#horror-film

#horror-film

Black Cab focuses on the gendered evergreen of the horror genre: a woman in distress, defined through terror, victimisation, abuse, possession, subjection, infection.

Its mock Mickey is a genetically modified super-violent pipsqueak, let loose from the sewers by blundering engineers; rather than the jaunty steamboat his predecessor commandeered, he wreaks murderous havoc.

Lucy Liu's return to the big screen in Presence has captivated audiences with its tense storytelling, showcasing her growth in diverse and challenging roles.

The trad wife phenomenon, with its portrayal of domestic servitude and oppressed identities, captures a dark suburban reality where women's autonomy is systematically stripped away.

Skai Jackson expresses excitement about motherhood and new acting projects, stating, "I'm thrilled to begin this new chapter in my life - embracing motherhood and diving into new acting projects. My heart is so full!"

Virginia Madsen, who starred alongside Todd, shared a heartfelt tribute: "I will miss him so much and hope he haunts me once in a while. But I will not summon him in the mirror!" This encapsulates the admiration and affection felt for Todd by his co-stars and fans.

Within a makeshift chapel behind locked doors, Mr. Reed lectures the missionaries on Radiohead's litigious copywriting strategy; Monopoly... until coercing the young women to choose their escape from his house of escalating horrors either through a door marked 'DISBELIEF' or one alongside it marked 'BELIEF.'

"My goal is to make the scariest movie I've ever made, and trying to make something that scares the shit out of me."

The tagline for Smile 2, "Would it kill you to smile?", hints at the chilling premise where smiling may lead to deadly consequences for the characters.

Psychologists suggest that the uncanny valley phenomenon arises as inanimate objects like skulls look increasingly human-like yet remain distinctly lifeless. This evokes an unsettling mixture of familiarity and fear.

"Fede Álvarez may have been the perfect director to refresh the Alien film franchise. His movie Alien: Romulus is incredibly well shot, with the camera slinking like a predator down each beautiful hallway in the failing Romulus space station, building tension with each step the characters take. Problem is, he just happened to be the worst possible writer for the job, too."

A Quiet Place: Day One maintains the franchise's quiet intensity, shifting from rural settings to a bustling city while focusing on characters trying to keep silent.