Of Lithuanian-Russian heritage, Panova's work is informed by that layered cultural inheritance as growing up between cultures has shaped her sensitivity to shifting narratives. Her work explores folklore, quiet, and images that feel suspended between past and present.
Helping people to reconnect with old memories, viewers are transported to their local corner shop, school playgrounds and childhood cupboards. "I think this project has struck a chord because there's a particular interest in hand drawn designs of the past in the current age of AI where human effort is at an all-time low. Now the first thought is 'I'll get AI to do that', rather than commissioning an illustrator," says Chris.
In illustrator Chiara Xie 's work, everything is in motion. Rooted in a deep reverence for vitality, Chiara is fascinated by "the rhythm that flows through a scene", lingering like a suspended breath, and other times "surging as a vibrant, agile current of motion". It's not hard to know what she means: every illustration is filled with motion, arcs of light and air bouncing off every corner.
Most coat hangers exist somewhere between purely functional and aggressively boring. They're the things we grab without thinking, the wire creatures that multiply mysteriously in closets, or the bulky wooden ones that restaurants seem to breed. But every so often, a design comes along that makes you stop and reconsider something as mundane as a place to hang your jacket.
I'm a midweight designer looking to step into another job elsewhere but I keep hearing so many conflicting things about portfolio formats and I don't want to have to recreate three versions all on different platforms just to apply for a job. I can't find any solid advice on what agencies are looking to see regarding format and if sending a PDF makes you look dated.
Musée d'Orsay hosted an exhibit last year called "Art is in the Street," which cataloged "the spectacular rise of the illustrated poster in Paris during the second half of the 19th century." The prints were lithographs - drawings made on limestone with greasy pencils, which were then exposed to water and inverted onto sheets of paper. Typically, each color got its own stone. The finished product was a firework of oily yellows and reds.
Pantone's Color of the Year Concept: The Pantone company produces the Pantone Matching System (PMS) and the Pantone Fashion, Home + Interiors (FHI) System, proprietary color spaces. PMS is used primarily in graphics for printing, packaging, and digital media. FHI is used in a wide range of other industries including fashion, cosmetics, fabric, plastics, and paints. When Pantone PMS inks are applied to a physical color reproduction process, it is frequently possible to accurately match the colors from your digital data visualization to hard copy output...
Federico Seneca (18911976) emerged as one of the most influential graphic designers of the early 20th century, known for fusing avantgarde artistry with commercial clarity. As art director for Perugina and later Buitoni, he reshaped Italian advertising by replacing literal imagery with bold, metaphordriven visuals. His most iconic contribution was the Baci chocolate identity, inspired by Hayez's *The Kiss*, featuring two lovers silhouetted against deep midnight blue. Drawing heavily from Futurism and Cubism, his work embraced geometric forms, dramatic contrasts,
At the event, you can expect talks from Daniel Savage, a multi-disciplinary artist, designer, and animator whose work often focuses on exploring modular animation systems and process-driven work. As well as that, the graphic designer Sarah Elawad will be joining the stage to share the process behind her ultra-neon and kitsch graphic work which celebrates beauty, love and her culture through experimental prints, garments, video art and collage.
Each pet expresses their own personality; the illustrations are simple, yet tell us so much about each individual cat. Gomatsu captured each in a specific moment, and then amplified the action, expression or energy through his characterful drawings. Brown is holding a cold, rigid blank stare while 노호유 is caught mid-clean. Yuki has a mischievous grin, and Bao looks like a stern bouncer (definitely not letting you in).
The graphic designer and content creator James Junk took to the stage at November's Nicer Tuesdays in LA to share the process behind multiple areas of his creative work with brands, sustainability, fashion design and social media work.
A woman stands before a massive black wolf, their bodies aligned so precisely that the creature reads less as a separate entity and more as an extension of her silhouette. No tension exists between them. No drama of possession or escape. Mari positions the wolf head directly above the woman's own, along the same vertical axis, creating a visual grammar of doubling rather than confrontation. The relationship feels ceremonial, almost devotional, with the wolf serving as guardian rather than threat.
It's easy, for me at least, to be cynical about the state of design. Our visual environment can feel bland, everything from brands to buildings homogenized around similar styles. The ever-impending AI takeover can make the future of this work uncertain. My reading around design this year tended to focus on two things: looking back and looking ahead. In looking through design history, I was looking for glimpses of alternative ways of designing: the experimental, the absurd, the weird.
Barbara is an RC6300. Born in 1993, she's relatively old for a Risograph printing machine. She lived in a church basement in Beaverton until she was sold for $50 at an estate sale in 2013. A few years later, Barbara landed in the Kerns neighborhood at the Risograph print shop and studio Outlet-the shop's first, though Outlet founder Kate Bingaman-Burt has since added three Riso sisters to the family: Janet, Corita, and Lil' Tina.
Though best known for his psychologically intense " Übermahlungen," or overpaintings, Rainer's experiments touched on Surrealism, minimalism, and Abstract Expressionism, among other genres; throughout, he remained firm in his conviction that art should confront pain, suffering, and violence. Process, which he viewed as a meditative practice, was of tremendous import to him, and he frequently pushed himself to exhaustion to achieve the state in which he could best express himself.
She was producing these really precise, technical illustrations which were used in medical textbooks, says David Crowley, curator of a new retrospective of Schubert's work at Muzeum Susch, in eastern Switzerland. She was right in the middle of that practice She was totally unfazed about being in dissections. Her anatomical drawings, notes Marika Kuzmicz, the museum's curator, are still published in handbooks for medical students in Croatia today.
Minard would likely be unknown today, if Marey had not so aptly said his flow map of Napoleon's March on Moscow "defied the pen of the historian by its brutal eloquence." Funkhouser picked this up, and then Tufte anointed it as "the greatest graphic ever drawn". But in his time, Minard was just an engineer working for the École Nationale des Ponts et Chaussees (School of Bridges and Roads) in Paris. The corpus of his work lay buried in the archives of the ENPC.
