In that small 30-block zone last year, there were 486 reported crashes, injuring 76 cyclists, 108 pedestrians (one fatally) and 67 motorists, according to city stats. That's more than a crash every day, injuring more than 250 people.
We can find a middle ground. PSU could reduce the size of its planned theater to between 800 and 1,200 seats, clearing the way for the Keller to be remodeled as a mid-size 1,500 to 1,800 seat venue.
Through Disney Musicals in Schools' Stage Connect, educators are given free resources like show scripts, music tracks and training that give them the confidence they need to produce a school musical. The program makes musicals and bringing the magic of Disney into public schools more accessible for all.
Today, the concert ticketing industry is broken. It is controlled by Live Nation and the company it owns, Ticketmaster. According to DOJ estimates cited in court, Live Nation-Ticketmaster holds an 86% market share in primary ticketing for major concert venues and a significant share in the use of large amphitheaters by artists. The government argues this dominance wasn't built on superior service. It was constructed through what prosecutors describe as a "flywheel" - a self-reinforcing system where control over venues, ticketing technology, and artist promotion creates an ecosystem that competitors cannot meaningfully penetrate.
At the heart of the scheme is a substantial upgrade to the Barbican's Conservatory. Longstanding maintenance and accessibility issues will be addressed, alongside the creation of a climate-controlled environment to protect its plant collection. The revamped Conservatory is intended to become a more prominent visitor attraction, with regular free public access and new routes to raised balconies offering views across the tropical landscape.
So another word about tickets. They did finally announce single-game tickets were going on sale, but only for games though June. It's not enough to keep season plans limited to those requiring fans to buy more tickets than they can use, feeding the secondary markets which the Mets also get a cut of, but "make-your-own-plan" fans like me who've reliably occupied seats for decades,
We decided this could be an opportunity to design something specifically for those theatergoers, and maybe many others who may have been reluctant to attend on their own. This is not 'singles night.' If a meaningful connection happens, that's a bonus. But at the end of the day, it's really about being comfortable going solo to a show and enjoying it with people who have that same experience.
A socioeconomic duty on public bodies was included in 2010's Equality Act, but has never been enacted. Now Class Ceiling, a review from Manchester University, co-chaired by the former chief prosecutor Nazir Afzal, is calling for change. It wants class to be made a legally protected characteristic like race and sex (and several others), to address the class crisis in the arts not just in the north-west but across the UK.
We do want reform, he said. We do want reform of the licence fee. However, we're not just about driving the amount we get from households higher. My biggest fears are that we just roll on and think it's going to be OK. We don't reform enough. At that point, we don't get regulatory reform and more flexibility. That's my biggest worry. And I think, if we don't do that, we're in trouble.
The battle for WBD played out amid a pivotal backdrop for Wall Street: a period investment banks hope will mark a full-throated M&A rebound, in which just landing a role on a deal of this size is as useful for one's street cred as actually winning it. Even advisers on the losing side will walk away with hefty fees, boardroom credibility, and proof they belong on the biggest mandates of the coming year.
The Sources of Music and The Triumphs of Music are each 30 by 36 feet, and they look magnificent through the glass walls of the opera company's home, day and night. The pair have been appraised at $55 million by Sotheby's, according to Peter Gelb, the Met's general manager, who told the New York Times last week that the company may sell them, with the condition that the buyer "would have to agree to leave them in place, with a donation plaque."
Broadway Bound Kids, the nonprofit that provides performing arts education to New York City students K-12, will be hosting their fourth annual benefit concert, Empower State of Mind, on Feb. 2 at City Winery in Manhattan at 7:30 pm. The evening will include show-stopping performances by theater legends who have starred on the Broadway stage. The participating performers include Kate Baldwin (Chicago), Kelsee Kimmel (Hell's Kitchen), Storm Lever (Six), Olivia Donalson (Six), Daniel Quadrino (Wicked) and Jacob Keith Watson (Ragtime), among others.
Artnet News Pro members get exclusive access-subscribe now to receive this in your inbox every Friday. Art Fairs - TEFAF New York has announced 88 exhibitors for its ninth edition, running May 15 to 19 at the Park Avenue Armory. Several prominent London galleries are participating for the first time, including Alison Jacques, Annely Juda Fine Art, and Piano Nobile.
At Troubadour, we are driven by a belief in creating extraordinary spaces that inspire artists, audiences, and the stories they come together to share. The 3,000 seat venue is to be built in Greenwich Securing planning permission for the new Troubadour Greenwich Peninsula Theatre marks a major milestone for us, and an exciting new chapter in our commitment to bold, large-scale live performance.