Cultural and political movements often face backlash, as seen historically with Jim Crow and civil rights, and more recently with Trump’s campaign responding to Obama.
The exhibition takes the chance to showcase the wedge‑car design movement that emerged as a stray from the curvaceous, chrome-laden styling of earlier eras, visibly favoring a futuristic aesthetic instead of the typical aerodynamic-focused production.
The faded photo captures three boys unaware of their connection as brothers. Taken in a Greystones orphanage in 1968, it symbolizes their shared yet separate beginnings.