Arts

Arts

My visit to the one-room exhibition Caravaggio's "Boy with a Basket of Fruit" in Focusat the Morgan Library & Museum suggests: Yes. The painting is modest in size - a little more than two feet (~61 cm) across - smaller, even, than some of the works that surround it. Its lighting isn't dramatically different from the others. And yet it has this immense gravitational force.

Disembodied heads, eyes, and hands meet spindly trees, dragonflies, and vibrant blossoms in the folk-art inspired works of Michael McGrath. Based in Rhinebeck, New York, McGrath melds a variety of media-most pieces contain a mixture of graphite, ink, and oil and acrylic paints-into dynamic compositions suffuse with mystery. Recurring symbols and objects lend themself to a distinctive visual language that captures both the wondrous and puzzling.

We have a 35-year history of serving this city, and an incredible legacy of audience and artists and community members who want to see it thrive, and a building that we own,

The upcoming Broadway revival of The Rocky Horror Show revealed its full cast today, and it is a who's who of who wants to crossdress. Along with the previously announced Luke Evans as Dr. Frank-N-Furter, Oscar nominee Stephanie Hsu (Everything Everywhere All at Once) will return to Broadway for the first time since starring in 2016's SpongeBob Squarepants: The Musical to play Janet. Her bland husband, Brad, will be played by Tony nominee Andrew Durand (Dead Outlaw).

The Gulf has become an art market hot spot, but insiders say the biggest challenge facing its newest arrivals isn't how to tap the region's wealth, it's how to unlearn assumptions that they may bring with them, particularly concerning the area's money, power, and cultural depth. With Art Basel Qatar debuting next week, the region is no longer a peripheral scene but a new axis of influence for the trade.

Affinity Global Development, a company linked to Jared Kushner, the son-in-law of the US president Donald Trump, has withdrawn from the project. The decision came soon after Serbian prosecutors indicted Nikola Selaković, the country's minister of culture, alongside Slavica Jelača, a secretary at the ministry of culture; Goran Vasić, acting director of the Republic Institute for the Protection of Cultural Monuments; and Aleksandar Ivanović, acting director of the Belgrade City Institute for the Protection of Cultural Monuments.

For those who are in desperate need of stimulation, this zine delivers - its visual language is razor-sharp and packed with colour, each page feels like a porno magazine that has vomited everywhere. Hattie calls it a "frenetic deluge", a collection of themes that circle the drain of "online fatigue", a way to process an excessive amount of information in order to create meaning and seek comfort.

FRI/30-SUN/1: PIVOT FESTIVAL The 11th annual installment of this incredible boundary-pushing music festival has enlisted Andy Meyerson of the excellent Living Earth Show duo to curate-and boy is he bringing it. (If you haven't grokked Living Earth's terrific Roar Shack venue, hop to it, btw.) The weekend fills Herbst Theater with hyper-San Franciscan sounds, with performances by vocalist Tanner Porter, San Francisco Ballet dancer- choreographer Myles Thatcher, and Bay Area ensembles Bucket List (featuring composer-creator Mark Applebaum),

Tara Donovan presents Stratagems at the Institute of Contemporary Art San Francisco (ICA SF), at the Transamerica Pyramid Center, installing a group of vertically oriented sculptures made entirely from thousands of recycled CDs. On view until July 31st, 2026, the exhibition is installed within the transparent Annex space. Stratagems enters into a deliberate exchange with the Transamerica Pyramid itself. The sculptures echo the skyscraper's verticality and reflective skin, while their recycled material introduces a counterpoint to the monumentality of the building.

Karina Lumiere paints like someone who trusts color more than language. Her work does not whisper its intentions. It glows, pulses, seduces. This is abstraction born not from theory, but from devotiondevotion to intuition, to sensation, to the unapologetic power of hue as an emotional instrument. Her path to abstract expressionism was never academic. It unfolded in solitude, shaped by meditation and spiritual practice, where listening became more important than learning and presence eclipsed instruction.

Profile Theatre's Tiger Style is the best bargain to be found right now in Portland theater. You buy a ticket to a comedy and get-as a free bonus-a dazzling array of vignettes dissecting Asian American education, life, relationships, and myths. It's giving a side eye to corporate life, showing how families break up and make up, and offering biting examples of Communist Party of China (CPC) politics. Such a deal!

David Henry Hwang's M. Butterfly is a captivating drama that subverts Puccini's Madame Butterfly through the true story of a French diplomat's 20-year affair with a Chinese opera singer. As cultural and personal identities blur, the play challenges our assumptions about love, power, and deception. With its clever twists and poignant humor, M. Butterfly is a thought-provoking exploration of desire, illusion, and the complexities of human connection. Winner of the Tony Award for Best Play and a Pulitzer Prize finalist.

