Arts

Arts

The immersive experience, titled "Larger Than Life: Starring Wallace & Gromit, Shaun and More," will take over the Lightroom at London's King Crossing this October, marking the Oscar-winning outfit's 50th anniversary. Beloved characters Wallace, Gromit, Morph, and Shaun the Sheep will share the silver screen for perhaps the first time this year-not in a feature film, but in a 50-minute ode to their creator, Bristol-based animation studio Aardman.

Although Eleanor's marriage to Edward in 1253 was political in nature (it settled a dispute over Gascony), the two were besotted and virtually inseparable. Over the course of a 30-year marriage she gave birth to 16 children (only six survived) and became Edward's confidant, accompanying him on crusade in the early 1270s.

I grew up in Qatar as a queer person. In Qatar, LGBTQ+ people are silenced. Stepping out of line comes with severe punishment. It is not safe to challenge your family, the country, or religious teachings. You are forced to disappear in order to survive. The open and vibrant Qatar presented through Art Basel is not the state that exists.

The exhibition included large-scale translucent paleta sculptures embedded with handcuffs and firearms, an illuminated paleta cart bearing the phrase "U.S. Department of Stolen Land Security" and paintings juxtaposing Indigenous iconography, pop cultural imagery and references to contemporary border politics.

The gallery's inaugural presentation marked the first time Australian First Nations art had been presented at TEFAF Maastricht, and with sales totaling nearly $1.4 million, further underscored the growing relevance and interest in the category. Building on the momentum of the 2025 presentation, D Lan Galleries will now focus on works dating from the 1970s through today by artists whose practices have shaped the evolution of Australian Indigenous art.

The artist is best known for her dense, visionary ink drawings on calico and postcards. She believed her intricate compositions were guided by a spiritual entity she called "Myrninerest," which she described as an unseen collaborator. Only a small number of her textile works are known to survive, with examples held in institutions including the Whitworth Art Gallery in Manchester, England and the Collection de l'Art Brut in Lausanne, Switzerland.

Technology is currently one of the most powerful forces shaping our lives, our economies, our politics, and even our sense of identity and reality. Cultural institutions cannot remain outside of that conversation. If museums are places where society reflects on itself, then they must engage with the technologies that are actively transforming it.

Paul Hobson's black-and-white image of a leaping, silhouetted toad takes top honors this year, captured at a pond near his home in Sheffield. He snapped the photo from inside the pond, having built a glass box that could settle into the water and protect his camera as the active amphibians bounding over it. The right shot took some patience, too, as toads would often swim over the box and sit on top of it rather than jumping across.

Self-generated income sources are riskier and more susceptible to external factors, such as tourism costs like travel and accommodation, and exchange rates. 'Blockbuster' exhibition income is volatile and high risk, with membership revenue also becoming unstable due to high membership churn.

I was nine years old, and I felt like I lost that childhood. I felt like I became a kid when I looked at a TV this morning. Burn that image into your mind, his mother told him, knowing the city would never be the same. It was 2003, and mere days later, the United States and its allies would launch their invasion of Iraq, raining airstrikes down on the city.

I've been aware of the Gochman Family Collection for a number of years through my work with artists in the collection, including during the organisation of Jaune Quick-to-See Smith: Memory Map. What drew me to the role was the chance to focus on the parts of curatorial work that excite me most--supporting living artists and helping them realise their visions.

Due to the lack of viable alternative storage options and in light of the significant financial pressures facing the county council, no suitable alternatives were identified. However, the council admits that the works have not been offered to any of the county's museums or galleries.

The only stipulation she made was, 'I don't want him to look the way everybody else makes him look, with the bags under his eyes and that penetrating gaze. I'm tired of that image.' Shikler studied photographs to create a presidential portrait that honored Jacqueline Kennedy Onassis's vision of how her late husband should be remembered and represented in the White House collection.

Fontana is a rare example of a woman Old Master, one of only a few who managed to attain career success on her own and was the first woman elected to the Academy of Saint Luke in Rome. This painting is one of the most ambitious from her early career. Reflecting visual references to Michelangelo-a departure from her usual reference to Correggio and Raphael-the vibrant hues and dramatic composition reflect prevailing Florentine trends of the late 16th century.

