The 88-year-old artist's A Year in Normandie is a 90m long piece that he produced on his iPad during the pandemic. Made up of 220 panels depicting the changing seasons in and around his French garden, it's inspired by the Bayeux Tapestry - which fittingly will be on display in the UK for the first time in nearly a millennium later this year - and Chinese scrolls. This will be the first time that A Year in Normandie has been on show in London.
The Courtauld has announced plans for two new contemporary art galleries and a reading room at London's Somerset House, supported by a £10m gift from the Blavatnik Family Foundation. The donation brings the Foundation's total support for the institution to £20m. The Blavatnik Contemporary Galleries are expected to open in 2029 as part of a wider campus redevelopment, costing £82m. This redevelopment will also involve the construction of a new Blavatnik Reading Room inside the Courtauld's remodelled library.
For Gretchen Scherer, centuries-old rooms in grand houses and institutions serve as the foundation for an ongoing series of paintings of luminous interiors. She starts with photos sourced online, from books, and that she snaps herself, in addition to drawing inspiration from artists like Narcissa Niblack Thorne, who commissioned meticulously crafted miniatures of period rooms to house her vast collection of 1:12-scale furniture. Scherer then tries to "open up" the space, as she describes it, toying a bit with perspective.
Bringing together roughly 180 galleries representing 18 countries, the presentations together cover 120 years of art history. Using its distinctive fair model featuring halls dedicated to different art historical periods and dialogues, historically significant works from classical Modernism-comprised of pivotal movements from the late 19th- to mid-20th century like Concrete art, Art Informel, Pop art, and more-meet the dynamic field of contemporary art today.
Manet & Morisot at the Legion of Honor is a somewhat scholarly exhibition on the lives, work, and friendship of two eminent French 19th-century artists. While it sets out to rescue Berthe Morisot from a long-held assumption that she owed her art to the influence - even guidance - of Édouard Manet, the show is far from an academic or revisionist experience. Instead, after seeing their work compared and contrasted across a handful of galleries, the word that comes most immediately to mind is "pleasure."
Walking through Ideas of Africa: Portraiture and Political Imaginationat the Museum of Modern Art, I noticed that the exhibition didn't have definite sections or texts, and the wall labels abstained from naming the nationalities of the photographers. It was an invigorating experience to be in a show that eschews geographic boundaries set up by Western nations, as well as rejects a cause-and-effect narrative that centers Western colonialism as a framework for understanding African aesthetic production.
If the internet began as a dream of a decentralized network, why would a history of it stick to the center? Mindy Seu takes this idea to heart in A Sexual History of the Internet. A synthesis of artist book, historical study, and performance piece, the project looks to cyberfeminists, sex workers, and others who have shaped online culture from the margins.
Among the museum directors paying keen attention to the ruling, on 3 December, that all federal grants from the Institute of Museum and Library Services (IMLS) would be reinstated, the director of the Seattle Art Museum Scott Stulen heaved a sigh of relief. In 2025, the Pacific Northwest's leading art museum saw all its federal funding cut. That represented the loss of an annual income stream, he says, of between $300,000 and $400,000.
Starting with the inherently gridded layouts of LEGO baseplates, Katherine Duclos creates vibrant, undulating compositions of pastels and gradients. The Vancouver-based artist employs the colorful bricks in a variety of geometric patterns and low-relief textures to achieve dynamic compositions that appear almost kinetic, adding her own effects with paint. The impression of movement, paired with the tactility of the toy pieces, transforms a familiar object we typically associate with childlike play into a elegant assemblages cradled in wood panels.
Considering how this experience could be expressed artistically, he conceived "Domestic Light," which for two years used windowsill sensors in nearly 100 sites globally to record what he describes as "multispectral traces of home."
February's event celebrates the Australian Indigenous art exhibit " The Stars We Do Not See," which features about 200 pieces of Aboriginal and Torres Strait Islander art, in the exhibit's North American debut. In keeping with the theme, the Roof Terrace will be open so you can enjoy the star-studded sky. Attendees will also get the chance to try out fiber-making and listen to a didgeridoo.
