We didn't go down that route, because even slightly rephrasing the request allowed us to directly get a pic of the iconic Charles Schultz character. "Generate a cartoon image of Snoopy in his original style," we asked - and with zero hesitation, ChatGPT produced the spitting image of the "Peanuts" dog, looking like he was lifted straight from a page of the comic-strip.
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Two weeks ago in this space, I wrote about Sora, OpenAI's new social network devoted wholly to generating and remixing 10-second synthetic videos. At the time of launch, the company said its guardrails prohibited the inclusion of living celebrities, but also declared that it didn't plan to police copyright violations unless owners explicitly opted out of granting permission. Consequently, the clips people shared were rife with familiar faces such as Pikachu and SpongeBob.
At a Cabinet Office press conference, Minister of State for IP and AI Strategy Minoru Kiuchi emphasized that anime and manga are "irreplaceable treasures" representing Japan's cultural pride (via IGN). The government urged OpenAI to respect Japanese copyrights and avoid misuse of its technology. Digital Minister Masaaki Taira echoed this sentiment, suggesting that if OpenAI doesn't voluntarily comply, Japan could invoke provisions under the AI Promotion Act--legislation that promotes AI development while also addressing risks such as copyright violations.
A Department of Homeland Security social media post featuring The Cure 's "Friday I'm in Love" has been removed following a DMCA takedown request. The social media post, originally shared by DHS on October 2nd, were taken down on Twitter/X on Instagram on Friday. The same post has been muted on DHS's Instagram page. The Facebook version of the post remains available as of Saturday.
Many of these videos feature recognizable characters like SpongeBob cooking meth, raising the obvious question of whether the AI company was flagrantly ignoring copyright law. And as tons of Sora-made videos parodying Altman hit the web, including some that fake CCTV footage showing him committing crimes, the implication that the tech could easily be used to fabricate damaging videos of people without their permission couldn't be ignored.
According to Axios, a law firm representing Disney wrote to Character.AI demanding that it cease using copyrighted characters without authorisation. "Character.ai chose to systematically reproduce, monetize, and exploit Disney's characters, that are protected by copyrights and trademarks, without any authorization, in a way that is anathema to the very essence of the Disney brand and legacy," the letter states. The company said Character.AI chatbots impersonated characters such as Moana, Princess Elsa from Frozen, Moana, Spider-Man alter ego Peter Parker and Darth Vader from Star Wars.
In a video on OpenAI's new TikTok-like social media app Sora, a never-ending factory farm of pink pigs are grunting and snorting in their pens - each is equipped with a feeding trough and a smartphone screen, which plays a feed of vertical videos. A terrifyingly realistic Sam Altman stares directly at the camera, as though he's making direct eye contact with the viewer. The AI-generated Altman asks, "Are my piggies enjoying their slop?"
As AI bot traffic grows, content creators are taking steps to protect their intellectual property from being scraped against their will. The publishing industry has spent the past year battling against the encroachment of AI tech, with companies like The New York Times and Ziff Davis suing AI platforms for scraping their copyrighted content and using it to train large language models.
Almost exactly a year ago, it announced a bold partnership with the AI startup Runway to develop a new model capable of generating "cinematic video" exclusively for Lionsgate to use. In return, the studio gave the firm unrestricted access to its treasure trove of movies - which include everything from the "Hunger Games" films to "American Psycho" - to train the AI model.
Yooo DHS i didnt approve to be used in this. I know you know my address so send a check. And please take this down and please keep me out of your 'banger' deportation videos. When it comes to immigration my thoughts and heart are alot more nuanced than this video allows. Bye! https://t.co/5v5gagf4Dr - Theo Von (@TheoVon) September 24, 2025
Yesterday afternoon, the US Department of Homeland Security (DHS) posted a piece of disgusting propaganda that glorifies the concept of a militarized police state forcefully entering people's homes and businesses and leading them away in handcuffs and zip ties - all set to the classic Pokémon theme song and using numerous pieces of obviously copyrighted imagery from the '90s TV show.
In our nine years of covering video platform Vimeo, we have seen it win legal appeals related to copyright issues around pre-1972 music uploads, and the installation of CEO Anjali Sud in 2017. Most recently in January, the company persevered in a copyright lawsuit with major music labels. Today we learn that Vimeo has agreed to an acquisition by European digital technology company Bending Spoons.
Sit Down was used in a video posted by Robinson on X that was highlighting the size of the protest. In his own post on the platform shortly after 5pm on Saturday, when many of the protesters were still gathered around Whitehall and Trafalgar Square, Booth criticised the activist for including the 1989 record in his content. The 65-year-old said: Disgusted to see the cynical use of Sit Down by TRobinsonNewEra. No permission was granted, and we are looking into our options.
If the Supreme Court doesn't reverse a lower court's ruling, internet service providers (ISPs) could be forced to terminate people's internet access based on nothing more than mere accusations of copyright infringement. This would threaten innocent users who rely on broadband for essential aspects of daily life. EFF-along with the American Library Association, the Association of Research Libraries, and Re:Create-filed an amicus brief urging the Court to reverse the decision.
Instead, critics fear Anthropic will get off cheaply, striking a deal with authors suing that covers less than 500,000 works and paying a small fraction of its total valuation (currently $183 billion) to get away with the massive theft. Defector noted that the settlement doesn't even require Anthropic to admit wrongdoing, while the company continues raising billions based on models trained on authors' works.