"The ceiling is where the real conversation happens. Rather than replicating a traditional vault, the team designed a three-dimensional sinusoidal surface formed by merging four pyramidal geometries."
"Hundreds of fragmented mirrors are arranged across this undulating surface through computational processes, catching light and redistributing it in ways that feel almost alive."
"Ayeneh-Kari became prominent during the Safavid period in the 16th and 17th centuries, when trade routes brought large Venetian mirrors to the Persian court."
"Rather than discarding the damaged pieces, Iranian craftsmen cut them into smaller fragments and reassembled them into intricate designs, creating a unique aesthetic."
The Mirror Pavilion in Mashhad, Iran, embodies the essence of Ayeneh-Kari, a traditional craft that utilizes mirror mosaics. Designed by Ehsani Sharafeh Associates, the pavilion contrasts with its industrial surroundings through a cubic structure. The ceiling features a unique three-dimensional sinusoidal surface made from four pyramidal geometries, adorned with fragmented mirrors and stained glass. This innovative design captures and redistributes light, creating a vibrant, dynamic atmosphere that transcends static installations, reflecting the historical significance of mirror work in Persian architecture.
Read at Yanko Design - Modern Industrial Design News
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