Emerging from the artist's meditative practice of lake kayaking, these compositions channel the phenomenology of being adrift: the body poised between two planes - sky above, reflection below - while light and color collapse the distinction between horizon and self. For Walhimer, kayaking is not simply recreation but a way of seeing, a durational practice that turns sky and water into an expanded field of perception.
Berlin's avant-garde artistic scene is forever enriched by the mesmerising performance work, DUNST, crafted by the dynamic duo Marie Zechiel and Elodie Carstensen. The piece premiered at the esteemed LOST Art Festival 2025. This stunning piece transports us into a realm where body, space, and atmosphere converge in an unforgettable experience. Set against the backdrop of Guillaume Cousin's monumental smoke-ring installation within the industrial expanse of the Kolbenhutte, DUNST unfolds a tapestry of movement that captivates the senses.
Known for his ability to fuse Catholic iconography with Mexican folklore and contemporary visual culture, de Nieves uses this project to create a space for reflection, renewal, and collective connection. The exhibition marks the artist's first institutional solo presentation in New York City and is on view through December 14, making it one of the city's most striking cultural experiences this season.
Since 2003, Haroshi has engaged in creating artworks through a unique and self-taught method of utilizing parts from old skateboard decks. He continues to receive much acclaim and recognition as an artist who symbolizes the current street scene through various activities including his collaborations with the street brand HUF and the production of the trophies for BATB, one of the world's leading skateboarding competitions.
Inside the main hall of a former turbine factory in Hungary, Spanish artist has introduced MATRIZ, a large-scale installation composed of a three-dimensional grid of suspended black rectangular elements. The suspended sculpture organizes the void through a rigorous geometric structure. Floating corridors and vertical alignments emerge from the composition, defining pathways without enclosing them. By suspending the grid in equilibrium, SpY introduces a system that establishes order while remaining immaterial and functionless.
Inside its multi-story building, visitors encounter Max Siedentopf's More Is More, a surreal landscape of swelling plastic bags animated by a hyperreal elderly man; Sunshine, a monumental dachshund who drifts between fairytale scenes and futuristic transformations; and Nudake Teahouse, a kinetic, color-saturated lounge that transforms the ritual of tea into a sensory performance. Together with immersive brand spaces, from Gentle Monster's monumental mechanical forms to Tamburins' interactive perfume narratives, Haus Nowhere Seoul establishes a platform for exploration and discovery.
Undulating in a Utah Museum of Fine Arts gallery, thousands of glimmering casts seem to float throughout the space. For his large-scale installation "Stone on Boundary," Japanese artist Yasuaki Onishi has suspended 5,000 copper foils that he molded over river rocks in both Osaka and Salt Lake City. Begun in the artist's studio in Osaka-a city where Japanese copper has been refined for export for around two centuries-the installation then traveled to the museum, which sits less than an hour's drive from the world's largest operational open-pit copper mine.
The installation consists of four parallel metal cables stretched across the rooftop, anchored with counterweights. Suspended from these lines are twelve linen canvases measuring 2.5 × 1.5 meters each. The system establishes a balance between the rigidity of the steel structure and the lightness of the semi-transparent . As the canvases respond to wind and movement, the installation becomes dynamic, creating shifting spatial thresholds for visitors to move through.
Created by Timon Bohn, Garden of Forking Paths is an installation comprised of a matrix of custom printed circuit boards that make use of the physical connection between electrical resistance and heat.
The proposal would incorporate hundreds of Trump-related artifacts ranging from commercial products to political ephemera collected by the artist over several years. Serrano has indicated that this expanded version of The Game would also feature his 2022 film Insurrection, tailored to the U.S. Pavilion's Palladian structure, framing it as a 'seat of power.'
Rachel Hayes transforms architectural spaces and natural landscapes into shifting compositions of color and movement with large-scale textile-based installations that are site-specific and vibrant.
The Flower Room installation features a reflective structure made of aluminum barbecue trays, showcasing the beauty in discarded petals and floral remnants, shifting perceptions of floristry.