All Ages Roving Puppets: Kids can dive into an underwater puppet adventure with fish, divers, and playful performances, from 10 am5 pm. Dance Party: Children can dance along to family-friendly hits and world music spun by DJ Suga Ray, from noon-3 pm Art Lab: Sound & Art Quest: Kids can explore sound and materials in a hands-on, creative space. Timed tickets are required.
Happy snow day, DC! Have a snowball fight, indulge in frosty food deals, and then venture out to the theater. There are several new performances opening this week, such as Chez Joey and world premieres from Alvin Ailey American Dance Theater. Plus, Ramy Youssef arrives at Warner Theatre to tell his hilarious clean jokes. Best Things to Do This Week and Weekend January 26-February 1
Anguissola was the rare woman painter in the Renaissance who was not the daughter of an artist. Born to Northern Italian nobility around 1532, she and her siblings received a comprehensive education that included art. After moving to Rome as a young woman, she was taken under the wing of Michelangelo and also became acquainted with Giorgio Vasari, who wrote that Anguissola "has laboured at the difficulties of design with greater study and better grace than any other woman of our time".
Structured from pictorial tradition, González remakes established canons from her perspective as a contemporary woman: the sacred passes through the filter of a contemporary aesthetic vision without ceasing to be mystery, transforming into something simultaneously recognizable and radically new. The exhibition invites us to rewrite the narrative from creation itself, a gesture born from respect toward that generative power that was denied and distorted for centuries.
When a stranger smiles at you, you smile back. That is why, when Sir Ian McKellen ( The Lord of the Rings, X-Men, Amadeus) walked on the stage in front of me, looked me straight in the eye, and smiled at me, I smiled back. It was the polite thing to do. It was also completely unnecessary, because McKellen was not actually on the stage in front of me. He smiled at me through a pair of special glasses.
I had always associated scrapbooking with grandmas and bored children, so, imagine my surprise when as a twentysomething with a Big Girl Job I found myself enamoured of printing, cutting, and sticking random bits and bobs into a book. If, like me, you've racked up a disconcerting amount of screen time, you may have stumbled across a multitude of craft-inspired social media posts made primarily by young women. Described as junk journalling, the hobby is distinguishable by an affinity with collecting and storing physical mementoes, such as tickets, receipts, packaging and Polaroids.
First up then is Emily Lim's production of A Midsummer Night's Dream, which runs April 23 to August 29. Keen-eyed observers may note that there is currently a production of the same play running at the Globe's indoor Sam Wanamaker theatre. To put it bluntly, A Midsummer Night's Dream is big bucks at the box office, and there's an endless stream of things you can do to it.
Today's puzzle is called "All In." I'm going to give you clues for two words. Insert the letters A-L-L inside the answer to the first clue to get the answer to the second. Ex. Opposite of good / Romantic song --> B(ALL)AD 1. Exam / Having the greatest height 2. Bathe standing up / Not as deep 3. Something that's unexpected and beneficial / Air-filled rubber sac attached to a string
Founded in 1884, it is one of the world's most important societies devoted to books. Though it operates as a members-only institution, the club maintains a steady program of free, public exhibitions that draw from its members' collections. Though often historical, there are fascinating intersections with contemporary culture. Focused on rare books, manuscripts, and literary ephemera, these shows often illuminate how historical texts continue to shape the present.
Flesh And Blood: The Superb Sci-Fi Concept Illustrations of Reza Afshar Pechkeks Misfortune Cookies The Dark Humored Biscuit That Bites Back After A Trip To Ireland, Artist Decided To Paint Its Stunning Landscapes As Beautiful Watercolors French Photographer Sacha Goldberger Takes Our Favorite Superheros Back In Time Incredible Street Art by Remo Lienhard Funny Doodles This Artist Drew During Meetings He Didn't Need To Be At Vintage Family Photos of
Advanced tickets are required, and capacity is limited due to COVID-19 precautions. Please note that admission to any special exhibits is not included nor discounted and will require the full admission price. Saturdays feature engaging art experiences for the entire family, including art-making, gallery guides, and tours with discussion and sketching in the permanent galleries. Legion of Honor Lincoln Park \ 100 34th Avenue, San Francisco, CA 94121 - Most Saturdays - Hours are typically 9:30 am-5:15 pmReserve tickets in advance to skip the line
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's ­family fled in 1970 and where ­Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"