Arts

Arts

Communities make museums and museums make communities. Part of the establishment of M+ was a public consultation where people were asked what kind of museums they wanted. The recommendation was not to build lots of little museums, but to create a big museum that was cross-disciplinary, unburdened by labels like "modern" or "contemporary". It was to be a museum plus more, and that was how we became M+.

The RA is led by leading artists and architects, with the UK's oldest-and, crucially, free-art school at its heart. The opportunity to shape the RA's artistic programme and respond to its extraordinary gallery spaces, as well as launching the expanded Collection Gallery, is tremendously exciting.

'Gebedswolke iii (prayer cloud)' is an installation made up of charms, wire and metallic disks suspended from the ceiling, representing an ethereal constellation of floating forms and a continuation of a motif (the cloud) that South African artist Igshaan Adams has worked with over the past ten years, initially as scribbles and later as installations, including some made from dust.

Artists are not bureaucrats. They cannot be reorganized, reassigned, or threatened into compliance. They can simply decide not to show up, and when enough of them make that decision, the most prestigious stage in the country becomes an empty room.

Ong's work contains a deep reverence for the otherworldly, combining the remnants of ancestral knowledge with speculative visions to form a kind of personal myth-making. The title of their latest series, "Always Were", is intentionally fragmentary suggesting a temporal and grammatical ambiguity that points to the liminal nature of Ong's figures and the time and place they inhabit.

From Hitchcockian stylish suspense and audacious comedy to deeply personal storytelling, infused with magic, and a big-hearted laugh-out-loud world premiere musical this season invites audiences into conversations that are urgent, hilarious, and profoundly human.

The Arctic World Archive (AWA) is a data storage unit where organisations and individuals can deposit records kept on specialist digitised film called Piql that lasts up to 2,000 years. On 27 February, Nigeria became the first African country to place archives at the facility 300 metres beneath a mountain where the cold, dark, dry conditions are perfect for preservation.

As nature photographers, we're oft waiting for those 'hell yes' moments to pack up and move out, and this was a 'hell yes' moment! I traveled from minus 10 degrees Fahrenheit to over 90 degrees in a day!

With an emphasis on the reception of Kahlo's work across times and cultures in the past century, the exhibition blasts apart any crystallized conception of the artist until no easily digestible singular figure emerges. That is, indeed, the point.

There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.

Beyond all of this, I do believe mathematics is a new form of art. It is loaded with meaning. It's not just an aesthetic or a form of abstract painting. It's loaded with poetry.

In the Roman Empire, Egyptian blue was typically traded in the form of small pellets, which were ground into a useable powder, and researchers estimate between six and 10 pounds were used to coat the Blue Room. Using prices quoted by Pliny the Elder (who died in nearby Stabiae during the eruption), the researchers estimate this much paint would have cost 93 to 168 denarii, perhaps equivalent more than 1,000 loaves of bread or 90 percent of a soldier's annual salary.

Our role is, first and foremost, to transmit our fascination with a craft and to ignite that same excitement in the designer. This is the foundation of our curatorial approach: creating the right encounter between a designer's universe and that of a workshop.

Wright created a sculptural masterpiece, but he was pushing the boundaries of residential construction. He didn't put enough reinforcing steel in the cantilevers of the house over the waterfall, so as soon as they removed the formwork, the house started to sag. Wright was always assuring the Kaufmanns it was natural, but it was the house failing.

Tate Modern museum in London announced its slate of 2027 exhibitions, including an opera-inspired installation by David Hockney in the revered Turbine Hall marking the artist's 90th birthday, Algerian artist Baya's debut U.K. solo show, and the first-ever exhibition devoted entirely to French impressionist Claude Monet since the Tate Modern opened 26 years ago.

The next PST Art will highlight exchange around the Pacific across several centuries, from the arrival of Chinese porcelain in the Spanish missions to the influence of Japanese visual culture on the city's architecture and design, to the ongoing impact of contemporary Korean pop culture.

Wives, he wrote, "have left the housework undone and husbands have slipped away from their jobs to watch." The subject of all this excitement was an unlikely one: Congressional hearings. Hours and hours of them. What made it all so fascinating was the topic: Organized crime. Gangsters. Or, as Americans were learning right there on TV, something called "the Mafia."

Looking at old art gives me a sense of craftsmanship, of what can be achieved with paint. There is nothing comparable with Tefaf. The atmosphere of quality is unmatched. Contemporary art collectors are discovering value in historical works and the fair's curatorial standards, representing a potential shift in how different collector demographics engage with art across temporal boundaries.

NeSpoon uses paint and the power of contrast to create large-scale lace patterns in a celebration of the craft. Often symmetrical, they appear framed by the outlines of corners and roofs, while windows and doors emphasize the murals' scale. From a distance, the patterns appear flawless, as if they could be printed. Up close, it's clear the lines are sprayed and brushed by hand, emphasizing the handmade.

An enigmatic coin that someone used to board a British bus seven decades ago is now entering the collection of the Leeds Discovery Centre, following the revelation that it's a bit of 2,000 year old currency from the former Carthaginian trading settlement of Gadir, in modern-day Cádiz, Spain-one of Europe's longest-inhabited cities, settled by Phoenicians around 1,100 B.C.E.

I really wanted to look at the differences between films made by men ... when they're directed by men, it's very taboo, it's sensationalized, it's explicit and it's often violent .... (with) the films made by women, or best case, lesbian women because it's so different, it is like night and day. I'm trying to show that contrast, and that difference.