Arts

Arts

This sprawling installation (or in the New York gallery's parlance, "spatial collage") had transformed the Wooster Street space into a warren of rooms and hallways that resembled a series of stage or film sets, including a "clandestine drug lab," a Chinatown basement store, and a pirate radio station. I gingerly navigated through half-destroyed walls and over uneven floors strewn with detritus, escaping with vivid memories of one of the strangest contemporary art experiences to be had in those years.

A South African artist is suing the arts minister after he blocked her from representing the country at the Venice Biennale, having called her work addressing Israel's killing of Palestinians in Gaza highly divisive. Gabrielle Goliath filed the lawsuit last week, with Ingrid Masondo, who would have curated the pavilion, and the studio manager, James Macdonald. It accuses Gayton McKenzie of acting unlawfully and violating the right to freedom of expression and demands the high court reinstates her

Leading the sale was the first check the company cut on March 16, 1976. "This is the most important financial document in Apple history," Bobby Livingston, the auction house's executive vice president, said about the check. "It captures Steve Jobs and Steve Wozniak's first true business transaction, and the final result shows that collectors recognized its significance above any other Apple material ever brought to market."

From swathes of her own paintings to pieces of reclaimed or recycled fabrics or found canvases, as well as sourcing her own pigments and dyes from nature, Young carefully crops and sews together otherwise seemingly disparate materials into wholly new compositions. Set into natural wood frames, the material nature of Young's work illuminates her longstanding exploration of environmentalism. The climate impact of creative practices is often overlooked and left uninterrogated, but for Young it is situated at the heart of her practice.

After six successful years supporting nearly 250 fellows from around the world, the artistic research and residency program Οnassis AiR has become a container of cross-disciplinary exchange among local and international art practitioners and researchers. Process, research, and experimentation are at the core of the residency: participants are invited to delve deeper into their practice without the pressure of presenting a final work.

The newly discovered moving image work—totaling over an hour in length—includes eight new Screen Test portraits of Warhol collaborators and unused footage shot for his films Batman Dracula, Sleep, and Couch. The most significant find is several rolls of pornographic footage that shed new light on Warhol's ambitions in the 1960s. They prove that the artist had been capturing explicit scenes on the couch of his famous Factory studio long before making Blue Movie, the salacious 1969 feature that would inspire a "porno chic" phenomenon.

Sutcliffe, who was born in Edinburgh but grew up in Liverpool, met John Lennon while they were both studying at the Liverpool College of Art. By early 1960, the pair were living together and Sutcliffe joined Lennon, Paul McCartney, and George Harrison 's band in May. Sutcliffe played acoustic guitar and took on the responsibility of booking gigs, but various accounts suggest he was no more than a competent musician. Sutcliffe's real talents lay in his "marvelous art portfolio," according to Lennon's description.

Qatar Museums was founded in 2005 by Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani, the daughter of the former emir of the country. As Qataris like to point out, Doha's engagement with international contemporary art began before that of the UAE and well before that of Saudi Arabia; its I.M. Pei-designed Museum of Islamic Art opened in 2008 and Mathaf: Arab Museum of Modern Art in 2010, while museums elsewhere were still in the planning stages.

2026 was an especially notable year for the Sundance Film Festival: it was the first without its legendary founder Robert Redford, who died last year, and it was the last to be held in Park City, Utah. Beginning next year, the fest will relocate to Boulder, Colo. for the foreseeable future. As Sundance said goodbye to its home of over 40 years and honored Redford's legacy, protests continued in Minnesota and across the country due to the escalated presence of Immigration and Customs Enforcement.

Marciari brought me to a very different place: the luxurious, languid heat of late-summer Rome, in one of the final years of the 16th century. There, an ordinary boy has been made to hold a heavy basket of fruit for far longer than he'd like in a hot, airless studio, and a young, unknown painter is on the precipice of greatness.

After more than 25 years of debate and delay, we have moved beyond words and into action. This commission is not just a technical body; it is a commitment to historical integrity and a long-awaited bridge to justice for those whose heritage was stolen.

When Bad Bunny hosted Saturday Night Live last October, touting the recent announcement of his Super Bowl halftime show, Niklaus Miller was enraptured. The 29-year-old loved the singer's drapey shirt, flowy pants and self-deprecating jokes. And when Benito Antonio Martinez Ocasio looked directly into the camera during the opening monologue, Miller felt that the mega star was peering into his soul.

One of the great things about making art is discovering something that sprang from seemingly nowhere. In retrospect it looks logical but in the moment it's an epiphany and suddenly it's exciting to explore it. My studio is across the street from Creative Woodworking and they have a box where they put scrap wood for anyone who wants it and it's irresistible to me.

These paintings reveal the layers of history that undergird modern Los Angeles. Yaanga Lies Under the 101 imagines the city's earliest Tongva inhabitants as they made their home on the land that, in the modern day, runs beneath the Hollywood Freeway. Campos's process mimics this archaeological layering: each canvas begins with a screenprinted underlayer that is then painted over in acrylic, and then once again layered with screenprinted details.

