Grosse's technique of applying acrylic pigments with an industrial spray gun extends the reach of the body, registering the act of painting as movement that unfolds across space.
"The idea for a dedicated consultancy arm actually predates GCC's launch in 2020. Right from the beginning, it was clear that while shared standards, tools and advocacy are essential, many organisations would require hands-on, tailored support to implement meaningful change."
"I understand the fascination with Bigfoot," says filmmaker Marq Evans, whose documentary Capturing Bigfoot drew rave reviews at the SXSW Film & TV Festival last month. "It's a mystery. Everybody loves a mystery. Although to some people, it's not a mystery. They've seen it; it's proven. And there's nothing that you can tell them to say otherwise."
Tania Yakunova's lush compositions are marked by grainy textures and gestural lines, effectively conveying deep emotions and brand narratives through her vibrant color palettes.
The glass negatives have tremendous documentary value—not only for the museum and the collection itself but also for the public. They provide a crucial visual record of significant artworks that were lost.
Guernica, Picasso's most famous painting, depicted the horrors inflicted on civilians during the bombing of the Basque town of Gernika in the Spanish civil war.
Cemeteries are spaces where ritual and reflection converge, where commemorations of life co-exist with contemplations of human mortality. Jean Shin's installations question how these elements mark cycles of time.
"I center feminine figures and feminine energy and ideas. I wanted to really push the whole idea that this was a woman, so there's a collar and necklaces, and there's a light inside to indicate spirituality."
"My work is a dialogue with clay, grounded in reverence for repetition and craft, at once elemental, transparent, and detailed. I'm not sure my work answers these questions but I do constantly ask myself: What value does beauty play in our chaotic lives? Is beauty important? What do objects we surround ourselves say about us?"
Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.
I chose my friends poorly, and your friends have a tendency to rub off on you. And so I started making poor decisions. The next night I made a plan of how to do it, and I did it. And I didn't get caught doing it, [but] I got caught afterwards.
