#cinephile-community

#cinephile-community

The second season appears to go in a The White Lotus-esque direction with Oscar Isaac and Carey Mulligan as a couple whose fight is witnessed by two country-club employees.

Wendy Ross suggested a scene in which the doctor communicated with a patient who was autistic more effectively than another non-autistic doctor had. She emphasized that the portrayal of autism should be subtle, especially for female characters, as many women may not even realize they are autistic.

Kubrick's films, from Dr. Strangelove to The Shining, offer proof of his ability to see people with all their quirks, a talent evident in his early photography.

Nair calls Ray a beacon for her, emphasizing the impact of his work on her perspective of cinema and storytelling in the context of Indian culture.

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

Bucharest's buildings are marked with a bright-red disk, indicating that, in the next earthquake, this building could fall down, as explained by Radu Jude.

The first half of the movie plays out as an intimate chamber piece between Mary and Sam, the two of them rehashing long-buried grudges and betrayals, as we get occasional flashes to Mary's extravagant concert performances.

April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.

The film's title, an obvious reference to profanity, also alludes to an incident dramatized later on, when John, on trial after inadvertently triggering a pub brawl, must give sworn testimony in court.

"It's true I spent most of my life being angry at him. The older I get, the more I feel like I never even knew him at all. My image of him now, I know, falls flat compared to reality."

Film is like that. It developed from [the silent era] into Fellini and Bergman, Buñuel and David Lynch. [They] took these ideas and created a film that was really like a dream.

"The films at this year's Festival represent a wide array of voices, regions, storytelling, and style. In our increasingly divided world, film is a medium that can close some of those gaps, and help us understand the universality of humanity."

Los Angeles is home to more than a dozen one-of-a-kind cinemas that operate on their own terms. Some of these theaters have been around for 100 years, and in classic LA fashion some of them are owned by living LA legends-think Quentin Tarantino and Kyle Ng. Kristen Stewart recently announced she's also jumping into the mix with her purchase of Los Angeles's Highland Theatre.

Sklar's indefatigable, but his cachet has waned. Where his early paintings now sell for millions, he can barely give his more recent work away.

"We were filming in London, so we were in our own beds at night. That's not often the case. Middle-earth, you're not in your own bed."

Emma drops an absolute bombshell in the midst of a game where they're asked to reveal the worst thing they've ever done. Soon everyone around her starts to question how well they really know her.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

10 Cloverfield Lane Mary Elizabeth Winstead, John Goodman and John Gallagher Jr are locked in an underground bunker for the majority of this left-field sequel to Cloverfield, with thrilling results. In the film's final throes, Winstead's character exits the bunker, and finds that her captor was telling the truth about an alien invasion above - a twist that completely and ruinously dissipates the hard-earned tension that came before.

Even in an era of CGI and AI, nothing is more vivid than the intimacy and imagination of radio or more direct than the connection radio has with listeners. I remember when the legendary Stan Freberg drained Lake Michigan and filled it with hot chocolate, a 700-foot mountain of whipped cream, and a 10-ton maraschino cherry. We didn't have to see it. We heard it on the radio. It was Freberg's demonstration of what radio can do better than television.