#cinematography

#cinematography

Julian Sklar, an artist past his prime, no longer paints and instead creates Cameos for his diehard fans, while his children seek to profit from his unfinished works.

"There's no case where those things aren't critical, but with a project like this, there is no 'fix it in post' because it just can't work like that. This is a show that has about 3,000 VFX shots, and we were working with up to five different VFX vendors at times."

April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

Whenever you're working with an existing IP, there's always the question of how you're going to translate and adapt, right? Because it's not a one-to-one sort of interpretation.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

Running a photography business can be incredible fun, offering unique experiences and opportunities to meet diverse people. However, it requires significant dedication and effort, often demanding extra hours beyond a typical workweek.

I knew he was a legendary director and he was giving me a list of his movies like Raging Bull, Taxi Driver. Then he was like, 'You probably can't watch any of those quite yet, but there is this one movie I directed called Hugo.' A couple days later, in the mail, I received a copy of Hugo on Blu-ray from his office, which is really crazy.

"Whenever you manage, through cinema, to cast doubt on the assumed nature of things, you might be approaching something really interesting. And when you have done that once, there's no way back."

Glander and producer Payson made Boys Go to Jupiter with a tiny team and a $30,000 budget, showcasing the potential of indie filmmaking in animation.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

Cinematography isn't about beautiful images. It's about producing a whole series of images that serve a story. If I come out of a premiere and somebody says, 'Oh, I love the shot when such and such ...' I know I've made a mistake.

10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.

Filmmaker Simplice Ganou, from Burkina Faso, spends his time documenting people and relationships, but when he travels to Winterthur, Switzerland, he faces a new challenge: nobody wants to talk to him.

Anderson's One Battle After Another continues a resurgence of VistaVision that now includes The Brutalist and Yorgos Lanthimos' Poor Things and Bugonia. The format, which uses 8-perf 35mm traveling through the camera horizontally rather than vertically to create a larger negative, gained popularity as a non-anamorphic widescreen alternative in the mid-1950s. It was used for everything from Biblical epics ( The Ten Commandments) to musicals ( White Christmas) to Alfred Hitchcock thrillers ( Vertigo and North by Northwest).

Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.