of the Year, Cloud Dancer. This episode dives into the discussion prompted by Pantone, unpacking the uneasy relationship between colour and fascism. From hardline efforts to regulate colour in public life to the ways vibrancy and maximalism reassert themselves, we explore how colour becomes a quiet form of resistance across art, fashion, film, and design.
Life doesn't pause for grief or fear. You might be going through something devastating but you're still packing lunches, still driving your kids to baseball practice, still showing up to work. One minute I find myself prepping for a whole home presentation and the next minute I'm checking the news, hoping and praying that no one has been killed on the streets today.
Lacum Respira is a lakeside pavilion by .ket bureau on the shore of Lake St. Moritz in Switzerland. Set at the water's edge, the timber structure addresses a landscape shaped by seasonal rituals and a long tradition of outdoor life, where the lake acts as both foreground and horizon. The calm setting is defined by open air and backdropped by dramatic mountains. Any architectural move here carries weight.
Sometimes the best designs come from asking a simple question nobody bothered to ask before. For designer Kathleen Reilly, that question was: why does a knife always have to lie flat on the table? The answer came in the form of Oku, a table knife that literally hangs around the edges of your plates and boards thanks to a unique folded handle that defies centuries of Western tableware convention.
The new lookout point at Point Vue le Jambon in Vresse-sur-Semois is conceived as a discreet and respectful gesture within an exceptional landscape. Rather than asserting itself as an object, the project carefully embeds architecture into the terrain, allowing the site's natural qualities to remain central to the experience.
This article won't start out well, because I'm sort of at rock bottom in my career and it seems that I'm projecting my frustrations of the industry out in the open. But I promise you, my rants are merely neutral observations and opinions. I love talking to people, and over the last 2 months of unemployment (I am now employed), I called upon designer friends all in Asia and Europe to get their opinion on the current state of Design leadership and how it has impacted our careers.
If there was only one interior design style setting the tone in 2026, it would be Japandi. Apartment Therapy's State of Home Design survey identified Japandi style as one of the year's top design aesthetics, according to insights from 140 designers - and it's easy to see why. As more people strive to create spaces that feel calming, intentional, and grounded in nature, Japandi's blend of Japanese restraint and Scandinavian warmth feels especially timely.
The debut explores the idea that while we create the world around us, that world simultaneously creates us. It's a concept long familiar to architects, for whom design has often been framed as a civic duty. Yet Censori's approach is not without precedent. A surge of feminist artists in the 1960s and 1970s, including Alina Szapocznikow, used the body, or its absence, in conjunction with furniture to explore domesticity and sexual liberation.
In line with the objectives of the German "Building Type E" initiative, which has already received broad political and professional support, the Climate Pavilion can be seen as an applied architectural experiment.
I was wandering through West Asheville one day, past vintage storefronts and sun-washed sidewalks, when I noticed a doorway overflowing with green. Ferns spilled outward, vines climbed the windows.
Studio Stipfold designs AltiHut Cottage as part of first sustainable high-altitude hospitality ecosystem, combining a compact layout, fiber- architecture, and panoramic glazing to minimize impact while maximizing experience. At 3,014 meters above sea level, AltiHut stands as more than a mountain . It is a statement of responsibility, vision, and care for the planet. The project challenges the idea of adventure tourism by uniting comfort, awareness, and respect for nature. Every element, delivered by helicopter and powered by the sun, reflects a belief that hospitality can exist in balance with the environment.
Design systems break not because designers don't care but because maintaining consistency at scale is genuinely hard. Tokens drift, naming becomes messy, documentation gets outdated, and what started as a neat system slowly turns into a fragile one. But AI can help you keep your design system up to date. One of my favorite coding tools, Claude, can act as a design systems assistant for another my favorite design tool, Figma,
Today we are at the cusp of revolutions in artificial intelligence, autonomous vehicles, renewable energy, and biotechnology. Each brings extraordinary promise, but each introduces more complexity, more interdependence, and more latent pathways to failure. This elevates prudence to be critical. Good design recognizes what cannot be foreseen. It acknowledges the limits of prediction and control. It builds not merely for performance, but for recovery.