#hung-liu

#hung-liu

"The first step towards a cure is admitting you have a problem," artist Josh Kline writes, highlighting the inequities in New York City's real estate market and its impact on art.

"It's an amalgamation of the Chicago neighborhood aesthetic with a Bulls fan, quite literally. It's kind of on the nose, but that's how I juxtapose the elements of my work, with the structure of a home and then a figure who is around or in the home."

The Grand Palais in Paris unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, featuring abundant examples of his celebrated gouache cut-outs.

The Duchamp exhibition at MoMA is encyclopedic, thought-provoking, and sometimes surprising. It spans the entire sixth floor and invites viewers to engage deeply with his work.

The Asian Art Museum is home to one of the world's finest collections of Asian art, boasting more than 18,000 awe-inspiring artworks ranging from ancient jades and ceramics to contemporary video installations.

The concert features 'Field of Sorrow,' a new work by Juhi Bansal, which sets translations of landays, women's poetry from Afghanistan, for soprano, cello, and piano.

"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."

Both plays set out to examine the ugly ways that American capitalism has twisted itself up with the striving of characters of color - characters whose immediate roots stretch beyond the U.S. and whose ambitions within its borders have resulted in a malignant combination of rugged self-reliance and internalized self-hatred.

Sand Art is a game by Kory Jordan and published by 25th Century Games for two to four players ages 10 and up. It takes about an hour to play, and has you collecting resources and then coloring in a bottle, making art in a bottle out of sand, in case the name didn't give away the plot. Gameplay Overview: Sand Art has you gathering and mixing sand, which is used to fill your bottle.

Feng Yitong is a Berlin-based illustrator from Xi'an, China whose comic and hand-drawn imagery addresses migration, cultural shifts and embodied experiences in heavy, tactile forms of oil pastels. Using skills learned from her bachelors and masters degrees in illustration at the Berlin University of the Arts, she sketches her emotive scenes, then scans before using a light table to transfer them onto A4 and A3 paper. Coloured with oil pastels, she achieves her sharp visual effects by using kitchen cloths to remove or mix thick marks to create defined edges and distinct segments of her dense images.

The next PST Art will highlight exchange around the Pacific across several centuries, from the arrival of Chinese porcelain in the Spanish missions to the influence of Japanese visual culture on the city's architecture and design, to the ongoing impact of contemporary Korean pop culture.

While Hopkina, who is based in New York and Massachusetts, has been included in many local group exhibitions and screenings, Basso dives deep into the artist's work with six films created over a nine-year period. As a member of the Ho-Chunk Nation/Pechanga Band of Luiseño Indian, Hopkina's use of poetry and atmospheric aesthetics is not only visually compelling, but mines the edges of linguistic, visual, and cultural legibility.

The exhibit, which runs Jan.15-March 14 at the De Anza College museum, is presented in conjunction with Silicon Valley Reads and its 2026 theme, "Bridges to Belonging." Self, family and neighborhood portraits reflect South Bay Area faces and stories. Marie Cameron's "People in My Neighborhood" series grew from her desire to meet and celebrate essential workers and creatives in her hometown of Los Gatos. The portraits include her neighbor's caregiver, grocery store and café workers, an artist, an author and a small business owner.

We're just a week away from Frieze LA, when East Coast dealers and local artists alike descend upon the Santa Monica Airport, but this isn't Renée Reizman's first rodeo. Since the critic and artist moved to the area almost 15 years ago, she's witnessed blue-chip New York galleries set up shop and sideline the irreverent, DIY spaces that shape the local art scene. Without these spaces, Reizman writes, she would not have discovered what art can be outside of the white cube.

Artist Ayelet Gal-On does not just paint; she builds, layering oil, acrylic and plaster on canvas. Gal-On's signature subjects for "Taken by the Wind, Swept by the Light," her upcoming solo exhibition at Gallery 9 in Los Altos, are white dresses that appear to hang on a line, defying the stillness of the canvas. "I love the process of playing with color," says the artist.

These paintings reveal the layers of history that undergird modern Los Angeles. Yaanga Lies Under the 101 imagines the city's earliest Tongva inhabitants as they made their home on the land that, in the modern day, runs beneath the Hollywood Freeway. Campos's process mimics this archaeological layering: each canvas begins with a screenprinted underlayer that is then painted over in acrylic, and then once again layered with screenprinted details.