Arts

Arts

The Cartoon Art Museum houses approximately 7,000 original pieces in its permanent collection and attracts more than 30,000 visitors annually, showcasing the diversity of cartoon art.

The Cartoon Art Museum houses approximately 7,000 original pieces in its permanent collection and attracts more than 30,000 visitors annually, providing a unique experience for all ages.

"Over the years, we would show them to different people who came to the house. And a lot of people wouldn't finish looking at them," Orce said.

"Getty is embarking on an exciting new chapter. In the coming years, guided by our commitment to All for Art, we will enhance the visitor experience across the Getty Center campus through reimagined spaces and new offerings, while prioritising sustainability."

A new law, approved in January, will see the establishment of a special department within Greece's Ministry of Culture to tackle offenses ranging from fake artworks to antiquities trafficking.

"Interest in art is waning; screens and televisions have replaced pictures in living rooms."

The exhibition features 20 works of art as well as photographs and other ephemera dating back to the late 1970s-just before Basquiat launched his studio practice.

The Getty Center's inaugural renovation will blend necessary structural and cosmetic updates, revitalizing galleries to 'bring art in dialogue with nature' and introducing 'exciting new artist commissions.'

Kyoung Chun's creative practice moves between painting and site-specific installation. Interactive works extend the language of painting beyond the canvas, inviting viewers into environments that challenge perception and encourage connection.

In 2025 alone, archaeologists there unearthed unusual creamware, and evidence that Monticello had prototypical bathrooms. Now, experts have uncovered yet another striking find-a 250-year-old kiln where enslaved people and indentured laborers fired the bricks used to build Monticello.

"We are uniquely global and local, historic and contemporary, collection driven and exhibition driven," Westermann said. "I really needed someone who understands that complexity."

I realized there was pretty much nobody who is a famous 19th-century minstrel performer who was not an Elk. It just became synonymous.

Fia Backström describes her experience of West Virginia as akin to being called by aliens, framing the region in a way that echoes a long history of it being seen as strange and backward.

The new webpage, entitled 'How have objects come to be in the V&A?', points out that for some objects, their journeys have involved known histories of violence, coercion or injustice, while for others there remains uncertainty over exactly how they came to be here.

Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.

John Yau once remarked to Jasper Johns that the materials he uses - newsprint, hot wax, bedsheets - must be a conservator's nightmare. 'Yes,' Johns responded. 'It's falling apart, just like me.'

"Until recently, there was no specific legislation addressing the forgery of artworks and collectibles. Instead, these cases fell under the 'smoother' general provisions of the criminal code concerning fraud and forgery, which required proof of a financial transaction in order for an offence to be established."

Flusser believed that the transformation brought about by new media would reshape the world, leading to a consciousness defined by images rather than the written word.

"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."

Polito's provocative argument is that the past 30 years of Bob Dylan's career are every bit as creative and essential as the first 30, challenging the notion that Dylan lost his way in the 1980s.