Death Anxiety Comics Inspired By Our Fears "Sunkissed": Beautiful Feminine Illustrations by Emilija Savic Artist Creates Honest Illustrations About Relationships And Everyday Life Artist Yana Tarakanova Creates Superb Explicit and Bizarre Comics About The Society The Dark, Incredibly F*cked Up Comics Of Joan Cornella Chris Keegan by Cosmic Creatures 6 Feet Covers: Duo Artists Re-Designed Iconic Album Covers To Promote Social Distancing Artist Spent Three Years Painting Her Readings Mom Prepares Healthy Meals As Cartoon Characters For Her Son How To Teach Yoga Like Slav: Top 10 Drunk Yoga Positions
Korean culture has become a familiar presence in American life. K-pop dominates global charts, K-dramas have become staples on streaming platforms, Korean food has moved from specialty shops to neighborhood grocery stores, and K-beauty brands line retail shelves nationwide. As Korean culture reaches new audiences, Korean Treasures: Collected, Cherished, Shared traces the artistic traditions that have shaped today's cultural momentum.
Off the deep waters of Kumejima, Japan, Steven Kovacs captured an image that would be awarded Best in Show for the 2025 Ocean Art Photography Contest. Traveling to the Okinawa prefecture in the hopes of encountering a scarcely documented species of larval goosefish, Kovacs spent nearly two weeks blackwater diving before photographing the rare moment. "Unfortunately, this beautiful little fish turned out to be incredibly uncooperative and difficult to photograph," Kovacs says.
In 1916, subway construction near Greenwich and Dey Streets in Lower Manhattan unearthed a surprising relic. Some 20 feet underground, workers turned up charred timber; digging further, the contours of an ancient ship came into view-its prow, keel, and ribs. The wreck was later deemed to be the Tyger, a 17th-century vessel that represents a rare archaeological trace of early Dutch exploration in Manhattan.
I don't know what you want to know, says Anne Imhof, three-quarters of the way into our interview. Her cautious smile, between curtains of jet black hair, changes into a sceptical pout. I have just quoted a headline at Imhof, one of Germany's most important contemporary artists, that described her 2025 New York show as a bad Balenciaga ad.
The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's family fled in 1970 and where Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"
The animated movie KPop Demon Hunters swiftly captured the attention of viewers worldwide following its release in June 2025 ending the year as Netflix's most-watched film of all time. KPop Demon Hunters follows the story of the superstar K-pop girl group trio HUNTR/X made up of singers Mira, Zoey and Rumi and their battle to defend the world from a demon army.
One of Vija Celmins's wonderful Night Sky works. Maybe one of her charcoal drawings of the cosmos, with a comet flaring across the surface. She conjures up such immensity, and such intimacy, with countless tiny points of light shining out of the darkness. Which cultural experience changed the way you see the world? In a word, Paris. After I left school, I spent several weeks working in Paris and discovered the pleasures of looking, on my own, for myself.
Six months before his momentous first trip to the United States, Joan Miró sent a letter to his New York City gallerist, Pierre Matisse. Writing from repressive Francoist Spain in the austere aftermath of the Second World War, the Catalan artist was searching for new frontiers. "In the future world, America, with its energy and vitality, must play a leading role," he told Matisse." I have to be in New York to be in direct, personal contact with your country; my work will benefit from that shock."
"As I stood and looked at it on a drizzly gray day," John Yau writes of looking at a radiant painting by Edward Zutrau, "I forgot that it was raining." That's what art can do - stop you in your tracks, make you forget absolutely everything save for that essential encounter between you and the work.
On January 22, artist Gabrielle Goliath and curator Ingrid Masondo filed a founding affidavit in the High Court of South Africa in Pretoria, stating their intention to challenge South African Minister of Sport, Arts and Culture Gayton McKenzie's unilateral decision to terminate the video and performance series, Elegy, at its national pavilion at the 2026 Venice Biennale. McKenzie had attempted to characterize Goliath's piece, which would have centered Palestinians enduring genocide in Gaza, as "highly divisive" and not aligned with South Africa's interests - even though the country famously brought a legal case against Israel at the International Court of Justice (ICJ) in The Hague over allegations of genocide in Gaza.
Ever feel like a LOSER? Beaten down by capitalism, the housing crisis, and little hope of getting ahead? "brilliant, well-observed character comedy" - Stage Whispers (Australia) Meet one Aussie bloke who can relate... He's crass, chain-smokes, blows his paycheck on KFC and Marvel tatts and stumbles into knife fights. This is Big Mike - a wiry, heart-on-his-sleeve barista with big plans, good intentions and a magnetism for tragedy.
