#mirror-pavilion

#mirror-pavilion

Ceramic factories mark the transition from manual knowledge to serial production, expanding its scale without entirely severing its material origins. Scattered across different territories, these structures record the relationship between technique, landscape, and time.

'SubWave,' created by Ryan Webber, Gwen Goins, and Rafia Santana, draws from the rhythms of the East River, including waves synchronized with the passing subway, revealing forgotten histories along the shoreline.

Giles Duley's 'Distortion/Memory/Resilience/' invites the public into a penthouse at Sutton Tower to view his exploration of the human cost of war, running from May 12-24.

The production combines 360-degree video mapping with choral performances by the Lux Aeterna Choir, alongside a narrated script voiced by actor Hugh Bonneville.

Michelangelo's Sistine Chapel: The Exhibition is essentially an immersive type show that will offer highly detailed, massive scale looks at the 34 frescoes that make up the chapel's ceiling and collectively tell the story of Genesis.

Michael Jantzen's Monumental Engines of Creation series features sculptures that appear to serve a function, yet their purpose remains deliberately ambiguous, inviting viewers to engage with them on a deeper level.

The annual house tour was launched in 1959 to raise awareness of the neighborhood as a desirable place to live and to showcase its impressive architecture.

Andreas Kostopoulos reactivates a 19th-century warehouse into Castor Place, a multi-use cultural venue designed to host an evolving spectrum of events, balancing preservation with a forward-looking spatial strategy.

Nancy Holt is best known for Sun Tunnels, her 1976 work installed in the Utah desert, where four concrete cylinders align with the movements of the cosmos.

Luxart is a site-specific Luminarium created by Alan Parkinson for Battersea Power Station, composed of softly glowing chambers you can explore.

The renovation of the Gardiner Museum's ground floor was guided by three core principles: Accessibility, Connectivity, and Indigeneity, aiming to create a welcoming environment.

"I didn't change anything, I love it. These cubicles appear to me like remnants of bureaucracy and business models. It feels like we stumbled upon this place and found signs of life."

Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.

After we bought the palazzo, we lay on the floor in the music room to look at the details in the ceilings-and to understand what we just bought. That spirit of curiosity has guided curatorial decisions, as they placed artworks in conversation with ornate interiors.

The renovation project by Mawi Design reconsiders these in-between areas as integral components of the learning environment, reorganizing the campus around movement, interaction, and informal use.

In 1962, the architect Buckminster Fuller envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous geodesic spheres that would naturally levitate in air warmed by the sun and be anchored to mountaintops.

A slender white form hovers above the fields on minimal supports, as if a thin wing had just been lifted by the wind. "Floating" describes both a structural condition - a thin roof suspended above the ground - and a quality of time in this place, where mist drifts, light shifts, and one pauses briefly on the mountain, as in a fleeting moment of respite.

A circular concrete ring forms a defined boundary, incorporating a landing and three steps that lead into a contained field of refined sand. At the center of this ring rises a tall cone clad in polished mirrored steel. The composition establishes a clear geometric contrast between the horizontal plane of sand and the vertical reflective surface.