The Donmar's programme is as eclectic as ever, with the opening play being (Apr 18-Jun 6). US actor-writer-director Fran Kranz's adaptation of his own hit indie film is about two sets of couples - the parents of the victim of a high school shooting, and the parents of the shooter - who attempt a painful reconciliation years after the event. Carrie Cracknell directs a top cast that includes Adeel Akhtar, Amari Bacchus, Monica Dolan, Paul Hilton, Lyndsey Marshal, Rochelle Rose and Susie Trayling.

When Zindzi Okenyo takes the Sydney Theatre Company (STC) stage in June for John Patrick Shanley's Tony award-winning play Doubt the role played by Viola Davis in the film it will be a particularly special moment: her fourth main-stage role playing a black woman in a 20-year theatre career. I'm really excited about it, I haven't had a black role for so long, she says.

The show features the work of 14 contemporary artists who use the rug as a medium to engage with cultural concerns related to religion, technology, social justice, housing, and the environment. The diverse roster of artists from the United States, Europe, the Middle East, and Asia work across a variety of media, including yarn, cardboard, repurposed carpets, and hair combs, to transform this functional object into a site of experimentation - manipulated, reinterpreted, and made new.

Before heading out on tour, it's common practice for artists to set a budget and revenue targets, which can be based on how complex a show is to produce and who they need to pay, according to Michael Kaminsky, the founder of music management company KMGMT. This includes the artists themselves, and usually band members, an agent and a manager, he said.

The path to the first New York solo show for Elda Cerrato (1930-2023), now on view at Galerie Lelong, was a long and winding one. Born in Italy to Jewish parents, Cerrato was a child when her family fled fascism in Europe for South America. Authoritarianism continued to shape her life in adulthood, as Cerrato and her husband and son were forced to leave Argentina to escape persecution at the hands of the country's military junta in 1973.

Following the removal of a slavery exhibit at the former presidential homes of George Washington and John Adams in Philadelphia earlier this month, the municipal government is suing the US Department of the Interior and the National Park Service (NPS), claiming that the NPS acted outside of its authority. The exhibits memorialised the nine individuals Washington enslaved during his tenure in Philadelphia as the nation was being founded.

Off the deep waters of Kumejima, Japan, Steven Kovacs captured an image that would be awarded Best in Show for the 2025 Ocean Art Photography Contest. Traveling to the Okinawa prefecture in the hopes of encountering a scarcely documented species of larval goosefish, Kovacs spent nearly two weeks blackwater diving before photographing the rare moment. "Unfortunately, this beautiful little fish turned out to be incredibly uncooperative and difficult to photograph," Kovacs says.

What form would the otherwise formless emotional and psychological internal world take? In her new suite of paintings, Konstantina Krikzoni attempts to uncover just that. In her solo show at L'Appartement in Geneva, " Konstantina Krikzoni: ARMATURA," the works on view were born out of a period of intense period of solitude in the artist's studio in which Krikzoni investigated and tested the limits of painting not only as a medium itself, but as a conduit for her own self-expression.

In 1916, subway construction near Greenwich and Dey Streets in Lower Manhattan unearthed a surprising relic. Some 20 feet underground, workers turned up charred timber; digging further, the contours of an ancient ship came into view-its prow, keel, and ribs. The wreck was later deemed to be the Tyger, a 17th-century vessel that represents a rare archaeological trace of early Dutch exploration in Manhattan.

Dating back multiple centuries, the sculptures had been stolen from Tamil temples and smuggled out of India in the mid-20th century, leaving murky provenance records before the Smithsonian's acquisition. The museum said that one of the three bronzes, "Shiva Nataraja" (Chola dynasty, c. 990 CE), will remain at the NMAA for an ongoing exhibition on a long-term loan agreement, sparking questions about the Indian government's capacity to make decisions on what is technically the religious property of the temple of origin.

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I don't know what you want to know, says Anne Imhof, three-quarters of the way into our interview. Her cautious smile, between curtains of jet black hair, changes into a sceptical pout. I have just quoted a headline at Imhof, one of Germany's most important contemporary artists, that described her 2025 New York show as a bad Balenciaga ad.

The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's family fled in 1970 and where Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"

They're your over-prepared friends trying to get everyone to pitch in for the group trip, except their group trip involves selling tickets for a Tony-award winning production. Welcome back to Art Snack, a smol attempt at streamlining the beautiful chaos of Portland's arts and culture scene. If the thing you want to read about isn't in this week's Art Snack, check back next week. And it never hurts to put it on my radar. Anyhoo, let's snack!