Arts

Arts

Inspired by Jane Austen's classic Pride and Prejudice, Lauren Gunderson and Margot Melcon's Georgiana and Kitty: Christmas at Pemberley is the third play in their Christmas at Pemberley trilogy (following Miss Bennet and The Wickhams) and mixes new characters with old ones from the original novel. The story follows the friendship between-and love lives of-Georgiana, the younger sister of Mr. Darcy, and Kitty, the younger sister of Elizabeth Bennet.

As artists continue to feel the impacts of grant withdrawals and exhibition cancellations under the Trump administration, New York City Councilmember Erik Bottcher held an oversight hearing on alleged censorship in the arts sector on Thursday, November 20. The hearing featured testimony from artists and cultural leaders, including New York City Department of Cultural Affairs (DCLA) Commissioner Laurie Cumbo; Asian American Arts Alliance Executive Director Lisa Gold; and Elizabeth Larison, director of the Arts and Culture Advocacy Program at the National Coalition Against Censorship.

Tieu's work consists of a contract engraved onto four A4-sized mirrors. It harshly criticises KW's board structure, which charges a €5,000 yearly fee from each member. The fee is a key revenue stream for the institute, already under pressure as Berlin cuts arts funding, but also hampers diversity in the management of the city's cultural institutions, in which "legacies of exclusion and economic gatekeeping" persist.

Aggression and struggles for power abound in the vivid paintings of Ángela Ferrari. The Argentinian artist is keen to explore the limits and consequences of control through scenes rife with antagonism: dogs nip at each other, horses buck and bare their teeth, and birds lie lifeless. Evoking hunting paintings and masculine displays of pride for a kill, Ferrari's works consider the relationship between predator and prey.

'Fútbol y Arte. Esa misma emoción'(Football & Art. A Shared Emotion) will open at the museum's David Chipperfield-designed building in the city's Polanco neighborhood on March 28 and run through July 26, the week after the World Cup Final in New York. Mexico City's Estadio Azteca will host five matches, including the opening one on June 11. Organized by Mexican art critic and independent curator Guillermo Santamarina, 'Fútbol y Arte' will bring together some 100 works by 60 artists from around the world.

Hudson's work is defined by a recurring vocabulary of shapes grounded in the language of abstraction, where organic and geometric forms drawn from both the external and internal world converge. In It's Alright Cause I Know My Own Way Back Home From Here, references to landscapes and still lifes sit alongside forms that channel ongoing themes of loneliness, hopefulness, darkness and positivity. His paintings layer these motifs into compositions that are at once meditative and playful,balancing introspection with optimism.

Winter may not be prime time for New York theaterat least not compared to the star-studded fall openings and the awards-hungry spring rushbut this season is unusually robust, with a mix of high-profile revivals, adventurous downtown premieres, and unexpected celebrity turns. From June Squibb's Broadway bow in Marjorie Prime to Michelle Williams leading a new Anna Christie and Elevator Repair Service taking on Ulysses, the cold months are offering more heat than usual.

Would he be interested in taking four months off from school in Michigan to come out west, drive around, and take pictures of the state's poor and working-class populations? An eager Turnley jumped at the chance and ended up spending the summer of 1975 traversing California in his tiny white Volkswagen, doing everything from spending time with migrant farmworkers in the San Joaquin valley to hopping trains with travelers looking for work to chatting up Oaklanders about how they were making ends meet.

The museum's petition claims that Suda, who was three years into a five-year contract when she was fired, had repeatedly requested increases in pay from the compensation committee of the museum's board of trustees. When the committee refused, the petition claims, "Suda took the money anyway, defying the board and violating her contract". The petition does not specify the sums that Suda allegedly misappropriated; her starting base salary in 2022 was $720,000.

Sebastian Foster is thrilled to present its 2025 Fall Print Set, marking the 13th anniversary of the collection since publishing the first set in 2012. The new release features 20 works by well-established illustrators, printmakers, and painters from around the world. The prints in this set have all been published as relatively small editions, hand-signed, and numbered by the artists.

