The production that just opened at OSF, directed by Marcela Lorca, is the best I have seen. Working with a strong cast and a spectacular movement and design team, this production crackles with vitality and originality.
The passageway is hidden in the last place most authorities would look for a person-within a set of drawers near the bedroom, on the second floor. There, a two by two-foot hatch opens onto a 15-foot shaft with a makeshift ladder extending towards the basement pantry.
Robert Therrien's 'Under the Table' is a 10-foot-tall sculpture that captivates visitors, inviting them to experience its scale and intricacies from below. The piece exemplifies Therrien's ability to transform everyday objects into monumental art.
Marc Payot, president of Hauser and Wirth, emphasized the importance of long-term engagement, stating, 'What matters is long-term engagement-building relationships, not just transactions.' He noted that serious collectors were actively engaging at the fair.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
"I've been thinking lately about how art reveals the writing on the wall. When I began developing the concept of human-machine collaboration it was 2015, years before the current wave of generative AI entered public consciousness."