The inaugural edition of a new Art Basel fair opened in natural gas-rich Qatar in February with a novel artist-curated format consisting of 87 dealers presenting focused, biennial-style displays by individual artists. The ruling Al Thani family, worth $200bn, toured the fair before it opened and reserved numerous works, leaving dealers to spend the next few days wondering if and when those reserves would convert into sales.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
At the start of 2026 France unveiled a new price structure for its national museums - including the Louvre and Versailles - that charges higher prices to non-EU visitors. Readers of The Local share their thoughts on this new law. Americans, UK citizens and Chinese nationals, who are some of the museum's most numerous foreign visitors, will be among those affected, as will tourists from poorer countries. This news has sparked a lot of controversy.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
Opened to the public in 1993, YBCA was founded as the cultural anchor of San Francisco's Yerba Buena Gardens neighborhood. Our work spans the realms of contemporary art, performance, film, civic engagement, and public life. Centering artists as essential to social and cultural movement, YBCA is reimagining the role an arts institution can play in the community it serves.
When Thomas Jefferson wrote about the "inalienable" rights of man in the US Declaration of Independence 250 years ago, it's possible he lifted the term from the French. And long before it was ever used as an adjective to describe human rights, it defined royal property. To this day, "inalienability" remains a cornerstone of public collections in France-and many other countries-impacting museums and their ability to deaccession, including for purposes of restitution.
The Sources of Music and The Triumphs of Music are each 30 by 36 feet, and they look magnificent through the glass walls of the opera company's home, day and night. The pair have been appraised at $55 million by Sotheby's, according to Peter Gelb, the Met's general manager, who told the New York Times last week that the company may sell them, with the condition that the buyer "would have to agree to leave them in place, with a donation plaque."