#Architecture

#Architecture

The outer layer of Powerhouse Parramatta's facade is a steel exoskeleton made from repeating diagonal members, forming a dense lattice that carries loads while sitting off the main envelope. It performs as sun control, especially in the Sydney light where the western exposure can be intense.

The new Radio Télévision Suisse headquarters is designed to function as both a broadcasting center and a public venue, integrating educational and research facilities.

Rudolph sketched a home built around a two-story great room, whose glass façade would gaze down a hill, over the sweep of land, under a roof with a pleated 'Googie' design.

Glass is an amorphous solid, meaning its atoms are not arranged in a regular crystalline structure. This structural configuration explains one of its most distinctive qualities: transparency.

California's architecture mirrors its terrain: Diverse, dramatic, and as varied as the shift from towering ocean cliffs to arid inland valleys. Western design hinges on expansive potential, marrying seamless indoor-outdoor transitions, framing views of sun and sea, and creating a minimalist aesthetic that puts dense tropical settings or desert landscapes centerstage.

The brownstone hit the market this month for $15 million - the first time it has been on the market since the 1960s. A fair amount of work was done before it was ready for showings, broker Vicki V. Negron told Brownstoner during a tour.

Ceramic factories mark the transition from manual knowledge to serial production, expanding its scale without entirely severing its material origins. Scattered across different territories, these structures record the relationship between technique, landscape, and time.

Andreas Kostopoulos reactivates a 19th-century warehouse into Castor Place, a multi-use cultural venue designed to host an evolving spectrum of events, balancing preservation with a forward-looking spatial strategy.

28 College Place, a petite home on a picturesque cul-de-sac, features a garage on the main level and living space above, embodying the charm of a brick carriage house.

The renovation of the Gardiner Museum's ground floor was guided by three core principles: Accessibility, Connectivity, and Indigeneity, aiming to create a welcoming environment.

The International Style represents an attempt to develop a culturally neutral aesthetic for all built environments, deployable equally in Europe, Asia, the Americas, and everywhere else besides.