A lot of people don't realize that before Ross + Kramer, I've been in the art business forever,

"This is very welcome news,"

So these organizations could be forgiven for being surprised when it emerged this fall that crowdfunding platform GoFundMe, better known for helping individuals and families raise money for medical expenses and other personal causes, booted up some 1.6 million pages benefiting US nonprofits, including dozens of major art museums, without informing the institutions themselves or giving them the opportunity to opt out.

Soon after, the French architectural firm BLP was entrusted with renovating it and bringing natural light back into the original three-story building, designed in an eclectic style by the architect Charles Planckaert. The idea "was to open it to the city and make it more accessible to the public", says the museum's head of collections Hélène Ferron. The central patio's glass roof has been restored and a mosaic by Giandomenico Facchina that lay behind layers of plaster has been uncovered.

A painting determined to be the work of "genius forger" Wolfgang Beltracchi in Japan's Tokushima Modern Art Museum, it was returned and refunded for 67.2 million yen ($426,000) by an Osaka-based company on Wednesday, November 19, reported the . The museum had announced that it would withdraw the canvas from an upcoming exhibition, following suspicions that it was a Beltracchi fake.

SAN FRANCISCO - An inflatable giant with a cartoonish skull-and-crossbones head perches on the roof of the San Francisco Museum of Modern Art, like a car-lot tube man, advertising the exhibition KAWS: Family inside. The big balloon is various shades of gray, reminiscent of another large sculpture just a few blocks away on the Embarcadero Plaza, a 40-foot-tall naked woman fabricated from steel mesh.

"a "small, corrupt faction of the [museum] board" had commissioned an external law firm to conduct a "sham investigation" into her expenses and recommended her resignation."

Maggie Harrison is the head of winemaking at Antica Terra in Oregon's Willamette Valley, where she has garnered a reputation as one of the most celebrated practitioners of the craft. With a group of artists-Julie Mehretu, Paul Pfeiffer, and Jessica Rankin-she recently unveiled a limited-edition box set of wines blended as part of a collaborative process that also included the creation of individual artworks packaged along with the bottles, in a self-described "Museum in a Box."

I love to integrate manual interventions such as printing on fabric, sewing, and collage, transforming the work into more complex and tactile objects,

On the second floor of Hany Armanious's exhibition at Buxton Contemporary in Melbourne, a curl of tangerine peel lies on a shelf, its yellowing, pithy insides facing upwards. It feels like it should be cleaned up, but it won't be. The rind is not rubbish discarded by a careless visitor: it's a perfect resin cast made by Armanious. Placed carefully around the gallery are resin recreations of other items more commonly seen in bins: a group of melted candles, blobs of Blu-Tack, crumbly chunks of polystyrene.

The term reflects her unique method of applying spray paint, bringing depth, complexity, and a painterly sensibility to her work. This exhibition presents 21 new spray paintings based on the theme "See-Through," delicately depicting moments where humor and introspection intersect through the coalescence of everyday objects and surreal scenes. The word "See-Through" harbors a mysterious meaning that serves to stimulate Stickymonger's imagination.

Germany's young creative talents find themselves in a chokehold of diminishing government funding to educational and outreach programmes, threatening to undermine long-standing institutions as well as the renewed international interest in its fashion industry. The mood is decidedly depressed at University of the Arts ( ) in Berlin, one of Germany's leading arts universities. Funding cuts across all of the city's publicly financed cultural and arts programmes have left the school depleted in staff and its facilities' opening hours.

The 19th International Architecture Exhibition of La Biennale di Venezia, "Intelligens. Natural. Artificial. Collective.", curated by Carlo Ratti, closed on 23 November 2025 as the most visited Architecture Biennale to date. The exhibition recorded 298,000 visitors, in addition to 17,584 preview attendees, surpassing previous editions despite the temporary closure of the Central Pavilion for restoration. Bringing together 303 projects and 758 invited architects, along with 66 National Participations and 11 Collateral Events, the edition extended across the Giardini, Arsenale, and multiple sites throughout Venice.