"We reduced the exhibition footprint given over to British colonial imagery related to coastal and topographical surveys, which was part of the first iteration of the permanent gallery."
"Stairs, flower boxes, and mailboxes swell or shrink disproportionately, revealing the distortions of the artist's memory (that murky area where structural logic intermingles with emotional noise)."
Rauschenberg's radial use of media imagery and commercial printing techniques led critics to associate him with Pop artists such as Andy Warhol. Like Warhol, Rauschenberg was also enamored with contemporary culture.
Nima Nabavi’s exhibition, Roswell2223, showcases an 18-foot-long hand-drawn canvas that embodies spiritual intensity and meditative clarity through intricate geometrical forms.
Lynette Yiadom-Boakye's exhibition, To Improvise A Mountain, invites audiences on a personal journey through art, merging her work with various historical and contemporary artists.
The exhibition presents many artistic concepts that are aesthetically pleasing but not practical for large-scale commercial production, raising concerns about their real-world applicability.
"The group show celebrates the centenary of Cork Street, showcasing 15 galleries inspired by Jean Cocteau's controversial artwork, which faced censorship in the past."},{
In September 1985, Christo and Jeanne-Claude created a temporary public art project in Paris by wrapping the Pont Neuf, the oldest bridge in the city with gold-colored fabric.
Morteza Khakshoor introduces female figures into his pictorial universe, expanding the emotional register of his psychologically charged scenes. Domestic interiors, uncanny landscapes, and moments of stillness reveal layered narratives and unresolved tension.
"We are not only going to display more, we are also going to see ways to be inspired by the Indigenous practices, in terms of thinking of community, thinking of sustainability."
The exhibition brings together two large-scale film works, More Sweetly Play the Dance (2015) and Oh To Believe In Another World (2022), playing sequentially across a seven-screen installation.
Artists Saman and Sasan Oskouei create abstract landscapes that visually intertwine elements of nature with contemporary industrial materials, offering a thought-provoking commentary on human-nature relationships.
Her portraits don't offer idealized versions of humanity. Instead, they present skin as terrain-marked, layered, and alive with contradiction.