The Pull of Gravity exhibition at Yorkshire Sculpture Park features a multi-decade survey of William Kentridge's sculptural practice. It highlights the Self-Portrait as a Coffee-Pot series and includes large-scale film works like More Sweetly Play the Dance and Oh To Believe In Another World. The exhibition showcases around three dozen sculptural works, including Kentridge's largest bronzes. The installation design incorporates felt surfaces and plywood, enhancing the studio atmosphere that characterizes Kentridge's work.
The exhibition brings together two large-scale film works, More Sweetly Play the Dance (2015) and Oh To Believe In Another World (2022), playing sequentially across a seven-screen installation.
Midway through Self-Portrait as a Coffee-Pot, Kentridge Two sits astride a sculpted horse made from wooden tripod legs and a cardboard roll.
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