#teewing

#teewing

Throughout its history, Spain has been shaped by a wide range of cultures and civilizations, including Muslim, Phoenician, Roman, Greek, Carthaginian, and Visigothic influences, which are reflected in its architecture and design.

"We met with linen and wool weavers and were blown away by the exceptional quality and beauty of the cloth they produced, as well as the depth of [textile] history in Ireland. We were in equal measure concerned by the decline in the number of weavers. They mentioned that they were losing out to cheaper cloth from abroad and that Irish buyers were few and far between."

Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.

Sharon Darcy stated that when she raised concerns about the safety of children operating sewing machines, Paul Keeley told her to 'get a box' to solve the problem.

Nikyle Begay's weaving practice is rooted in heritage, particularly the twill technique used for saddle blankets, showcasing their ability to reconstruct complex woven patterns. This skill has been pivotal in reviving techniques marginalized by the trading-post economy, which favored regional styles over functional, historic designs.

Emily Porter found a woven sweater labeled 'Maria Rodriguez Chicago' at a resale shop, highlighting the significance of local designers in Chicago's fashion history.

Hu Yuehua's 'Weaving Nature' is a large-scale composition that intricately combines organic forms with human craft traditions, showcasing a vibrant array of indigo and ochre.

"The name is a paradox. They never functioned as a collective," says Kaat Debo, MoMu's director. "Some of them still describe that label as a blessing and a curse. But they were friends."

Despite having to haul a dozen dumpster-loads of damaged goods out of the offices and the nearby Lab Store, to the tune of $1.5 million, Eileen said at the time, 'It was just stuff.' You can only imagine the emotions that might arise in a chief executive if they saw their sewage-soaked products floating by. Eileen and her staff did not linger there. They mobilized quickly-organizing carpools, impromptu meeting spaces, and arranging interest-free loans for staff needing cash during the crisis.

Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.

Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

But this week I spotted an ingenious use for the extras, courtesy of NY-based company Proche Studio. Here's their proposal: Mail in a wool blanket, and they'll give it new life in the form of a great-looking-and uber snug-chore coat, vest, or scarf. I'm particularly smitten by the chore coat, a fresh version of the quilt coats that became popular a couple of years ago, and much, much warmer.

Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.

Tons upon tons of these single-use plastics end up in landfills or even floating in the ocean. Spanish design firm PET Lamp set out give another purpose to these otherwise short-lived materials. Partnering with artisans in communities from Chile to Ethiopia to Australia, the company celebrates both Indigeneity and sustainability, drawing upon time-honored global craft traditions while supporting local economies and recycling discarded materials.

These clothes are not secondhand, says Yin Xiuzhen, the Beijing-born artist known for creating large-scale installations out of found garments and keepsakes. I prefer to call them used' or worn', she explains. Clothes that have been worn' carry a lot of information like a second skin, imprinted with social meaning. In some of Yin's works the clothes are her own, telling a personal story. In others, the clothes are collected, stained and stretched across towering steel frames resembling planes, trains or organic forms.

In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.

Embroidery is a historic mainstay of traditional clothing in Asia or the Middle East, as well as Western Haute Couture, but it is increasingly present in Paris, Milan or New York on modern men's shirts, bomber jackets or blazers. Designers at Dior, Dolce Gabbana, Kenzo or Gucci have adopted it in recent runway shows, while Louis Vuitton's celebrity rapper-designer Pharell Williams dedicated his entire June collection to India after visiting the country.

The 26-year-old real estate project manager from Munich came to the surf camp to improve her skills on the water. I came to talk with adventurous travelers about their big ideas, from new businesses to life after layoffs.

It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom

What if I took my design lens and built out my essentials capsule for the Everlane customer? I felt like that would be a really amazing opportunity for me to introduce myself as a designer to an audience outside of EB Denim.