#psychedelic-design

#psychedelic-design

In 1962, the architect Buckminster Fuller envisioned a floating city that would free humanity from its dependence on the Earth. The speculative project consisted of enormous geodesic spheres that would naturally levitate in air warmed by the sun and be anchored to mountaintops.

Join us on Sunday, April 19th, at the entrance of Golden Gate Park at Haight and Stanyan to chalk messages of Love, Hope, and Compassion.

The custom-painted ENVE road bike has among the most impressive paint jobs I've ever seen on anything, with gold accents that elevate its visual appeal significantly.

"I love the range in this booth, from large-scale ceramic totems to more intimate neon paintings. I'm always impressed by the artists Freeburg represents and the clarity of her program's mission."

The cat is, above all things, a dramatist. Sacred to ancient Egyptians, domestic cats share more than 95% of their genetic makeup with tigers, and they can leap five times their height.

Nisha, who looked to be about 15 years old, drew a parol - a star-shaped lantern displayed during Christmas - and a Bahay kubo - a traditional Filipino-style house - with a small pencil, as she sat at a table of the Bayanihan Community Center in SoMa.

Featuring over 1,800 pieces of cannabis packaging spanning three decades and three continents, 'Get to the Bag' is the world's first mylar art show, now in its third year.

Imagine getting access to your favorite bands' most personal possessions: private photos, posters, notebooks, tour laminates, equipment, clothing, booking schedules. There are even bus tickets, a hospital birth certificate and snaps of pet dogs. Imagine a dizzying array of their entire career, covered indelibly with their own mucky fingerprints, as well as their greatest glories and messiest misbehavior.

From Do Ho Suh's ethereal architecture to Kimsooja's irridescent mirrors to Lauren Halsey's fringed tapestry, a new book from Monacelli celebrates a broad spectrum of light and color. Rainbow Dreams features more than 200 installations, sculptures, paintings, photographs, and more that revel in the possibilities of pigment. Bound in a smooth gradient that extends to the pages' edges, this vivid survey is a celebratory, playful object in itself.

Several years ago, Michael Pollan had a disturbing encounter. The relentlessly curious journalist and author was at a conference on plant behaviour in Vancouver. There, he'd learned that when plants are damaged, they produce an anaesthetising chemical, ethylene. Was this a form of self-soothing, like the release of endorphins after an injury in humans? He asked Frantisek Baluska, a cell biologist, if it meant that plants might feel pain. Baluska paused, before answering: Yes, they should feel pain.

While Hopkina, who is based in New York and Massachusetts, has been included in many local group exhibitions and screenings, Basso dives deep into the artist's work with six films created over a nine-year period. As a member of the Ho-Chunk Nation/Pechanga Band of Luiseño Indian, Hopkina's use of poetry and atmospheric aesthetics is not only visually compelling, but mines the edges of linguistic, visual, and cultural legibility.

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It started as the only punk rock club in town, and for two to three years, it was the only place you could go, which was good because you'd see everyone you knew. The arrangement was practical and symbiotic: the restaurant profited from the punk crowds while the venue provided a crucial gathering space for the emerging underground music scene.

Considering how this experience could be expressed artistically, he conceived "Domestic Light," which for two years used windowsill sensors in nearly 100 sites globally to record what he describes as "multispectral traces of home."