#worlds-largest-mural

#worlds-largest-mural

Homeowner Richard Segovia said the decision to remove Chavez's image came quickly. Segovia, who described himself as a longtime advocate for women and a supporter of young artists, said he contacted the muralist he works with immediately after a New York Times investigation detailed the allegations. UFW cofounder Dolores Huerta claims to be a survivor of Chavez's alleged abuse.

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Taking over the colourful Casa Gilardi, Luis Barragán's last commissioned residence, built for the advertising executive Francisco Gilardi in the mid-1970s, the German artist Gregor Hildebrandt transforms the house's stylish rooms with an ever-expanding exhibition of his enigmatic works across various media. Known for transforming outmoded analogue recording media-including audio cassettes, VHS tapes and vinyl records-into paintings, sculptures and large-scale installations, the Berlin-based artist's conceptual works explore themes of memory, nostalgia and the physical representation of intangible sound and sight.

OSCAR MURILLO (b. 1986, La Paila, Colombia) has developed a multifaceted and challenging practice that spans painting, collaborative projects, video, sound and installation. Through each body of work, the artist probes ideas of collectivity and shared culture, demonstrating a commitment to the power of material presence alongside complex meditations on contemporary society. A focus on the social dimension that sits on the border between performance and events is also central to Murillo's practice.

"The new venue has allowed us to develop the experience of the fair-it lends itself to being more of a destination," Brett W. Schultz, the co-founder and director of Material, tells The Art Newspaper. The fair features over 70 exhibitors this year, with an especially strong contingent of Mexico City galleries that, like Material, have been around for a little over a decade.

"We had just moved to Seattle, and I started drawing. Like every day I drew the commuters on the bus, I would draw the mountains, the buildings," remembered Campanario.

Artist Ayelet Gal-On does not just paint; she builds, layering oil, acrylic and plaster on canvas. Gal-On's signature subjects for "Taken by the Wind, Swept by the Light," her upcoming solo exhibition at Gallery 9 in Los Altos, are white dresses that appear to hang on a line, defying the stillness of the canvas. "I love the process of playing with color," says the artist.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

Before Zona Maco's launch in 2003 consolidated Mexico City as a global arts capital, artist-run spaces like La Panadería and Temístocles 44 attracted a generation of Mexican artists-among them Minerva Cuevas, Sofía Táboas and Pablo Vargas Lugo-interested in developing their practices beyond a commercial context through installations, self-published periodicals and time-based media. In the 1990s, the city's artist-run spaces created important blueprints for dozens of independent and underground venues that animate the contemporary arts scene across Mexico today. Bold and unconventional works coming out of that ecosystem will be on display across the city at three important fairs during Art Week: Salón Acme, Clavo and Material Fair.

Galerie Nordenhake Mexico City is pleased to present Zigzags and Curves, an exhibition by Sarah Crowner that brings together her sustained research into geometry, abstraction, and the expanded language of painting. Presented across two sites - the gallery's Mexico City space and Casa Roja in Lomas de Chapultepec-the exhibition takes its title from the fundamental graphic elements that structure Crowner's visual vocabulary: the zigzag and the curve.