Major works from media mogul S.I. Newhouse's estate are poised to smash records at Christie's in May. The tranche of 35 to 40 works includes paintings by Jackson Pollock, Pablo Picasso, and Jasper Johns, as well as a Constantin Brancusi sculpture, and is valued it at a whopping $450 million.

Last fall, I bought a ton of marble scraps off a sculptor in Woodstock for like, $10 off Facebook. For sandwiches and cakes, crumbling asphalt parking lots are good. When I lived in Sunset Park, they demolished a building a couple blocks from my apartment, and there was a hole in the fence, so I'd go in there and find tons of cool shapes and textures of rubble.

Fearing for her safety, Lisette Model buried her photos of artists like Billie Holiday and Louis Armstrong, but a new book reveals them to the world. Lisette Model was targeted by the FBI during the Red Scare, like so many other leftist Jewish refugees. The book is one front, not least because of the systematic exclusion of women from art historical narratives and institutions.

Unlike Rossetti's Pre-Raphaelite paintings of winsome maidens surrounded by flowers, the 1877 chalk portrait of his sister offers a flat, realistic impression. She wears an impenetrable expression and dull-colored clothing that blends into an unadorned background. The somber tone is the product of family tragedy: Christina remains in mourning following the death of her older sister Maria, a writer and Anglican nun, in 1876.

Stephen Friedman was overdue filing when he went into liquidation on 2 February, closing his London gallery immediately (his New York venue shuttered around the same date). At the time of writing, invoices remain unpaid and artists unable to retrieve works from storage companies. In a statement, Friedman says 'all matters are now subject to the administrator's consideration'.

NUMU received more than 600 submissions from 53 high schools on the theme "Before/Between/Beyond." Students were welcome to explore before, between or beyond as individual ideas or any combination of the three. The works selected for the show represent 36 high schools. This show features the largest number of artists ever to exhibit, including The King's Academy juniors Audrey Wang and Iris Zheng.

NUMU received more than 600 submissions from 53 high schools on the theme "Before/Between/Beyond." Students were welcome to explore before, between or beyond as individual ideas or any combination of the three. The works selected for the show represent 36 high schools.

Drawing from disparate influences including Constantin Brancusi, Isamu Noguchi, and African sculpture, Mosley turned out "sculptural improvisations," as he called them, for over seventy years before finally achieving broad acclaim in the last decade of his life.

I don't want to be working in ballet or opera where it's like, 'Hey, keep this thing alive, even though no one cares about this anymore.' All respect to the ballet and opera people out there. Damn, I just took shots for no reason.

The terms are often conflated to portray an air of desirability and a limited opportunity. Rarity generally refers to the unusualness of an object—something that is infrequently encountered or 'rare to market.' With modern works from the past century, rarity can stem from limited original production, or the fact that many examples are held in museum or institutional collections, reducing their availability in the marketplace.

Stars under the border began with a simple image of people resting together in an open field, but that idea quickly expanded into something more complex, both visually and formally. I kept thinking about aspiration: how it persists beneath systems that try to define or limit us. The title suggests this tension. Stars suggest hope or possibilities existing in an endless veil of darkness, while a border implies a sense of limitation and separation.

At the Hamburger Bahnhof, the props, costumes, and set pieces of the musical are staged in vignettes throughout a large hall: a life-sized horse sculpture in a pink clearing surrounded by dirt, a curtained cart set up as a stage with a figure on its steps, two life-sized human figures in animal masks perched in a high window, as if observing the events.

The standout performers of the night were the works that were fresh to market. People are really pursuing quality. In a world that remains uncertain, quality is what prevails, and that's really the key ambition for us as we put together sales.

We had this storied journey where we had to build the team, in a sense, before we had an entry. This project is so complex, even now, walking through the factory, seeing all the things that had to be built. There are some 43,000 parts you're designing your own chassis. It's a big, big task.