Renowned for his classic pin-up illustrations, Al Moore created a series of elegant, playful images that appeared in a 1950 calendar. These works capture the optimism and charm of postwar American visual culture. h/t: vintag.es Before turning to art, Moore had an unusual path: he played college football at Northwestern University and briefly for the Chicago Bears. After studying at Chicago's Art Institute and Academy of Art, he opened a commercial studio in New York in the late 1930s.
Now, the nation's largest distributor of print books to public libraries Baker & Taylor is set for imminent closure. For nearly 200 years, Baker & Taylor has played a key role in getting books from manufacturers to warehouses to library patrons' hands. Partnering with more than 5,000 U.S. libraries, the company has been a staple in the industry, selling books at wholesale prices and providing them with labels and lamination so libraries don't have to.
For this exhibition, Reinecke presents variations of leisure activities in an imaginary wooded landscape and cozy warm interiors infused with sentimentality. Reinecke highlights common outdoor activities such as hiking, swimming and fishing to simple domestic pleasures such as applying nail polish to a loved ones toes upon a green shag carpet in front of a blazing fire ( Cherries in the Snow, 2025).
Two years ago, the annual Under the Radar festival (which showcases international, experimental and multidisciplinary theater) was unexpectedly canceled by the Public Theater, its longtime presenter, due to financial issues. In response, the festival was quickly reconceived as a citywide effort involving several other theater companies, allowing it to move forward. The festival, now in its 21st edition, returns this month with productions at theaters across the city from Jan. 7 to 25.
Paintings by the late US president Jimmy Carter and the family's personal effects will go to auction this month as part of a sale at Christie's in New York dubbed We the People: America at 250, marking the country's semiquincentennial this year. The works on offer from Carter's collection were selected by Amy Carter, the daughter of Carter and his wife Rosalyn.
The first-ever exhibition on Europe's most important early female painter, Catharina van Hemessen, will open later this year in Antwerp and come to London in 2027. It starts at the (15 October-31 January 2027), a museum of 16th- and 17th- century Flemish art in the city where she worked, and then goes in a more focused form to the National Gallery (4 March-30 May 2027).
Once a week, in the late hours of what used to be "not considered late," a group of degenerates and misfits gather to perform a seance unlike anything seen before. So comically evil that you may get sick to your stomach. The Ritual will be improvised, gut wrenchingly funny, with a tinge of fuckery. While you can just sit there and enjoy the show, you are welcome to participate should you so choose.
The lights are completely free to see and will switch on every evening from 5pm to 10pm until January 31. For 2026, the festival's theme is 'Dreamscape', which promises an 'an exploratory journey of the surreal and ethereal'. Expect interactive displays, colourful projections and magnificent installations from world-renowned light artists, as well as pop-up food stalls to keep you fuelled along the way.
Who is eligible? Museums on Us is available to Bank of America, Merrill or Bank of America Private Bank credit or debit cardholders during the first full weekend of every month. One free general admission is limited to the individual cardholder. This offer is not transferable. This offer does not guarantee admission. Not to be combined with other offers. Excludes fundraising events, special exhibitions and ticketed exhibitions.
Consider Hans Holbein the Younger's portrait of Henry VIII's fourth wife, Anne of Cleves: an enigmatic look, cast from beneath heavy-lidded eyes; a long nose, the soft breath from which is almost felt; a red velvet gown richly adorned with gold and pearls, set against a blue background made more vivid by its recent restoration. Serving as the cover image for Elizabeth Goldring's biography, it is a painting that conveys much of her subject's continuing
Kathleen Goncharov, a longtime curator who served as the United States Commissioner for the 50th Venice Biennale, has died at the age of 73. The news of her passing was announced by a group of friends and her partner, poet and artist Charles Doria. She died of natural causes in her Boca Raton home on New Year's Eve. Goncharov is remembered as a doting friend, a champion of artists, and a gifted and intuitive curator.
A lot has changed since the last time I popped up in your inbox - a little Christmas snow (or close enough) for the first time in a very long time. And we swore in a new mayor in the bowels of an abandoned subway station. (If you didn't get an invite to that ceremony, here's a tip: Stay on the downtown 6 after the last stop, and you'll loop around that gorgeous station.)
Staff at the Musée du Louvre yesterday staged another walk out, citing concerns around working conditions and infrastructure and demanding that controversial plans for a new entrance be scrapped. The action led the the Paris museum to close on Monday morning before partially reopening at noon. Some of the museum's most iconic works, including the Mona Lisa, the Venus de Milo and the Winged Victory of Samothrace were then accessible, while all other galleries remained closed.
Art, at its very best, reminds me that there is a world out there that I not only belong to but trust - perhaps even love. Sandra Vázquez de la Horra's beeswax-dipped drawings of erupting women, mystical landscapes, and hallucinatory flora in The Awake Volcanoes at the Institute of Contemporary Art, Los Angeles, did just that. Oh, that old mystery of finding oneself reflected in the material fragments of someone else's private imaginary.
Combining a variety of fabrics, buttons, shells, and beads, Stephen Towns' mixed-media textile pieces draw on the rich heritage of quilts made especially by Black women in the American South. Tableaux reminiscent of family portraits and vacation snapshots lend themselves to an exploration of the power of pleasure and community during an era when the South was still racially segregated.
Time Out has named the London Museum as the best new thing to do in the capital in 2026. We can't wait for its reopening not only because of its dashing new rebrand (which features a logo of a ceramic pigeon), but also because of its its shiny new home in Smithfield Market.
Apocket dynamo of a man who seemed to bounce as he walked along, Frank Dunlop will be remembered for many outstanding and remarkable achievements, but most notably as the founding director of the Young Vic in 1969 and as a controversial director of the Edinburgh international festival from 1983 to 1991. He was a key member of Laurence Olivier's National Theatre at the Old Vic, which he joined in 1967 as an associate director with a determination to initiate a young people's programme;
Cezanne Fondation Beyeler, Basel, 25 January-25 May Paul Cezanne (1839-1906) represented a powerful inspiration for the artists who came after him; as Pablo Picasso famously put it, he was "the father of us all". Now, an ambitious exhibition focusing on the French artist's later works, when he was at the height of his powers, will open at Basel's Fondation Beyeler in January.
Topped with a roof shaped like a crabshell, Le Corbusier's Chapelle Notre-Dame-du-Haut is a sanctuary amid the French mountainside. The 1955 construction rests atop a hill in Ronchamp, standing unobstructed by the otherwise forested inclines. As the sun rises and falls, light filters in through the mélange of rectangular windows tinted to cast streams of color around the space. The stained glass apertures of Le Corbusier's modernist chapel are a clear reference point for Luftwerk's "Open Frame."
It stands a hair shy of five feet tall and is a bit over one-and-a-half feet wide. Made of nine interlocking pieces of gray ribbon slate, it feels as though a small push would completely wreck it. Humpty Dumpty stands on three legs, but it looks two-dimensional. It has an ovoid shape, and it juts upwards like a flat rocket ship.
"We can't escape the language of the internet; it's now our emotional alphabet," Minginowicz says. "Sometimes a hashtag or emoji expresses more than an entire essay." "I don't intentionally insert trends into my paintings... but I also don't filter them out. I absorb the world, I scroll, observe, analyze. So yes, the internet seeps into my work, through color, gesture, distortion, glitches. Humor, or rather, bitter absurdity, emerges from that saturation."
