Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.
ArtsLink is envisioned as an essential community resource that aims to increase visibility, spur audience engagement, and strengthen the local arts and culture ecosystem.
March 8 itself has been International Women's Day for just over a century, and although there are several versions of "why March 8?" the answers all lead back to early 20th-century socialists and communists. Soviet Russia in particular made a big thing of commemorating March 8 as the beginning of the first of the two revolutions that created their empire.
The rent is due in Minneapolis, but with federal agents taking people away from their families for the crime of leaving the house, many are unable to go to work. Portland's Little Axe Records wants to help raise funds, which will be distributed through the Phillips Free Store, a mutual aid group that provides urgent rent relief to local residents.
A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.
With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.
WolfBrown found that Eugene had an abundance of art; however, the town needed more support from the business sector. The results showed that "we punched above our weight for a community our size," said Kelly Johnson, executive director of the nonprofit Arts & Business Alliance of Eugene, which the city created in 2008 to link the arts and business communities.
We can find a middle ground. PSU could reduce the size of its planned theater to between 800 and 1,200 seats, clearing the way for the Keller to be remodeled as a mid-size 1,500 to 1,800 seat venue.
Upon entry, Kent's "IF" (1965) lures the eye upward. The serigraph-a silkscreen print in fine art parlance-hangs high on the wall with a subtle vulnerability. Two orange letters hover toward the composition's top edge, as if pushing to transcend the picture plane. A feeling of possibility emerges through the conjunction and its visual form.
The sad part of theater, says Illya deTorres of Chapel Theatre Company in Milwaukie, is that the experience evaporates. "It's like being in summer camp," he says. "It just goes by in a blur."
The day after Whitelaw testified, the state economist said that Oregon now has about $300 million more to spend than previously expected. The new revenue forecast does not mean the budget is in the black, however. There are new demands for the available dollars, including $600 million in upgrades to the Moda Center to retain the Portland Trail Blazers, a recently announced $50 million shortfall in Portland Public School funding,