Arts

Arts

There's a refrain that follows Sean Hayes around in The Unknown, and it doesn't take much to hear echoes of The Phantom of the Opera in the way the playwright David Cale has arranged its scansion and melody. "I wish you'd wanted me," Hayes's character, Elliott, a playwright who's on a digital-detox retreat upstate, hears a mysterious voice singing somewhere outside his window.

I take no pleasure in saying "I told you so." Really, I don't. But I was hardly shocked by this week's news that Tina Rivers Ryan, who was named editor-in-chief of Artforum in 2024 after the dumpster fire that was the magazine's handling of an open letter in support of Gaza, was stepping down (Daniel Wenger and Rachel Wetzler will step in as co-editors, scrapping the editor-in-chief title altogether).

Szilveszter Makó 's enigmatic photographs carry layers of mystery and introspection. Standing inside curious block-like backdrops and lain against two-dimensional fields of color and texture, his subjects seamlessly meld into stories in which every detail carries intention. Taking inspiration from art history, the Milan-based artist references Surrealism and grotesque art through his use of chiaroscuro effects via light exploration and contrasting earth tones.

In works that merge sculpture, fashion, and kite-making, Hai-Wen Lin traverses the thresholds that connect one's physical self, the mind, and the elements. The artist describes their practice as "an act of reorienting: looking back, looking forward, looking in, looking up." Using a wide range of materials, Lin creates vibrant, abstract compositions in textile often manipulated with cyanotype patterns or dyed with natural hues such as indigo and turmeric.

If you want to paint, put your clothes back on! That was how Carolee Schneemann summarised the critical response to her 1975 performance piece Interior Scroll, which she had performed nude standing on a gallery table. After making a series of life model poses, she removed a scroll from her vagina and began to read her manifesto. In doing so, Schneemann asked an important question: What does it mean for a female artist to be both the artist and the life model?

Galerie Nordenhake Mexico City is pleased to present Zigzags and Curves, an exhibition by Sarah Crowner that brings together her sustained research into geometry, abstraction, and the expanded language of painting. Presented across two sites - the gallery's Mexico City space and Casa Roja in Lomas de Chapultepec-the exhibition takes its title from the fundamental graphic elements that structure Crowner's visual vocabulary: the zigzag and the curve.

The six-month extension must be approved by the Visual Arts Committee, the full Arts Commission and then Recreation and Parks. Both the Feb. 18 Visual Arts Committee meeting and the full Arts Commission meeting on March 2 will provide opportunities for public comment on the proposal. A spokesperson confirmed that Recreation and Parks does not incur any costs from the installation of R-Evolution. In a presentation created by Building 180 and the Big Art Loop for next week's meeting, R-Evolution is framed as a convenient placeholder until Embarcadero Plaza and Sue Bierman Park renovations begin. Recreation and Parks currently lists that project's construction start date as "TBD."

The husband-and-wife team of vocalist Jean and drummer Marcus Baylor have mined a rich vein of Black music where jazz, R&B, gospel and fusion coalesce, and the group featured on the Baylor Project's only Bay Area date includes trumpet great Freddie Hendrix and pianist Keith Brown, who's performed widely in the Bay Area with vocalist Jazzmeia Horn and alto sax great Kenny Garrett. Thursday, Feb. 12, 8 p.m. The Freight. $39-$44

One might be tempted to take it easy the weekend after the Super Bowl, but look at it this way you didn't build up all that socializing stamina just to let it wither away after one stupid football game, did you? We think not! So let's get to it, shall we? As always, be sure to double check event and venue websites for any last-minute changes in health guidelines or other details.)

We've seen Robert Icke's Oedipus as a political thriller on Broadway last fall, Shayok Misha Chowdhury's revival of the choral Gospel at Colonus at Little Island in the summer (if you missed that, I recommend a tape of the 1985 production on YouTube), and now, Alexander Zeldin's The Other Place at the Shed, a version of Antigone turned into a bourgeois family drama.

Pina Bausch had a pair of secret weapons in Matthias Burkert and Andreas Eisenschneider, who jointly sought out music to match her uncanny dance-theatre and make it so indelible. In Sweet Mambo, the German choreographer's 2008 production for Tanztheater Wuppertal, their eclectic compilation complements the seductive elegance of set designer Peter Pabst's huge, billowing white drapes and the sumptuous gowns provided by Marion Cito.

Join us for the 28th Annual Mexica New Year, March 13-15, 2026 for a weekend filled with Native traditional dancers, a sunrise ceremony, arts & crafts market and delicious food. Our gathering brings together over 500 Aztec Dancers from throughout the US and Mexico, 7 Northern California Native tribes including our local Muwekma Ohlone tribe of the SF Bay Area and other Native tribes from the US and Mexico.

He would refer to his father as ce salaud bourgeois (that bourgeois arsehole) and he delighted in telling me the story of being thrown out of school aged eight because he punched the gymnastics teacher who was trying to instil discipline into young boys by turning them into military martinets. Of the professions and attitudes that merited his ire the military, the church, hypocrisy, sham, inauthenticity, politicians, academics and fascists collaborateurs had a special place in his heart.

Since it premiered in 2009, OVO has been seen by over seven million people in more than 40 countries, and it's back in London with a reimagined set design, reinvented music and new acrobatic acts. The show features 60 acrobats in incredible costumes bringing flying butterflies, juggling ants, leaping crickets and contorting spiders to life against a backdrop of giant flowers and a 19-metre climbing wall. Expect to see acts across Chinese poles, trampoline walls, slackwires and more, all set to a pumping Brazilian-inspired soundtrack.

