#true-crime

#true-crime

Even in an era of CGI and AI, nothing is more vivid than the intimacy and imagination of radio or more direct than the connection radio has with listeners. I remember when the legendary Stan Freberg drained Lake Michigan and filled it with hot chocolate, a 700-foot mountain of whipped cream, and a 10-ton maraschino cherry. We didn't have to see it. We heard it on the radio. It was Freberg's demonstration of what radio can do better than television.

You're probably (unfortunately) at least vaguely familiar with some pretty infamous serial killers in the U.S., like Ted Bundy and Jeffrey Dahmer. However, you may never have heard of Stephen Morin, even though his suspected crimes rival both Bundy's and Dahmer's in number. And although none of these pieces of sh*t deserve to be immortalized, what makes Fear Not unique is that it tells Morin's story through the lens of a survivor's lived experience.

It begins with a murder, and then another. A woman is killed, a man grievously injured, and a letter is sent to the news media. The killer gives himself a name this is the Zodiac speaking and provides a message written in code. So we start with three mysteries: the man, his motives and his message. The third is quickly cracked; the first hypothesized, but never definitively proven.

KENREX is a one man show, co-written by its star performer, Jack Holden, alongside the show's director, Ed Stambollouian. Holden, fresh from writing The Line of Beauty, which recently enjoyed a sell-out run at The Almeida, now bounces back onto stage himself, in a role portraying the entire town of Skidmore and resident bully, Ken Rex McElroy. Skidmore is a Missouri town too small and far away from anywhere to have a sheriff.

In a chaotic and distressing year, books provided a respite, a chance to commune with works of coherent voice and vision. Some people find it harder to read during days overflowing with one-minute distractions and incessant notifications, but when I took the time, I was rewarded with a slightly bigger foothold in a world of decency, humanity, patience, and compassion. Here are 10 good reasons to give that a try.

Such begins the story of The Carman Family Deaths, Netflix's latest true crime documentary, based on a 2021 WIRED feature by Evan Lubofsky. Carman was, according to his father, the "first-born grandson of a Greek dynasty," and when questions began to emerge following his rescue, suspicions arose that what happened at sea wasn't what he claimed.

Now, a new book details the campaign of coercive control waged against the late Tina Satchwell, and the deep extent of his manipulation. 'Beneath the Stairs' written by Paul Byrne and Ralph Riegel details the sheer cruelty of convicted killer Richard Satchwell and features extensive interviews conducted with Satchwell after his wife went missing in 2017, as he tried to portray himself as a victim and claimed she had run off with €26,000 of their life savings.

But Jeffrey Manchester, the robber known as "Roofman," made headlines for being unusually polite when he executed his misdeeds. After he surprised McDonald's employees by dropping in through the roof-hence his nickname-and holding them at gunpoint, he gently reminded one of them to breathe while they collected cash. Before he locked them in the walk-in refrigerator, he made sure that they had coats to wear so they'd be comfortable in the cold.

Maybe it's just me, but I have a strong aversion to these sensationalized true-crime stories. I've truly never once pressed play thinking, I'm so glad I took the time to reconsider this horrible murderer in a new light. Remember when The Office's simple, will-they-won't-they workplace romance was all we needed in order to feel fulfilled by TV? If only I could watch Jim propose to Pam at a gas station with new eyes! Sadly, it's not so simple nowadays.

At trial, Chambers had claimed that Levin's death was the result of a sexual encounter gone wrong. Rosanna Scotto, a Fox 5 news anchor who covered the case at the time, said Chambers looked like a Hollywood Adonis. Another described him as Kennedyesque. The fact that Chambers was an Upper East Side preppy added a whiff of ironyin these elite circles, violent crime just didn't happen.

Prime Video; available now Waleed Zuaiter, Robin Wright and Laurie Davidson in The Girlfriend. Photograph: Christopher Raphael/Courtesy of Prime Summed up in a sentence A steamy, incestuous adaptation of an excellent novel that pits an adult son's new girlfriend against his mother in an ever-more extreme contest. It has lost little of the book's psychological acuity and retained all of the suspense. Not one to watch with your sons, perhaps, but otherwise enjoy.

This collaboration highlights how Jackson has evolved from hip-hop icon to a dominant force in film and television production. With his company G-Unit Film & Television partnering with Lionsgate Alternative Television, Jackson brings a seasoned producer's expertise and a storyteller's instinct to the world of true crime. His cultural influence and eye for dramatic detail elevate each case, guiding viewers through the strategies and pivotal moments that ultimately lead detectives to justice.

Do you run to a haunted house every Halloween? Do you rubberneck after a grizzly car crash? Do you devour grotesque true crime documentaries? If so, that's natural-and it may even be good for you, according to Coltan Scrivner, a researcher of all things macabre and a fan as well-one recent project was founding a horror film festival where he lives in the Ozarks.

With terrific chutzpah, black-comic flair and cool, cruel unsentimentality, screenwriter Austin Kolodney and director Gus Van Sant have made a true-crime suspense thriller set in the 1970s, tapping into the spirit of both Sidney Lumet's Dog Day Afternoon and Network. Apart from anything else, it is a reminder that in that post-Kennedy, post-Watergate age, plenty of lawless and febrile things happened that would now be considered phenomena purely attributable to social media.