There have been so many impactful films made about the Holocaust, but two things drew me in as a writer. One was that this man kept his secret for 60 years, which I later found out was quite common among survivors. So, the idea of holding on to a secret until you're in your early 70s, even from your children and your family, was compelling.
I'm going to be so honest, I don't even have a script. So I don't even know when we're filming. While Casalegno may not have a script yet, it has been written - as Han revealed to late last year. Han (who will write and direct) previously shared in a Prime Video press release that the film will follow another big milestone left in Belly's journey.
Fargo feels like Blood Simple, the Coens' neo-noir debut, got fed through the genre, well, woodchipper, producing a pitch-black comedy about the emptiness of greed. It's messing with you from the moment it opens with a blatant lie about being a true story, with Joel Coen later saying, 'If an audience believes that something's based on a real event, it gives you permission to do things they may otherwise not accept.'
They just hired a fantastic writer/director who did Tom Cruise's last four movies. They just hired [Christopher McQuarrie] to write and direct King Conan. He added that the part will be written to be "age-appropriate," where he will "still go in there and kick some ass, but it will be different."
Opera is 400 years old. ballet is 500 years old. Somebody named Timothée Chalamet - big guy, by the way - had the nerve to say on camera that nobody cares about it. I'm sure you can walk into an opera theater right now, seats will be filled out, and nobody's saying a word as the performance is going because everybody has that much respect for it.
There is a good chance. I'm not able to officially say anything until it's announced, but I will say I'm thrilled with the prospect of another film. I certainly wouldn't want anybody else to play Frodo either as long as I'm alive and able.
Perhaps sensing this wariness, the creators of some of the more politically compelling movies and TV shows of the past year have instead explored how being alive feels during a tumultuous period. They capture the atmosphere, the mood, the ambient existence of everyday people who are living through a transformative time in history, whether or not they recognize that they are doing so.
As the man who served as Kurt Russell's stunt driving double on Quentin Tarantino's 'Death Proof,' Buddy Joe Hooker deserves Hollywood canonization. There are few modern films featuring car stunts as impressive as those he choreographed and performed in Tarantino's imaginative, high-octane exploitation tribute.
Following Reiner's arrest in the murder of his parents, who were found stabbed to death in their Brentwood mansion on Dec. 14, people have looked back on those red-carpet photos and say that he looked a bit detached from everyone else and even from the reality of the moment.
A movie about a visionary man whose genius made him one of the greatest figures in literature. William Shakespeare is played by Paul Mescal, an actor who leaves no demographic unravished by his outrageous levels of magnetism. And yet Hamnet is a film that sidelines both of these men to supporting roles. The film is about Shakespeare's wife, Anne Hathaway, long viewed as a dumpy, illiterate woman unworthy of attention abandoned by Shakespeare in Stratford-upon-Avon when he swanned off to London.
The Film Forum ranked third on the list with the outlet calling the theater "New York's premiere independent, nonprofit cinema." The Film Forum has been open for half a century and has four screens showcasing a mix of American indie premieres, foreign art films, genre works, directors' retrospectives and special programming.
When the Oscar nominations were announced this year, Ryan Coogler's 'Sinners' set a record. It received sixteen nominations, the most for any film ever. The fact that it's, in part, a vampire movie, made by a director who's not yet forty, makes that feat all the more remarkable.
Hey White House, please remove the Tropic Thunder clip. We never gave you permission and have no interest in being a part of your propaganda machine. War is not a movie, Stiller wrote.
End Of Summer features falsetto voices, bowed cello, feedback tones, synth drones and various electronics, blending and melting into each other's timbres. Robert Lowe is involved in "Part 1" and "Part 3", the latter with multi-tracked harmonic lines utilising nasal intonations to accent frequencies in waves of filtered resonance.
I thought this could be a cool opportunity to make a movie, a family movie where everyone can have fun and learn about different cultures. Coming up, I'm Blasian. My mom is half Korean and half Black, but I grew up in a Black household. My kids' mom is full Korean, so I've experienced both sides. And I don't know many films that really show that.
I was floating around this idea in my head, I knew I wanted to tell a story about the last 24 hours of the simulated mission as part of the Army Ranger selection program. Then I had this horrific nightmare where I was being stalked in a forest with rain and lightning, and I just saw the foot of this giant metallic beast, and it was stalking me, and it had this laser that was sweeping over.
Joel Silver came and had a conversation with me, and he's like, 'The reason your name isn't above the titles is because you're not the star of this thing - it's Jodie. And if you get nominated for an Oscar, it's going to be for Supporting Actor, not Best Actor,' and I was like, 'Thank you for telling me that, now I understand. But, you have to remember that I'm a man just like you, and if you ever talk to me in that way again, I'm going to knock your teeth out of your mouth.'
With all due respect, I'm actually not going to talk about this. I'm laughing because in the intro when you said, 'Oh, yes, we'll be talking about what happened with Bafta', I chuckled because I said, 'No, we're not'.
Narrated by the wayward ghost of Mary Shelley, Gyllenhaal's loopy, overstuffed fable is maddeningly uneven and just plain mad, in both the furious and off-its-rocker sense. I liked it more than any movie I've also considered walking out of.
An Oscar is worth campaigning for. The box office bounce accounts for, on average, $39m (29m) for a film that is nominated for and then wins the best picture award, depending on where it is in its theatrical release cycle. An Oscar can be career-changing for below-the-line crew, and life-changing for an actor or director.
Aegon arrives from Dragonstone with three dragons and demands that the kings of Westeros submit. When several refuse, he burns their castles and armies until they surrender. And that, at least according to the existing lore, is pretty much that.
I do feel that [Alex] Kurtzman and Noga [Landau] have both maintained the vision, if you will, of Roddenberry, and enhanced it. And I was blessed with this group, the Starfleet Academy cast, because they had done months and months and thousands of hours together by the time I directed them. They had found each other's rhythm.
