The dream is the confusion machine I didn't have to build, a space where perception slips beyond authorship. Within Communal Dreams, influence operates as a subtle signal rather than a directive force.
Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.
Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
Established by Lee Alexander McQueen in 2006, Sarabande is a foundation that supports creatives with scholarships, subsidised studio programmes, mentoring and events. Sarabande's Tottenham location features 15 studios and an exhibition space across two Grade II-listed townhouses, and now it's added a cafe.
I see myself first and foremost as a weaver working at the intersection of craft and technology. As an Angeleno, I grew up learning how to weave in the Wixárika tradition of my matriarchal bloodline by watching my mother and my grandmother.
Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.
From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany's Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures.
Fiona Twycross, the heritage minister, is to be congratulated for finally giving London's Southbank Centre Grade II listing (Campaigners welcome long overdue' listing of brutalist Southbank Centre, 10 February). I remember being shocked when I first saw it in the 1960s, but it has become a remarkable symbol of the zeitgeist. Its grey concrete and its childlike composition together express the fatalism and despair of a nation in economic and political decline.
Misan Harriman states, 'this exhibition isn't about one cause', highlighting that it reflects a broader social impulse to protest during times of upheaval.
In many ways working in the tradition of Kazimir Malevich and Josef Albers, his compositions employ a language of squares and rectangles known as "Cells" and "Prisons," connected by bold lines called "Conduits." Together, these geometric and linear arrangements tap into the inherent geometry that structure reality, and conceptually refer to the construction of everyday life, both public and private as well as physical and psychological.
In the story of art history-the art and artists, movements and trends-a select number of galleries have played a defining role in the evolution and trajectory of art itself. Among them, the Mayor Gallery in London is surely one, as it has maintained a position fostering and promoting some of the most significant developments in art for an astounding 100 years.
The Washington Post has laid off Pulitzer Prize-winning art critic Sebastian Smee and made sweeping employee cuts across its Arts section in what's been described as a "bloodbath" at the Jeff Bezos-owned paper. All of the paper's staff photographers were also eliminated, raising questions about the future of the paper's visual strategy. Staffers began receiving layoff notices on Wednesday, February 4, after weeks of rumors of a mass downsizing.
One of the great things about making art is discovering something that sprang from seemingly nowhere. In retrospect it looks logical but in the moment it's an epiphany and suddenly it's exciting to explore it. My studio is across the street from Creative Woodworking and they have a box where they put scrap wood for anyone who wants it and it's irresistible to me.
One of Vija Celmins's wonderful Night Sky works. Maybe one of her charcoal drawings of the cosmos, with a comet flaring across the surface. She conjures up such immensity, and such intimacy, with countless tiny points of light shining out of the darkness. Which cultural experience changed the way you see the world? In a word, Paris. After I left school, I spent several weeks working in Paris and discovered the pleasures of looking, on my own, for myself.
