Richard Prince’s latest exhibition, Posters, revives a decade’s worth of work by transforming vintage counterculture magazine ads from the 1960s and '70s into oversized artworks, challenging viewers to confront image culture's impact on rebellion and identity.
The celebration of punk rock ethos, hosted by Pope of Trash himself John Waters, flies in the face of festival conventions. Most of the things that make the modern big-budget music festival an exhausting experience were absent at Mosswood, making this feel like a walk in the park compared to an overwhelming festival like Outside Lands or Portola.