Structured from pictorial tradition, González remakes established canons from her perspective as a contemporary woman: the sacred passes through the filter of a contemporary aesthetic vision without ceasing to be mystery, transforming into something simultaneously recognizable and radically new. The exhibition invites us to rewrite the narrative from creation itself, a gesture born from respect toward that generative power that was denied and distorted for centuries.
When a stranger smiles at you, you smile back. That is why, when Sir Ian McKellen ( The Lord of the Rings, X-Men, Amadeus) walked on the stage in front of me, looked me straight in the eye, and smiled at me, I smiled back. It was the polite thing to do. It was also completely unnecessary, because McKellen was not actually on the stage in front of me. He smiled at me through a pair of special glasses.
First up then is Emily Lim's production of A Midsummer Night's Dream, which runs April 23 to August 29. Keen-eyed observers may note that there is currently a production of the same play running at the Globe's indoor Sam Wanamaker theatre. To put it bluntly, A Midsummer Night's Dream is big bucks at the box office, and there's an endless stream of things you can do to it.
Founded in 1884, it is one of the world's most important societies devoted to books. Though it operates as a members-only institution, the club maintains a steady program of free, public exhibitions that draw from its members' collections. Though often historical, there are fascinating intersections with contemporary culture. Focused on rare books, manuscripts, and literary ephemera, these shows often illuminate how historical texts continue to shape the present.
Flesh And Blood: The Superb Sci-Fi Concept Illustrations of Reza Afshar Pechkeks Misfortune Cookies The Dark Humored Biscuit That Bites Back After A Trip To Ireland, Artist Decided To Paint Its Stunning Landscapes As Beautiful Watercolors French Photographer Sacha Goldberger Takes Our Favorite Superheros Back In Time Incredible Street Art by Remo Lienhard Funny Doodles This Artist Drew During Meetings He Didn't Need To Be At Vintage Family Photos of
Advanced tickets are required, and capacity is limited due to COVID-19 precautions. Please note that admission to any special exhibits is not included nor discounted and will require the full admission price. Saturdays feature engaging art experiences for the entire family, including art-making, gallery guides, and tours with discussion and sketching in the permanent galleries. Legion of Honor Lincoln Park \ 100 34th Avenue, San Francisco, CA 94121 - Most Saturdays - Hours are typically 9:30 am-5:15 pmReserve tickets in advance to skip the line
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's ­family fled in 1970 and where ­Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"
Amid the savagery of the Trump administration's crackdown on immigration - culminating in the killing of Renee Nicole MacklinGood - everyday Americans have shown incredible courage in pushing back against ICE's takeover of their cities. Joining them today are several Minnesotaart institutions that will close their doors to protest against the cruel treatment of their neighbors. You can read all about that today, plus a moving personal essay by Ifrah Mansour, a Somali-American artist based in Minnesota.
My mind, though enfeebled by New Year's celebrations, was fine; I'd traveled to Queens to see Jeffrey Joyal's "my Life Underground" at Gandt. For this exhibition, the gallery left its longtime home in a basement for a column-laden miniature ballroom in a clinic up the block, complete with a wrought-iron chandelier and ghostly portrait hanging above the crown molding. Walking through the lobby to the exhibition room, I passed by an empty suggestion box entreating patients to "rate their therapist."
Dominique McDougal and Carro Sharkey's three-part performance, 'Did4luv'-a tragicomic dance solo performed by each of the dancers, alternating every night-debuted this month at the dual 30th anniversary of Sophiensaele's inauguration as a theater and its renowned dance festival, Tanztage. This year's Tanztage invites its audience to consider the (im)material conditions of artistic production: the body and self as sources for capitalist exchange, the extractive nature of our systems of work and its resulting consequences for marginalized bodies.
The traditional museum experience, pausing in front of an object, and absorbing its history visually or by reading its description, has long shaped how collectors and others relate to cultural treasures. Yet, over the last few decades, digital technology has quietly rewritten many of those rules, changing not only how collections are exhibited but also how they are documented, preserved, and even inherited.
I will arise and go now, for peace comes dropping slow, reads the male lead to his bed-bound partner and their dying, severely disabled newborn boy. These lines sing out in Guess How Much I Love You?, Luke Norris's new play about a couple navigating the premature loss of their child. Yeats's words capture the play's driving emotional forces: the possibility of finding peace after such profound trauma, the lifelong burn of unexpected bereavement and the temptation to end it all.
In 1835, a tortoiseshell cat measuring more than three feet long was enough to warrant a small advertisement in a British newspaper that as "the greatest curiosity ever shown to the public," it could be viewed at the Ship Tavern in London. Surely a pint of ale was the informal fee to view this extraordinary animal. It was during the 18th and 19th centuries in Europe that cats became increasingly recognized as worthy pets, beyond their role as mousers.
Sprouting from the roof of the San Francisco Museum of Modern Art, artist Rose B. Simpson's newly installed bronze sculpture "Behold" has its gaze fixed on the cityscape before it. The Tewa of Khaʼpʼoe Ówîngeh artist, herself a mother, crafted a tender portrait of an interconnected parent and child that "asks us to be human with each other, to change our narrative through wonder, witness and a foundation in the soft warmth of our humanity," she said in a statement.
For two centuries, from the mid-1600s to the mid-1800s, free and enslaved New Yorkers of African descent were buried at the Harlem African Burial Ground. Over time, the history of this site was lost - erased by the subsequent redevelopment of the land. Today, the Harlem African Burial Ground project is a community-driven vision to honor and memorialize this historic site with a new outdoor memorial and indoor cultural education center, while also addressing affordable housing and jobs needs in the East Harlem community.
Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.