He was 48. Van Der Beek announced his diagnosis of Stage 3 colon cancer in November 2024. His family wrote on Instagram on Wednesday, "Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend."

Times are hard, but don't believe the rumors about the death of the Bay Area art scene. Yes, art institutions and galleries are closing. Yes, the techies have taken over, outpricing artists and polluting culture with their AI inventions. But there's an inherent spirit of rebellion to the region that won't be quashed so easily, and an inspired community that fights for it every day.

One of those early supporters was Jan Petry (1939-2024), a Chicago advertising executive who filled her home with outsider art. Petry bequeathed 47 works, some by anonymous artists-including an Odd Fellows carved wood staff dating from 1880-and others by Emery Blagdon, James Castle, Ulysses Davis, Charles Dellschau, William Hawkins, Martín Ramírez, Günther Schützenhöfer and Leopold Strobl. Charles Dellschau, Fall Not, 1920 Collection of Intuit Art Museum, gift of Jan Petry and Angie Mills

At the end of November of 2011, I saw my dad take his last breath. I came back to the United States after participating in all the death-related rituals that helped organize my pain in México. New York City was not a place to live my mourning, and right around December of the same year, I felt an intense longing to become small again. I needed to work with children.

London's Mosaic Rooms is reopening on 18 February after a year-long refurbishment, with new facilities, a new charitable status and a new director. But the organisation's focus, says its director Pip Day, remains the same: art and culture from the Arab world and beyond. Since the Mosaic Rooms launched in 2008 it has been a consistent platform in the UK for major artists from the Arab region, such as Heba Y. Amin, Sandi Hilal and Alessandro Petti, and Mohammed Omar Khalil.

When Thomas Jefferson wrote about the "inalienable" rights of man in the US Declaration of Independence 250 years ago, it's possible he lifted the term from the French. And long before it was ever used as an adjective to describe human rights, it defined royal property. To this day, "inalienability" remains a cornerstone of public collections in France-and many other countries-impacting museums and their ability to deaccession, including for purposes of restitution.

According to a BMA spokesperson reached by Hyperallergic, attendance stood at 63,000 as of Monday, February 9, and is expected to peak at 75,000 by the time the show closes on April 5. That makes Sherald's mid-career survey the museum's most-attended show since 2000 - a remarkable feat considering that the BMA was not an original destination on American Sublime's itinerary.

Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.

Born in South Korea in 1951, Cha and her family immigrated to the United States when she was 12. The family found their way to the Bay Area, where Cha became a standout student, eventually earning four separate degrees at UC Berkeley, working at the Berkeley Art Museum and becoming a fixture of the northern California avant-garde art scene throughout the 1970s.

Aoife Rhatigan is an Irish artist from Kilkenny and a recent alumni from Limerick School of Art and Design with a BA in Animation and Motion Design. As well as doing an internship as an animation content creator for clothing company Goodies Sportive in Porto, Portugal, Aoife makes work that reflects her life - a process of chaotically and organically "hurtling towards an end product".

OSCAR MURILLO (b. 1986, La Paila, Colombia) has developed a multifaceted and challenging practice that spans painting, collaborative projects, video, sound and installation. Through each body of work, the artist probes ideas of collectivity and shared culture, demonstrating a commitment to the power of material presence alongside complex meditations on contemporary society. A focus on the social dimension that sits on the border between performance and events is also central to Murillo's practice.

They teach us how to make photo-like drawings. Such renderings look decent but also generic, conventional-like something an AI tool might produce. And they are boring. Why is that? Because they don't mean anything. Meaning An object, like a cup, can mean many different things to us. Now the question is: Which meaning is relevant to you right now? And the answer to this question is what makes your drawing interesting.

her experience and deep-rooted connection to Queens

Worries, fears, hang-ups, and desires are translated through highly skilled puppetry, as interview scenes cast puppet couples talking about their sex lives. Written by Mark Down of Blind Summit, a cohort of exceptional makers and puppeteers expanding the definition of a puppet, this collaboration with the UK's National Survey of Sexual Attitudes and Lifestyles pulls from real-life conversations to get puppets talking dirty.

The British Museum has successfully raised the £3.5m it required to acquire the Tudor Heart, an intricately decorated golden pendant with links to Henry VIII and his first wife, Katherine of Aragon. The purchase has been made possible after a four-month fundraising campaign, and thanks to donations including £1.75m from the National Heritage Memorial Fund as well as contributions from more than 45,000 members of the public.

Although this truism is typically offered as a negative, it can also be read as a positive that provides comfort and stability amid new environments. In I Bring Home with Me, Ghanaian artist Amoako Boafo recreates his Accra studio in an architectural reproduction within Roberts Projects ' Los Angeles gallery. Boafo is known for his stylized portraiture of Black people, whose skin the artist renders in swirling gestures made with his fingers.

If you've had Bad Bunny's "NUEVAYoL" playing on loop in your brain, if you've pledged to call the Super Bowl "el Super Tazón" for the rest of your life, if you're considering swapping out all the mid-century furniture in your apartment for white plastic chairs, if you don't even known which football teams played on Sunday night ... then you might be one of millions of people who were moved, transfixed, and inspired by the Puerto Rican singer's historic half-time performance.