"Cheng Tsung Feng unveils Dragon Palace III in Kinmen, Taiwan, an outdoor installation that draws from the ancient horseshoe crab as both architectural form and cultural symbol. Set on Kinmen Island, where the species has long shaped local ecological and mythological narratives, the work translates the distinctive anatomy of the creature into a timber-and-canvas structure that operates as part shelter and part sculptural landmark."
"The core structure of the installation emerges from an arching wooden framework that echoes the curvature of the horseshoe crab's carapace. White canvas is draped in layered sections over the timber skeleton, forming an enclosure. Intentional gaps allow beams to pierce through the surface, creating moments where sharp edges interrupt the smoothness of the canvas. This interplay recalls the duality embedded in the creature itself,"
"Through Dragon Palace III Kinmen, Cheng Tsung Feng turns the primordial figure of the horseshoe crab into a space that carries ecological memory and communal resonance. The Taiwanese artist's installation becomes a ceremonial chamber, defined by filtered daylight, timber ribs overhead, and the tactile simplicity of natural materials. The construction techniques that include tying, bending, and binding reference island traditions while keeping the structure resolutely contemporary."
Dragon Palace III is an outdoor installation on Kinmen Island inspired by the horseshoe crab's carapace and cultural role. An arching timber framework echoes the creature's curvature while layered white canvas drapes over the skeleton to form a sheltered enclosure. Intentional gaps allow beams to pierce the surface, creating tension between smooth canvas and sharp timber edges. Construction uses wood, rope, and fabric with tying, bending, and binding techniques that reference island craft traditions. The space functions as a ceremonial chamber and communal sanctuary, framing filtered daylight, timber ribs, tactile natural materials, and local connections between land, sea, and ecological memory.
Read at designboom | architecture & design magazine
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