#film-festivals

#film-festivals

But after years in the shadows, the country has finally found its place in the international spotlight with a number of distinctive, relationship-centred and critically acclaimed films and television shows in what many are describing as a Norwegian golden age. The last few months alone have seen the release of Dreams, the third of Dag Johan Haugerud's Oslo Stories Trilogy, which won the biggest prize at this year's Berlin film

But since the pandemic shifted how so much of the industry operates, the past few years have seen unusual variation. Coda became the first best picture winner from Sundance, Everything Everywhere All at Once the first from SXSW, Oppenheimer the first non-festival premiere to win since The Departed in 2006 and the past six years has seen Cannes with more best picture wins than any other festival.

Plenty of films go into Venice, Telluride, and Toronto with North American distribution already in place, particularly when you have the backing of a distributor like Netflix (which had four world premieres this fall) or Focus Features (which brought the house down with the likes of " Hamnet" and " Bugonia "). But with more than 300 features premiering at this year's Toronto International Film Festival, and a swath at Venice, Telluride, and now headed for New York, many venture in without distribution support.

In Venice, Telluride and Toronto, the red carpets have been rolled up and the dust has settled on the film festivals which traditionally function as Oscar launchpads. Back in Hollywood, publicists are recalibrating campaigns and pundits are placing their bets on the big films and performances of the upcoming awards season. A few key contenders are still yet to be seen, but at this stage of the race, one thing seems clear: come next March, records will be broken.

The best of the three is a movie that wasn't on many radars before Venice but became a must-see at TIFF after it emotionally devastated Italian audiences. Kaouther Ben Hania's " Four Daughters" was a breakthrough for the Tunisian filmmaker, earning her an Oscar nomination for Best Documentary Feature. She uses her skills with non-fiction filmmaking to emotional effect with the crushing "The Voice of Hind Rajab," a recounting of the events of January 29, 2024, much of which played out on social media.

I'm particularly excited about two screenings: "Paper Bag Plan" by Anthony Lucero whose debut film was "East Side Sushi," and the documentary "In The Red" by Mimi Chakarova which follows five youths of color through their training at the BAY EMT program. If you would like us to consider an event for this weekly list, please email me at azucena@oaklandside.org.

People attend the canonisation ceremony for Carlo Acutis in St Peter's Square Photograph: Filippo Monteforte/AFP/Getty Images Prince Hisahito attends his coming-of-age ceremony at the imperial palace Photograph: AP Beef is prepared to cook a traditional dish called Kuah Beulangong to commemorate the birthday of the prophet Muhammad Photograph: Hotli Simanjuntak/EPA The DJ and music producer Vladimir Cauchemar at the city's 51st American film festival Photograph: AFP/Getty Images Josh Brolin, Glenn Close and Jeremy Renner at the premiere of Wake Up Dead Man: A Knives Out Mystery, during the city's international film festival Photograph: Anadolu/Getty Images Benny Safdie poses with the Silver Lion for the runner-up as best director for The Smashing Machine at the city's 82nd international film festival Photograph: Ernesto Ruscio/Getty Images

This year at the Toronto International Film Festival, the Gala Presentations included two world premieres: Palestinian filmmaker Annemarie Jacir's 1930s-set historical epic "Palestine 36" and Nicholas Hytner's WWII dramedy "The Choral" starring Ralph Fiennes, and the Toronto Premiere for Montreal-based filmmaker Anne Émond's romantic comedy "Peak Everything," which first premiered earlier this year at Cannes. All three films seek to examine contemporary society, two through the past, one through the present, with mixed results.

That'd be a lot for any actor, but it's especially noteworthy for a musical artist whose acting roles were previously limited to voice parts in the Angry Birds and UglyDolls movies. Charli is a pop star, nightlife queen, and certified cool girl, but in the past year, she's made it clear she's also a cinephile who's very interested in making it onto the big screen.

Love, Brooklyn from Greenwich Entertainment, the feature debut of Rachael Abigail Holder, opens at NYC's Angelika Film Center. André Holland is a writer navigating complicated relationships with his ex, an art gallery owner (Nicole Beharie), and his current lover, a newly single mother (DeWanda Wise), with the support of his best friend (Roy Wood Jr.). Written by Paul Zimmerman. Holland is a producer and Steven Soderbergh EP of this modern romance set against the rapidly changing landscape of Brooklyn.

Every year, the agents tell us the sales market at festivals takes longer to materialize, and every year they turn out to be (mostly) right. Still, before each film festival kicks off, we take the time to round up the handful of movies that could still fetch those illusory bidding wars and fantastic 8-figure deals.

In just its second year in existence, The Popcorn List - a survey of acclaimed ( but still undistributed) feature films that debuted at major or regional film festivals over the past year and come highly recommended by festival programmers - is already taking a big step forward. Next month, the creators of the list will host various pop up screening events, both at theaters and virtually, to show off the very same films they've been championing. The Pop Up Series includes eight films from the 2025 list - seven from first-time feature directors, six directed by women, three documentaries, and five fiction features - and will not only provide a space for eager audiences to see this stellar films, but will also offer a unique model for both promotion and profit.

The virtual screenings during the Covid-19 pandemic briefly lifted long-standing barriers for African professionals and audiences at film festivals, but this democratization was short-lived as festivals returned to physical gatherings.

Horror is an expansive genre that includes a variety of sub-genres and styles, emphasizing the independent spirit of filmmaking beyond big studios.