The collection, created for Polish manufacturer Nolmo, recently took home a win at the European Product Design Award 2025, earning recognition in the Outdoor category.
The Wasteland Nomad is built from biochar and seeds of indigenous plants, which are both biodegradable materials. Biochar works like a sponge inside the soil, as it holds water, gives microbes a surface to live on, and locks carbon into the ground instead of letting it escape into the air.
The overall landscape design of the garden centers on the theme of auspicious clouds, with a circular landscape boulevard connecting the entire garden and a centripetal layout creating a diverse array of scenes.
The Eternal Mosaic bridges the gap between abstract expressionism and mechanical engineering in a way that shouldn't work but absolutely does, turning the rigid geometry of De Stijl into a functioning monument to exponential mathematics.
Perforated metal has long been valued for its strength, versatility, and clean visual appeal. Created by punching patterns of holes into metal sheets, it offers a practical balance between airflow, light control, and structural support. Across industries such as architecture, construction, mining, and interior design, perforated metal has become a go-to material for projects that require both function and style.
I had to challenge my impulse to distill every line. I was feeling this desire to make work with a different kind of energy, a different kind of expressive force. It's about presenting these things I love about Murano and developing a frame for those gestures.
Baqiao bridges, including the nearby Shisanba Bridge, typically appear in areas where the difference between river level and embankment is relatively small. Their upstream piers are shaped like tapered spindles with slightly raised tips, creating a distinctive structural profile. Stone slabs span between the piers, forming a bridge deck assembled through interlocking construction methods.
The design by 1Y Architects approaches this silence as material rather than absence. Instead of clearing the debris scattered across the site, the team gathered bricks, concrete fragments, and broken tiles from former factory buildings. These remnants form the structural fabric of the sound museum itself.
The central tourbillon is the engine of this idea, its constant rotation a visual metaphor for momentum that the wearer sees with every glance at the wrist. The dial's concentric grooved rings radiate outward from this spinning core, amplifying the sense of energy in every direction. A 24K gilded horse at six o'clock connects the concept directly to its zodiac inspiration, rendered small and precise, more like a seal than a decoration.
Glass, in particular, exists within a lineage of techniques that have changed surprisingly little over centuries. The furnaces may burn hotter and the tools may be refined, but the core dialogue between heat, gravity, and human hand remains remarkably intact.
The reference point is specific, not from a general impression of the ocean, but from the particular way jellyfish tentacles move: slow, layered, and almost meditative in repetition. That quality informs the lamp's layered construction and the dense organic lattice etched across its translucent shade. The pattern reads quietly in a lit room. Switch the lamp on and the whole surface activates, casting warm amber light through the texture in a way that feels atmospheric rather than task-driven.
Designer Jacques Averna recreates the bodies of electric guitars into the shapes of a foot, a fried egg, a padlock, and a pattern of clouds. Still functional, the musical instruments wear bright colors that make them more alluring to look at, capturing the full form of the shape they're borrowing. Each model starts from a pun, a personal reference, or a structural problem the designer wants to solve in a reimagined, creative, and familiar way.