"Dreams don't start when we fall asleep. They're already forming, just below the level of attention, as patterns rather than images. Under certain conditions, they become visible."
"The Dreamachine comes out of this, often described as the first artwork meant to be experienced with the eyes closed. A simple setup, a cylinder with cut-outs rotating on a phonographic turntable and around a light source, breaking it into pulses."
"Around eight to thirteen pulses per second, the frequency lines up with the brain's alpha state, that in-between zone where you're not fully focused but not drifting either."
Brion Gysin and Ian Sommerville developed the Dreamachine in the early 1960s, focusing on activating pre-existing dream patterns through flickering light. This artwork, designed to be experienced with closed eyes, uses a rotating cylinder and light source to create rhythmic pulses. These pulses align with the brain's alpha state, allowing perception to shift and revealing geometric patterns rather than traditional images. The Dreamachine exposes the inherent ability to generate visual experiences without direct focus, emphasizing the fluid nature of perception and consciousness.
Read at designboom | architecture & design magazine
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