One of the aspects that most fascinated me was realizing how nature already provides ready and extremely evocative forms. A branch, a trunk, or a tangle of shrubs can spontaneously suggest figures, presences, animals, or movements.
When a 22-year-old Jean-Michel Basquiat (1960-88) was asked how he typically began a piece, his answer was simple: "I suppose I would start with a head." That instinct-almost a reflex-sits at the core of a remarkable group of early works on paper that remained largely unseen during his lifetime. The Basquiat: Headstrong exhibition, which opens this month at the Louisiana Museum of Modern Art in Denmark, is set to become the first comprehensive showing devoted to the artist's depictions of the human head.
Join us @hotelbironwinebar for National Inspire Your Art With Art Day (1/30 @ 5pm)! We will provide art supplies for you as you sip your wine. Our feature artist will be @cajobcase ! Her show will be up until the end of Feb. Want to join but still doing dry January, we got you covered! Disclaimer: Please double check event information with the event organizer as events can be canceled, details can change after they are added to our calendar, and errors do occur.
THE TITLE OF THE KW SHOW is "RATIO." The term comes from economics, this idea of balance. But I'm applying it to the conflict here in the DRC, which is based around our strategic rare minerals. I'm talking about customs, electronics, space, minerals. In my country, we only ever talk about making phones, about buying a new phone. I advise young people who are looking at the front of their phone-at the screen-to keep the back of their phone in mind;
Join us on Thursday, January 29, 6-9 PM for the opening reception of Tabi Tabi Po: Come Out with the Spirits! You Are Welcome Here, featuring the work of renowned artist Cece Carpio. Through Indigenous oral traditions and narratives, both autobiographical and imagined, this landmark exhibition highlights the power and necessity of storytelling. As a cultural, political, and relational practice shared across cultures, storytelling brings attention to the sacred and often overlooked spaces essential to understanding how all things come to be.
The 88-year-old artist's A Year in Normandie is a 90m long piece that he produced on his iPad during the pandemic. Made up of 220 panels depicting the changing seasons in and around his French garden, it's inspired by the Bayeux Tapestry - which fittingly will be on display in the UK for the first time in nearly a millennium later this year - and Chinese scrolls. This will be the first time that A Year in Normandie has been on show in London.
For some eminently wealthy individuals, amassing a first-class art collection is an ideal way to spend their money. And while some high-profile art collectors end up donating their collections to museums or other cultural institutions, others take a different approach, reselling their art after a certain amount of time. Which brings us to this week, when billionaire David I. Koch's collection of Western art hit the auction block at Christie's, setting a number of records in the process.
The mixture of old world and new inside a pub that also features a dark, polished wood bar, feels just right for Corrib Theatre's variety show An Scéal (The Story), which combines traditional storytelling and music with modern movement to celebrate the Celtic feast day Imbolc and the return of the sun as well as the Irish National holiday St. Bridgid's Day, both of which are on February 1.
The Courtauld has announced plans for two new contemporary art galleries and a reading room at London's Somerset House, supported by a £10m gift from the Blavatnik Family Foundation. The donation brings the Foundation's total support for the institution to £20m. The Blavatnik Contemporary Galleries are expected to open in 2029 as part of a wider campus redevelopment, costing £82m. This redevelopment will also involve the construction of a new Blavatnik Reading Room inside the Courtauld's remodelled library.
Finnegan's Wake: An Immersive Ghost Story, presented by 13th Floor Theater, plunges audience members into the beautiful, dysfunctional Finnegan-Plurabelle family. Scenic designer Treigh Buchet, lighting designer Meghan Schultz, and ephemera designer Michelle Josette Crashette transfigure the San Francisco Mint into an Irish family home on the banks of a mystical river. Audience members are free to explore the spaces before the show begins with libation in hand. When the dinner bell rings, the show commences.
First in a Chinatown mall beneath the Manhattan Bridge and then in a nondescript third-floor room nearby, Francis Irv exhibited a heady, multigenerational mix of artists from the United States and Europe, variously established, obscure, and on the rise. Megan Marrin showed alluring paintings of 1960s celebrities (replicas of photo souvenirs shaped like clothes hangars) last fall. Win McCarthy placed bricks, plastic takeout containers, and bedding on the floor in a charged, melancholic 2024 exhibition.
