
"Emerging from the artist's meditative practice of lake kayaking, these compositions channel the phenomenology of being adrift: the body poised between two planes - sky above, reflection below - while light and color collapse the distinction between horizon and self. For Walhimer, kayaking is not simply recreation but a way of seeing, a durational practice that turns sky and water into an expanded field of perception."
"Rather than depicting landscape, Walhimer destabilizes it. Trees, water, and ground dissolve into luminous veils of chroma, evoking the immersive radiance of Color Field painting. Like Rothko, he seeks not to describe but to induce an encounter - a suspended, saturated interval in which pinks melt into yellows, yellows drift toward blue, and light becomes almost tactile. A key aspect of Walhimer's work is the way it allows two-dimensional and three-dimensional space to merge."
Walhimer's practice transforms kayak-derived perception into luminous, abstract compositions where sky and water merge and horizon dissolves. Trees, water, and ground become veils of chroma, producing immersive, Color Field–like radiance that prioritizes encounter over depiction. Objects occupy both volumetric and flattened states, alternating between sculptural presence and painterly planes when viewed head-on. Scale, centering, and placement convert images into enveloping environments that fill the viewer's field of vision. Subtle hue shifts and minimal motion add temporal duration, echoing the slow drift of a kayak and the gradual unfolding of sky, light, and reflection.
Read at CreativeApplications.Net
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