The South African culture minister, the right-wing populist Gayton McKenzie, has cancelled the project for South Africa's pavilion at the forthcoming Venice Biennale, proposed by the artist Gabrielle Goliath and curator Ingrid Masondo. Goliath and Masondo have appealed to the country's president and submitted a case to its high court to overturn McKenzie's decision. Ben Luke speaks to Charles Leonard, who has been reporting on this story for The Art Newspaper over the past few weeks.

The three met in Roumagoux's Thursday morning Open Studio class at Oregon Coast Community College, two hours when a dozen students paint and Roumagoux roams the room sharing the wisdom honed over her decades as both an artist and teacher. "As people started loosening up and telling their life stories, as happens in a good studio class, lo and behold, we told what ages we are," Roumagoux recalled.

Marah Al-Za'anin, an 18-year-old Palestinian artist, has transformed a tent in Gaza City's Al-Rimal neighborhood into a studio. Al-Za'anin can't have been more than 15 or 16 years old when the genocide began, but she continues to pursue her passion for art and uses her brother's phone as a light source while she paints and draws late into the night. (photo by Saeed Jaras/Middle East Images/AFP via Getty Images)

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

Art SG wrapped its fourth edition on Sunday, reporting 43,000 visitors during its four-day run, up from last year's 41,000. The S$250,000 ($197,000) SAM Art SG Fund, backed by patrons Carmen Yixuan Li, Pure Yichun Chen, and Pierre Lorinet, acquired works by Mona Hatoum (from White Cube) and Lotus L. Kang (from Commonwealth and Council) for Singapore Art Museum 's permanent collection. Some dealers said they made satisfactory sales, mostly for five or six digits.

The Gulf has become an art market hot spot, but insiders say the biggest challenge facing its newest arrivals isn't how to tap the region's wealth, it's how to unlearn assumptions that they may bring with them, particularly concerning the area's money, power, and cultural depth. With Art Basel Qatar debuting next week, the region is no longer a peripheral scene but a new axis of influence for the trade.

Affinity Global Development, a company linked to Jared Kushner, the son-in-law of the US president Donald Trump, has withdrawn from the project. The decision came soon after Serbian prosecutors indicted Nikola Selaković, the country's minister of culture, alongside Slavica Jelača, a secretary at the ministry of culture; Goran Vasić, acting director of the Republic Institute for the Protection of Cultural Monuments; and Aleksandar Ivanović, acting director of the Belgrade City Institute for the Protection of Cultural Monuments.

Disembodied heads, eyes, and hands meet spindly trees, dragonflies, and vibrant blossoms in the folk-art inspired works of Michael McGrath. Based in Rhinebeck, New York, McGrath melds a variety of media-most pieces contain a mixture of graphite, ink, and oil and acrylic paints-into dynamic compositions suffuse with mystery. Recurring symbols and objects lend themself to a distinctive visual language that captures both the wondrous and puzzling.

For those who are in desperate need of stimulation, this zine delivers - its visual language is razor-sharp and packed with colour, each page feels like a porno magazine that has vomited everywhere. Hattie calls it a "frenetic deluge", a collection of themes that circle the drain of "online fatigue", a way to process an excessive amount of information in order to create meaning and seek comfort.

FRI/30-SUN/1: PIVOT FESTIVAL The 11th annual installment of this incredible boundary-pushing music festival has enlisted Andy Meyerson of the excellent Living Earth Show duo to curate-and boy is he bringing it. (If you haven't grokked Living Earth's terrific Roar Shack venue, hop to it, btw.) The weekend fills Herbst Theater with hyper-San Franciscan sounds, with performances by vocalist Tanner Porter, San Francisco Ballet dancer- choreographer Myles Thatcher, and Bay Area ensembles Bucket List (featuring composer-creator Mark Applebaum),

Tara Donovan presents Stratagems at the Institute of Contemporary Art San Francisco (ICA SF), at the Transamerica Pyramid Center, installing a group of vertically oriented sculptures made entirely from thousands of recycled CDs. On view until July 31st, 2026, the exhibition is installed within the transparent Annex space. Stratagems enters into a deliberate exchange with the Transamerica Pyramid itself. The sculptures echo the skyscraper's verticality and reflective skin, while their recycled material introduces a counterpoint to the monumentality of the building.

Karina Lumiere paints like someone who trusts color more than language. Her work does not whisper its intentions. It glows, pulses, seduces. This is abstraction born not from theory, but from devotiondevotion to intuition, to sensation, to the unapologetic power of hue as an emotional instrument. Her path to abstract expressionism was never academic. It unfolded in solitude, shaped by meditation and spiritual practice, where listening became more important than learning and presence eclipsed instruction.

We have a 35-year history of serving this city, and an incredible legacy of audience and artists and community members who want to see it thrive, and a building that we own,